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Equivocal Subjects

Equivocal Subjects
Author: Shelleen Greene
Publisher: Bloomsbury Publishing USA
Total Pages: 329
Release: 2014-03-27
Genre: Performing Arts
ISBN: 1472535219

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Analysing the depiction of African Italian mixed-race subjects from the historical epics of the Italian silent "golden" era to the contemporary period, Equivocal Subjects engages the history of Italian nationalism and colonialism through theories of subject formation, ideologies of race, and postcolonial theory. Greene's approach also provides a novel interpretation of recent developments surrounding Italy's status as a major passage for immigrants seeking to enter the European Union. This book provides an original theoretical approach to the Italian cinema that speaks to the nation's current political and social climate.


Equivocal Subjects

Equivocal Subjects
Author: Shelleen Greene
Publisher: Bloomsbury Publishing USA
Total Pages: 329
Release: 2012-05-10
Genre: Performing Arts
ISBN: 1441136142

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Equivocal Subjects puts forth an innovative reading of the Italian national cinema. Shelleen Greene argues that from the silent era to the present, the cinematic representation of the "mixed-race" or interracial subject has served as a means by which Italian racial and national identity have been negotiated and re-defined. She examines Italy's colonial legacy, histories of immigration and emigration, and contemporary politics of multiculturalism through its cultural production, providing new insights into its traditional film canon. Analysing the depiction of African Italian mixed-race subjects from the historical epics of the Italian silent "golden" era to the contemporary period, this enlightening book engages the history of Italian nationalism and colonialism through theories of subject formation, ideologies of race, and postcolonial theory. Greene's approach also provides a novel interpretation of recent developments surrounding Italy's status as a major passage for immigrants seeking to enter the European Union. This book provides an original theoretical approach to the Italian cinema that speaks to the nation's current political and social climate.


Machiavelli's Politics

Machiavelli's Politics
Author: Catherine H. Zuckert
Publisher: University of Chicago Press
Total Pages: 511
Release: 2017-04-25
Genre: Literary Criticism
ISBN: 022643480X

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Machiavelli is popularly known as a teacher of tyrants, a key proponent of the unscrupulous “Machiavellian” politics laid down in his landmark political treatise The Prince. Others cite the Discourses on Livy to argue that Machiavelli is actually a passionate advocate of republican politics who saw the need for occasional harsh measures to maintain political order. Which best characterizes the teachings of the prolific Italian philosopher? With Machiavelli’s Politics, Catherine H. Zuckert turns this question on its head with a major reinterpretation of Machiavelli’s prose works that reveals a surprisingly cohesive view of politics. Starting with Machiavelli’s two major political works, Zuckert persuasively shows that the moral revolution Machiavelli sets out in The Prince lays the foundation for the new form of democratic republic he proposes in the Discourses. Distrusting ambitious politicians to serve the public interest of their own accord, Machiavelli sought to persuade them in The Prince that the best way to achieve their own ambitions was to secure the desires and ambitions of their subjects and fellow citizens. In the Discourses, he then describes the types of laws and institutions that would balance the conflict between the two in a way that would secure the liberty of most, if not all. In the second half of her book, Zuckert places selected later works—La Mandragola, The Art of War, The Life of Castruccio Castracani, Clizia, and Florentine Histories—under scrutiny, showing how Machiavelli further developed certain aspects of his thought in these works. In The Art of War, for example, he explains more concretely how and to what extent the principles of organization he advanced in The Prince and the Discourses ought to be applied in modern circumstances. Because human beings act primarily on passions, Machiavelli attempts to show readers what those passions are and how they can be guided to have productive rather than destructive results. A stunning and ambitious analysis, Machiavelli’s Politics brilliantly shows how many conflicting perspectives do inform Machiavelli’s teachings, but that one needs to consider all of his works in order to understand how they cohere into a unified political view. This is a magisterial work that cannot be ignored if a comprehensive understanding of the philosopher is to be obtained.


Boethius on Mind, Grammar and Logic

Boethius on Mind, Grammar and Logic
Author: Taki Suto
Publisher: BRILL
Total Pages: 321
Release: 2011-11-11
Genre: History
ISBN: 9004214186

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Boethius, the Roman philosopher, was executed for treason and pilloried by modern scholars for misinterpreting Aristotle to the West. This book examines his semantics and logic, attempting to clear his name and lend him new credence.


History of Scotland

History of Scotland
Author: Peter Hume Brown
Publisher:
Total Pages: 454
Release: 1899
Genre:
ISBN:

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Equivocal Communication

Equivocal Communication
Author: Janet Beavin Bavelas
Publisher: SAGE Publications, Incorporated
Total Pages: 356
Release: 1990-04
Genre: Language Arts & Disciplines
ISBN:

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Equivocation, non-straightforward communication which includes messages that are ambiguous, indirect, contradictory or evasive, is highlighted as an important phenomenon in this volume. The authors show how equivocation can be measured with a scaling method that offers an objective assessment of the amount and kind of equivocation that exist in a message and which can be used in a variety of research programmes. Several hundred experiments, with a wide range of subjects - from children to politicians - support the theory that equivocations occur only in situations where all direct messages would lead to negative consequences, and that communication is dependent more on situations than on individuals.


Future Texts

Future Texts
Author: Vicki Callahan
Publisher: Parlor Press LLC
Total Pages: 159
Release: 2015-10-25
Genre: Computers
ISBN: 1602357706

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Future Texts: Subversive Performance and Feminist Bodies sketches several possibilities for future texts, those that imagine new pathways through the forms used to express contemporary questions of race, gender, and identity. Future Texts: Subversive Performance and Feminist Bodies’ area of investigation is situated within popular culture, not as a place of critique or celebration, but rather as a contested site that crosses an array of media forms, from music video, to games, to global journalism. While there is an established tradition in feminist writing founded on experimental expression that disrupts patriarchal culture, it has too often failed to consider issues of race and class. This is evident in the dilemma faced by black feminists who, alienated from dominant feminism’s failure to consider their experience, have been forced to choose whether they were black or women first. To push back against such identity splintering, Future Texts: Subversive Performance and Feminist Bodies begins with the politics and aesthetics of Afrofuturism, which sets the stage for the dialogue around contemporary feminism that runs through the collection. With a paradigm of remix as linguistic play and reconfiguration, the chapters confront the question of narrative codes and conventions. These new formats are crucial to rewriting the relationship between hegemonic and resistant texts.


Equivocal Subjects

Equivocal Subjects
Author: Shelleen Maisha Greene
Publisher:
Total Pages: 452
Release: 2007
Genre: Motion pictures, Italian
ISBN: 9780549410775

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My dissertation seeks to establish a critical framework for the analysis of mixed-race subjects in Italian film. Within the Italian context, mixed-race subjects emerged out of the colonial conditions stemming from the nation's occupation and settlement of its east African colonies beginning in the nineteenth century. However, racial mixture has also served as a metaphor for the internal division of Italy between North and South, a historical formation that arguably allows for the development of analytics, such as the "Southern Question," by which to essentialize a racially heterogeneous population. Through an examination of four historically contextualized films, I examine the presentation of mixed-race subjects in Cabiria (1914), Sotto la croce del sud (1938), Il Mulatto (1949/1951), and Il fiore delle mille e una notte (1974). I argue that the mixed-race subject is a constitutive element of the Italian cinema, a figure that serves as a nodal point for the intersection of conceptions of race and the nation.