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| Author | : David Raizman |
| Publisher | : Routledge |
| Total Pages | : 246 |
| Release | : 2017-10-23 |
| Genre | : Art |
| ISBN | : 1351657488 |
Download Expanding Nationalisms at World's Fairs Book in PDF, ePub and Kindle
Expanding Nationalisms at World’s Fairs: Identity, Diversity, and Exchange, 1851–1915 introduces the subject of international exhibitions to art and design historians and a wider audience as a resource for understanding the broad and varied political meanings of design during a period of rapid industrialization, developing nationalism, imperialism, expanding trade and the emergence of a consumer society. Its chapters, written by both established and emerging scholars, are global in scope, and demonstrate specific networks of communication and exchange among designers, manufacturers, markets and nations on the modern world stage from the second half of the nineteenth century into the beginning of the twentieth. Within the overarching theme of nationalism and internationalism as revealed at world’s fairs, the book’s essays will engage a more complex understanding of ideas of competition and community in an age of emergent industrial capitalism, and will investigate the nuances, contradictions and marginalized voices that lie beneath the surface of unity, progress, and global expansion.
| Author | : David Raizman |
| Publisher | : Routledge |
| Total Pages | : |
| Release | : 1962-06-22 |
| Genre | : |
| ISBN | : 9781472486516 |
Download Expanding Nationalisms at World Fairs Book in PDF, ePub and Kindle
| Author | : Mauricio Tenorio-Trillo |
| Publisher | : Univ of California Press |
| Total Pages | : 391 |
| Release | : 2024-06-12 |
| Genre | : History |
| ISBN | : 0520378091 |
Download Mexico at the World's Fairs Book in PDF, ePub and Kindle
This intriguing study of Mexico's participation in world's fairs from 1889 to 1929 explores Mexico's self-presentation at these fairs as a reflection of the country's drive toward nationalization and a modernized image. Mauricio Tenorio-Trillo contrasts Mexico's presence at the 1889 Paris fair—where its display was the largest and most expensive Mexico has ever mounted—with Mexico's presence after the 1910 Mexican Revolution at fairs in Rio de Janeiro in 1922 and Seville in 1929. Rather than seeing the revolution as a sharp break, Tenorio-Trillo points to important continuities between the pre- and post-revolution periods. He also discusses how, internationally, the character of world's fairs was radically transformed during this time, from the Eiffel Tower prototype, encapsulating a wondrous symbolic universe, to the Disneyland model of commodified entertainment. Drawing on cultural, intellectual, urban, literary, social, and art histories, Tenorio-Trillo's thorough and imaginative study presents a broad cultural history of Mexico from 1880 to 1930, set within the context of the origins of Western nationalism, cosmopolitanism, and modernism. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.
| Author | : Cristina Della Coletta |
| Publisher | : University of Toronto Press |
| Total Pages | : 362 |
| Release | : 2006-12-15 |
| Genre | : History |
| ISBN | : 1442658096 |
Download World's Fairs Italian-Style Book in PDF, ePub and Kindle
According to conventional wisdom, Italy was not an influential participant in the nationalistic and imperialistic discourses that world's fairs produced in countries such as Great Britain, France, and the United States. In the late nineteenth and early twentieth centuries, however, Italy hosted numerous national and international exhibitions expounding notions of national identity, imperial expansion, technological progress, and capitalist growth. World's Fairs Italian-Style explores world's fairs in Italy at the turn of the twentieth century in comparison to their more famous counterparts in France, England, and the United States. Cristina Della Coletta demonstrates that, because of its social fragmentation and hybrid history, Italy was a site of both hegemony and subordination – an aspiring imperial power whose colonization started from within. She focuses on two best-selling authors, Emilio Salgari and Guido Gozzano, and illustrates how these authors interpreted their age's 'exposition mentality.' Salgari and Gozzano's exposition narratives, Della Coletta argues, reveal Italy's uncertainties about own sense of national identity, and its belated commitment to Western imperialism. Of interest to students and scholars of literature, cultural history, and Italian, World's Fairs Italian-Style provides a fascinating glimpse into a hitherto unexplored area of study, and brings to light a cultural phenomenon that played a significant role in shaping Italy's national identity.
| Author | : Donna Loveday |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 261 |
| Release | : 2022-08-11 |
| Genre | : Design |
| ISBN | : 1350162787 |
Download Curating Design Book in PDF, ePub and Kindle
Illustrated with contemporary case studies, Curating Design provides a history of and introduction to design curatorial practice both within and outside the museum. Donna Loveday begins by tracing the history of the collecting and display of designed objects in museums and exhibitions from the 19th century 'cabinet of curiosities' to the present day design museum. She then explores the changing role of the curator since the 1980s, with curators becoming much more than just 'keepers' of a collection, with a remit to create narrative and experiential exhibitions as well as develop the museum's role as a space of learning for its visitors. Curating as a practice now describes the production of a number of cultural and creative outputs, ranging from exhibitions to art festivals; shopping environments to health centres; conferences to film programming as well as museums and galleries. Loveday explores how design has come to the fore in curatorial practice, with new design museums opening around the world as well as blockbusting exhibitions of fashion and popular culture. Interviews with leading practitioners from international design and arts museums provide a spotlight on contemporary challenges and best practice in design curatorship.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 440 |
| Release | : 2022-05-16 |
| Genre | : Law |
| ISBN | : 9004511431 |
Download Intellectual Property and the Law of Nations, 1860-1920 Book in PDF, ePub and Kindle
This collection presents new narratives on the emergence of intellectual property rights in the law of nations during the late nineteenth century and early twentieth century. The collection reveals the extent to which various forms of intellectual property protection eventually shaped contemporary international law.
