Estampes Du XVI Au XVIII Siecle Par...
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Total Pages | : |
Release | : 1972 |
Genre | : Art |
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Total Pages | : |
Release | : 1972 |
Genre | : Art |
ISBN | : |
Author | : Alain Mérot |
Publisher | : Yale University Press |
Total Pages | : 336 |
Release | : 1995-01-01 |
Genre | : Art |
ISBN | : 0300065507 |
Recent studies and exhibitions, combined with the discovery of work by hitherto little-known artists have enabled Merot to take a fresh look at the period and to suggest a new configuration. The great names of the period - Poussin, Vouet, Le Sueur, de La Tour, Mignard - are located in relation to other developments. Merot includes discussion of the impact of contemporary literature and political, philosophical and social influences. The foundation of the Royal Academy of Painting in 1648, and the influence of Mazarin on artistic developments are considered with other issues of status, patronage and connoisseurship. The book provides a panorama of the period; the text is profusely illustrated in colour, and accompanied by a comprehensive bibliography.
Author | : |
Publisher | : Yale University Press |
Total Pages | : 336 |
Release | : 2022-05-31 |
Genre | : Photography |
ISBN | : 0300264275 |
A deep dive into the pioneering collection of nineteenth-century French photographs, equipment, and ephemera, which is a cornerstone of the George Eastman Museum In the early twentieth century, Parisian photographer, amateur historian, and collector Gabriel Cromer (1873-1934) amassed a collection that traced photography's prehistory, invention, and development to about 1890. His dream was to found a national museum of the photographic arts in France. Although Cromer's ambition was never realized, his collection was central to establishing the world's first museum dedicated to photography: the George Eastman Museum. The Cromer Collection of Nineteenth‑Century French Photography considers the origin and circulation of the collection as well as the influence it has had on photography as a field of study. The book's six essays, written by French and American scholars, explore the Cromer Collection's complex passage across markets, borders, and functions. For more than half a century, curators and scholars worldwide have drawn extensively on the Gabriel Cromer Collection for exhibitions and publications; this book provides the first focused scholarly study of the foundational resource.
Author | : Michel Melot |
Publisher | : Yale University Press |
Total Pages | : 301 |
Release | : 1996-01-01 |
Genre | : Crafts & Hobbies |
ISBN | : 0300067925 |
A print can sometimes tell us more than a painting about the history of art. Michel Melot illustrates his thesis in this book, analysing relationships between artists, the art market, the critics, collectors and political institutions. This fresh approach reveals Impressionism not as a sort of miracle, but as a response to economic and social upheaval. This original view of a key movement in the history of art allows the reader to understand its decisive effect on all the subsequent generations who have contributed to maintaining the tradition of the belle epreuve.
Author | : John Grand-Carteret |
Publisher | : |
Total Pages | : 976 |
Release | : 1896 |
Genre | : Almanacs |
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Author | : |
Publisher | : Odile Jacob |
Total Pages | : 315 |
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ISBN | : 2738183298 |
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 327 |
Release | : 1986 |
Genre | : Drawing |
ISBN | : 0870994638 |
Author | : New York Public Library |
Publisher | : |
Total Pages | : 1080 |
Release | : 1915 |
Genre | : Bibliography |
ISBN | : |
Includes its Report, 1896-19 .
Author | : Peter Fuhring |
Publisher | : Getty Publications |
Total Pages | : 348 |
Release | : 2015-06-18 |
Genre | : Art |
ISBN | : 1606064509 |
Once considered the golden age of French printmaking, Louis XIV’s reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothèque nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries. A Kingdom of Images is published to coincide with an exhibition on view at the Getty Research Institute from June 18 through September 6, 2015, and at the Bibliothèque nationale de France in Paris from November 2, 2015, through January 31, 2016.
Author | : Jean-Auguste-Dominique Ingres |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 610 |
Release | : 1999 |
Genre | : Drawing, French |
ISBN | : 0870998919 |
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)