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Encaustic Art in the Twenty-First Century

Encaustic Art in the Twenty-First Century
Author: Anne Lee
Publisher: Schiffer Craft
Total Pages: 0
Release: 2016
Genre: Art
ISBN: 9780764350238

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From beehive to hotplate to the artist's hand, encaustic has evolved as a versatile medium applied to almost every artistic style. A long-overdue look at a newly popular art form, this book explores 79 North American artists' feelings about their work in encaustic and how they use it to express their inner worlds and the world around them. Eight chapters organize the artists by geographical region and focus on how the heated beeswax and resin material is used to create seductive, skin-like surfaces and rich, layered membranes. More than 2,000 years old, this cross-disciplinary medium ranges from painting to sculpture, assemblage, collage, and printmaking and encourages risk-taking in a way that other materials do not. Its inherent contradictions--it can be hot or cold, malleable or solid, opaque or translucent, layered or thin, permanent or fragile--make it all the more fascinating.


The Future of the Past

The Future of the Past
Author: Gail Stavitsky
Publisher:
Total Pages: 38
Release: 2012
Genre: Art, Modern
ISBN:

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Making Modernism

Making Modernism
Author: Michael C. FitzGerald
Publisher: Univ of California Press
Total Pages: 334
Release: 1996-01-01
Genre: Art
ISBN: 9780520206533

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Artists don't achieve financial success and critical acclaim during their lifetimes as a result of chance or luck. Michael FitzGerald's assiduously researched book documents Picasso's courting of dealers, critics, collectors, and curators as he established his reputation during the first forty years of the twentieth century. FitzGerald describes the care, patience, and resourcefulness invested by Paul Rosenberg, Picasso's dealer and close collaborator from 1918 to 1940, in building the financial value and public acceptance of Picasso's art. The book is based on and quotes generously from previously unpublished correspondence between Picasso and dealers, collectors, and museum curators.


Twentieth-century Watercolors

Twentieth-century Watercolors
Author: Christopher Finch
Publisher:
Total Pages: 320
Release: 1988
Genre: Art
ISBN:

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Gathers watercolors by Chagall, Picasso, Matisse, Stuart Davis, Edward Hopper, George Grosz, Otto Dix, Paul Islee, Joan Miro, and Piet Mondrian.


Encaustic Art

Encaustic Art
Author: Jennifer Margell
Publisher: Parkstone International
Total Pages: 297
Release: 2023-12-28
Genre: Art
ISBN: 1783103299

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Encaustic painting is one of the world’s most venerable art forms, having been practised consistently around the world since the ancient Egyptians first used it to decorate sarcophagi, and enjoying continuing popularity in the modern era with artists such as Paul Klee and Diego Rivera. In this new text, Jennifer Margell offers readers a comprehensive introduction to the medium, featuring instructive how-tos for encaustic art beginners, revealing interviews with some of the most celebrated practitioners of the medium, and a gallery featuring one of the largest published collections of encaustic art to date.


Encaustic Revelation

Encaustic Revelation
Author: P. Seggebruch
Publisher: North Light Books
Total Pages: 0
Release: 2014
Genre: Encaustic painting
ISBN: 9781440332951

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From the founder of Encausticamp comes this guide to the wax-painting technique, including step-by-step demonstrations, innovative techniques, and examples of student projects and finished pieces.


Collaborative Art in the Twenty-First Century

Collaborative Art in the Twenty-First Century
Author: Sondra Bacharach
Publisher: Routledge
Total Pages: 225
Release: 2016-05-05
Genre: Art
ISBN: 1317387449

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Collaboration in the arts is no longer a conscious choice to make a deliberate artistic statement, but instead a necessity of artistic survival. In today’s hybrid world of virtual mobility, collaboration decentralizes creative strategies, enabling artists to carve new territories and maintain practice-based autonomy in an increasingly commercial and saturated art world. Collaboration now transforms not only artistic practices but also the development of cultural institutions, communities and personal lifestyles. This book explores why collaboration has become so integrated into a greater understanding of creative artistic practice. It draws on an emerging generation of contributors—from the arts, art history, sociology, political science, and philosophy—to engage directly with the diverse and interdisciplinary nature of collaborative practice of the future.


Ottonian Imperial Art and Portraiture

Ottonian Imperial Art and Portraiture
Author: Eliza Garrison
Publisher: Ashgate Publishing, Ltd.
Total Pages: 248
Release: 2012
Genre: Art
ISBN: 9780754669685

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Ottonian Imperial Art and Portraiture represents the first art historical consideration of the patronage of the Ottonian Emperors Otto III (983-1002) and Henry II (1002-1024). Author Eliza Garrison analyzes liturgical artworks created for Otto III and Henry II with the larger goal of addressing the ways in which individual art objects and the collections to which they belonged were perceived as elements of a material historical narrative and as portraits.


Waxing Poetic

Waxing Poetic
Author: Gail Stavitsky
Publisher: Rutgers University Press
Total Pages: 0
Release: 1999
Genre: Encaustic painting
ISBN: 9780813527642

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Published in conjunction with an exhibition devoted to the encaustic medium, Waxing Poetic: Encaustic Art in America examines a painting method first used by the ancient Greeks and Romans. The word "encaustic" derives from the Greek term "enkaustikos," meaning "to burn in." The basic technique calls for dry pigments to be mixed with molten wax on a warm palette and applied to any ground or surface. A heat source is passed close to the surface, burning in and fusing the colors. Currently enjoying a widespread revival among painters, sculptors, and even printmakers, the encaustic medium's resurgence has been bolstered by the availability of commercially prepared paints and the availability of electrically heated equipment. In this lavishly illustrated volume, featuring more than 100 art works, Gail Stavitsky examines the twentieth-century encaustic renaissance. She discusses the work of such well-known artists as Jasper Johns, Jackson Pollock, Robert Rauschenberg, Lyndia Vengalis, and many others who have turned to this ancient medium to express their aesthetic, philosophical, and environmental concerns. The other two essays in this volume are "Encaustic Painting and Revivals: A History of Discord and Discovery" by Danielle Rice and "Encaustic Painting as a Contemporary Paint Medium" by Richard Frumess.


Catherine Eaton Skinner: 108

Catherine Eaton Skinner: 108
Author: Elizabeth Ann Brown
Publisher:
Total Pages: 0
Release: 2016
Genre: Art
ISBN: 9781942185109

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The number 108, a potent symbol in Buddhism, Hinduism and other Eastern spiritual traditions, has inspired the work of Seattle-based abstract painter Catherine Eaton Skinner since 2004. Best known for her encaustic paintings incorporating natural imagery, Skinner's Gya Gye(Tibetan for 108) and related series represent dramatic experimentation in form, process and viewer engagement. Informed by extensive travels in Bhutan, India, Japan and elsewhere--along with her corresponding research into languages and philosophical systems--she expanded her mediums to include rope, fabric, glass, stones and found objects which she modified in unpredictable ways. Although some of the series, such as the Elementspaintings, retain recognizable imagery, her recent series bring 108 into the 21st century. From QR code patterns to the simple, interminable zeroes and ones of binary language, Skinner discerns pictorial aptitude in contemporary digital codes. Other series explore ancient tally marks--both Eastern and Western--and the abstracting impact of systematically repeating simplified mountains or tight details of eyes, among other universal motifs.