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| Author | : Stephen Fratallone |
| Publisher | : BearManor Media |
| Total Pages | : 484 |
| Release | : 2014-11-25 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781593939052 |
| Author | : Stephen Fratallone |
| Publisher | : |
| Total Pages | : 464 |
| Release | : 1994 |
| Genre | : Actors |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 64 |
| Release | : 1963-08-24 |
| Genre | : |
| ISBN | : |
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
| Author | : David Rothel |
| Publisher | : Createspace Independent Publishing Platform |
| Total Pages | : 278 |
| Release | : 2016-09-21 |
| Genre | : |
| ISBN | : 9781537778648 |
The Singing Cowboys is a nostalgic, back-in-the-saddle examination of the musical B-Western films of the 1930s, 1940s, and 1950s and the singing cowboys that made them so popular. The author, David Rothel, spent a fondly remembered portion of his youth sitting in the Lincoln Theatre in Elyria, Ohio, where the singing cowboys-Gene Autry, Roy Rogers, Tex Ritter, and all the rest-played out their adventures and yodeled their songs on the silver screen. Thousands, perhaps millions, of youngsters from that era shared this common experience during their formative years. First published in 1978, The Singing Cowboys has been out of print for many years. Now, Riverwood Press in association with The Lone Pine Museum of Western Film History has republished the book in an updated, expanded, and repackaged edition. We hope you enjoy!
| Author | : Jonathan Kirshner |
| Publisher | : Cornell University Press |
| Total Pages | : 281 |
| Release | : 2012-11-15 |
| Genre | : Performing Arts |
| ISBN | : 0801465400 |
Between 1967 and 1976 a number of extraordinary factors converged to produce an uncommonly adventurous era in the history of American film. The end of censorship, the decline of the studio system, economic changes in the industry, and demographic shifts among audiences, filmmakers, and critics created an unprecedented opportunity for a new type of Hollywood movie, one that Jonathan Kirshner identifies as the "seventies film." In Hollywood's Last Golden Age, Kirshner shows the ways in which key films from this period—including Chinatown, Five Easy Pieces, The Graduate, and Nashville, as well as underappreciated films such as The Friends of Eddie Coyle, Klute, and Night Moves—were important works of art in continuous dialogue with the political, social, personal, and philosophical issues of their times. These "seventies films" reflected the era's social and political upheavals: the civil rights movement, the domestic consequences of the Vietnam war, the sexual revolution, women's liberation, the end of the long postwar economic boom, the Shakespearean saga of the Nixon Administration and Watergate. Hollywood films, in this brief, exceptional moment, embraced a new aesthetic and a new approach to storytelling, creating self-consciously gritty, character-driven explorations of moral and narrative ambiguity. Although the rise of the blockbuster in the second half of the 1970s largely ended Hollywood’s embrace of more challenging films, Kirshner argues that seventies filmmakers showed that it was possible to combine commercial entertainment with serious explorations of politics, society, and characters’ interior lives.
| Author | : Art Garner |
| Publisher | : Macmillan |
| Total Pages | : 353 |
| Release | : 2014-05-06 |
| Genre | : Sports & Recreation |
| ISBN | : 1250017785 |
Winner of the 2014 Dean Batchelor Award, Motor Press Guild "Book of the Year" Short-listed for 2015 PEN / ESPN Literary Award for Sports Writing Before noon on May 30th, 1964, the Indy 500 was stopped for the first time in history by an accident. Seven cars had crashed in a fiery wreck, killing two drivers, and threatening the very future of the 500. Black Noon chronicles one of the darkest and most important days in auto-racing history. As rookie Dave MacDonald came out of the fourth turn and onto the front stretch at the end of the second lap, he found his rear-engine car lifted by the turbulence kicked up from two cars he was attempting to pass. With limited steering input, MacDonald lost control of his car and careened off the inside wall of the track, exploding into a huge fireball and sliding back into oncoming traffic. Closing fast was affable fan favorite Eddie Sachs. "The Clown Prince of Racing" hit MacDonald's sliding car broadside, setting off a second explosion that killed Sachs instantly. MacDonald, pulled from the wreckage, died two hours later. After the track was cleared and the race restarted, it was legend A. J. Foyt who raced to a decisive, if hollow, victory. Torn between elation and horror, Foyt, along with others, championed stricter safety regulations, including mandatory pit stops, limiting the amount a fuel a car could carry, and minimum-weight standards. In this tight, fast-paced narrative, Art Garner brings to life the bygone era when drivers lived hard, raced hard, and at times died hard. Drawing from interviews, Garner expertly reconstructs the fateful events and decisions leading up to the sport's blackest day, and the incriminating aftermath that forever altered the sport. Black Noon remembers the race that changed everything and the men that paved the way for the Golden Age of Indy car racing.