| Author | : M. Elizabeth Boone |
| Publisher | : Penn State Press |
| Total Pages | : 273 |
| Release | : 2020-01-10 |
| Genre | : Art |
| ISBN | : 0271085266 |
Download The Spanish Element in Our Nationality” Book in PDF, ePub and Kindle
“The Spanish Element in Our Nationality” delves beneath the traditional “English-only” narrative of U.S. history, using Spain’s participation in a series of international exhibitions to illuminate more fully the close and contested relationship between these two countries. Written histories invariably record the Spanish financing of Columbus’s historic voyage of 1492, but few consider Spain’s continuing influence on the development of U.S. national identity. In this book, M. Elizabeth Boone investigates the reasons for this problematic memory gap by chronicling a series of Spanish displays at international fairs. Studying the exhibition of paintings, the construction of ephemeral architectural space, and other manifestations of visual culture, Boone examines how Spain sought to position itself as a contributor to U.S. national identity, and how the United States—in comparison to other nations in North and South America—subverted and ignored Spain’s messages, making it possible to marginalize and ultimately obscure Spain’s relevance to the history of the United States. Bringing attention to the rich and understudied history of Spanish artistic production in the United States, “The Spanish Element in Our Nationality” recovers the “Spanishness” of U.S. national identity and explores the means by which Americans from Santiago to San Diego used exhibitions of Spanish art and history to mold their own modern self-image.
| Author | : Helen McCormack |
| Publisher | : Routledge |
| Total Pages | : 401 |
| Release | : 2017-10-12 |
| Genre | : Art |
| ISBN | : 1134767153 |
Download William Hunter and his Eighteenth-Century Cultural Worlds Book in PDF, ePub and Kindle
The eminent physician and anatomist Dr William Hunter (1718-1783) made an important and significant contribution to the history of collecting and the promotion of the fine arts in Britain in the eighteenth century. Born at the family home in East Calderwood, he matriculated at the University of Glasgow in 1731 and was greatly influenced by some of the most important philosophers of the Scottish Enlightenment, including Francis Hutcheson (1694-1746). He quickly abandoned his studies in theology for Medicine and, in 1740, left Scotland for London where he steadily acquired a reputation as an energetic and astute practitioner; he combined his working life as an anatomist successfully with a wide range of interests in natural history, including mineralogy, conchology, botany and ornithology; and in antiquities, books, medals and artefacts; in the fine arts, he worked with artists and dealers and came to own a number of beautiful oil paintings and volumes of extremely fine prints. He built an impressive school of anatomy and a museum which housed these substantial and important collections. William Hunter’s life and work is the subject of this book, a cultural-anthropological account of his influence and legacy as an anatomist, physician, collector, teacher and demonstrator. Combining Hunter’s lectures to students of anatomy with his teaching at the St Martin’s Lane Academy, his patronage of artists, such as Robert Edge Pine, George Stubbs and Johan Zoffany, and his associations with artists at the Royal Academy of Arts, the book positions Hunter at the very centre of artistic, scientific and cultural life in London during the period, presenting a sustained and critical account of the relationship between anatomy and artists over the course of the long eighteenth century.
| Author | : David Nielsen |
| Publisher | : Berghahn Books |
| Total Pages | : 214 |
| Release | : 2024-08-01 |
| Genre | : Architecture |
| ISBN | : 1805396331 |
Download Smoke and Mirrors Book in PDF, ePub and Kindle
The Yenidze Cigarette Factory of 1909 was constructed as an industrial, architectural object that advertised Dresden as a center for the tobacco trade. Born from a unique client-architect relationship between Hugo Zietz and Martin Hammitzsch, the factory’s importance to modernism has been understated. Smoke and Mirrors uncovers the history of the factory’s planning, design, and construction, and for the first time, apart from the building’s historical narrative, positions this addition to Dresden’s skyline within the formative histories of the modern movement.
| Author | : Laura Elise Brill |
| Publisher | : |
| Total Pages | : 100 |
| Release | : 2012 |
| Genre | : Exposition universelle de 1867 |
| ISBN | : |
Download Fair Nations Book in PDF, ePub and Kindle
World's fairs have changed the global modern landscape, joining nations while also promoting nationalism and, at times, imperialist agendas. This thesis examines two prominent world exhibitions, the Paris 1867 Exposition Universelle and the St. Louis 1904 Louisiana Purchase International Exposition, and it investigates the methodology each nation deployed to portray its identity through the representation of its own and other cultures. Particularly in their commemorations of colonial endeavors, each fair presented a national identity that reveals a particular ideology through exhibition classification systems. In particular, as I will show, the Paris Exposition focused on industry and the St. Louis Fair emphasized race. As this thesis will demonstrate, the 1867 Exposition Universelle and the Louisiana Purchase International Exposition are the best examples of the use of nationalism and "othering" in the form of exhibitions.^As I will show, we can sum up these fairs in two very different ways, each of which reflects a different set of national priorities from cities that were attempting to present their respective nations as the most progressive of their time. Specifically, the French Exposition collected and surveyed machinery and consumer goods to display their nation as technologically progressive. By contrast, the United States presented their national pride through the celebration of their imperialistic endeavors, exhibiting Native Americans as well as non-western races deemed inferior by the U.S. Technological innovation was the most significant for France, whereas for the U.S., the St. Louis Fair provided the opportunity to further the ideology of Manifest Destiny and other racist ideas. The display of culture and progress at the Paris Exposition served as a paradigm for the St. Louis Fair; the display of French nationalism was superseded by the display of race at St. Louis.^The structure and display of national pride at the 1867 Exposition developed and increased with each subsequent world's fair, leading to the imperial display of race at the St. Louis Fair.