| Author | : Norman Lear |
| Publisher | : Penguin Books |
| Total Pages | : 466 |
| Release | : 2015-10-27 |
| Genre | : Biography & Autobiography |
| ISBN | : 0143127969 |
The legendary creator of iconic television programs All in the Family, Sanford and Son, Maude, Good Times, The Jeffersons, and Mary Hartman, Mary Hartman, Norman Lear remade our television culture, while leading a life of unparalleled political, civic, and social involvement. Sharing the wealth of Lear's ninety years, this is a memoir as touching and remarkable as the life he has led.
| Author | : Chris Sullivan |
| Publisher | : Unbound Publishing |
| Total Pages | : 497 |
| Release | : 2019-04-08 |
| Genre | : Biography & Autobiography |
| ISBN | : 1789650038 |
Thirty-four essays and interviews with some of the greatest individuals, malcontents and free thinkers of the last 150 years - including Louise Brooks, Richard Pryor, David Bowie, Liam Gallagher and Daniel Day-Lewis - this is a collection that exonerates the maverick and celebrates the individual. It is an essential read for the left of field.
| Author | : Jeremy Simmonds |
| Publisher | : Chicago Review Press |
| Total Pages | : 850 |
| Release | : 2012-11-01 |
| Genre | : Music |
| ISBN | : 161374532X |
The bible of music's deceased idols—Jeff Buckley, Sid Vicious, Jimi Hendrix, Tupac, Elvis—this is the ultimate record of all those who arrived, rocked, and checked out over the last 40-odd years of fast cars, private jets, hard drugs, and reckless living. The truths behind thousands of fascinating stories—such as how Buddy Holly only decided to fly so he'd have time to finish his laundry—are coupled with perennial questions, including Which band boasts the most dead members? and Who had the bright idea of changing a light bulb while standing in the shower?, as well as a few tales of lesser-known rock tragedies. Updated to include all the rock deaths since the previous edition—including Ike Turner, Dan Fogelberg, Bo Diddley, Isaac Hayes, Eartha Kitt, Michael Jackson, Clarence Clemons, Amy Winehouse, and many, many more—this new edition has been comprehensively revised throughout. An indispensable reference full of useful and useless information, with hundreds of photos of the good, the bad, and the silly, this collection is guaranteed to rock the world of trivia buffs and diehards alike.
| Author | : Bernard Malamud |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 252 |
| Release | : 2003-07-07 |
| Genre | : Fiction |
| ISBN | : 146680503X |
The classical novel (and basis for the acclaimed film starring Robert Redford) now in a new edition Introduction by Kevin Baker The Natural, Bernard Malamud's first novel, published in 1952, is also the first—and some would say still the best—novel ever written about baseball. In it Malamud, usually appreciated for his unerring portrayals of postwar Jewish life, took on very different material—the story of a superbly gifted "natural" at play in the fields of the old daylight baseball era—and invested it with the hardscrabble poetry, at once grand and altogether believable, that runs through all his best work. Four decades later, Alfred Kazin's comment still holds true: "Malamud has done something which—now that he has done it!—looks as if we have been waiting for it all our lives. He has really raised the whole passion and craziness and fanaticism of baseball as a popular spectacle to its ordained place in mythology."
