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| Author | : Katherine Isobel Baxter |
| Publisher | : |
| Total Pages | : 235 |
| Release | : 2003 |
| Genre | : Dadaist literature |
| ISBN | : |
| Author | : G. Erickson |
| Publisher | : Springer |
| Total Pages | : 240 |
| Release | : 2007-05-14 |
| Genre | : Literary Criticism |
| ISBN | : 0230604269 |
Uses recent thought in continental philosophy and postmodern theology to interpret hidden and contradictory 'god-ideas' in texts of modernism such as Henry James's The Golden Bowl , Marcel Proust's In Search of Lost Time , James Joyce's Portrait of the Artist As a Young Man , and Arnold Schoenberg's opera Moses und Aron .
| Author | : Anthony J. Godzieba |
| Publisher | : Liturgical Press |
| Total Pages | : 438 |
| Release | : 2018-05-02 |
| Genre | : Religion |
| ISBN | : 0814663826 |
In a consumer-driven and technologized world, can we still experience the mystery of God? This book answers yes by exploring the rich resources of the Christian tradition of thinking and speaking about God. Focusing on God’s dialectical character—divine availability (“presence”) and divine excess (“absence”)—and the belief that “God is love” (1 John 4:16), professor Anthony J. Godzieba tracks how God became a problem in Western culture, then responds by showing how human experience is open to divine transcendence and how that openness encounters the revelation of God as Trinity. The book’s contemporary edge comes from its insistence that belief as embodied performance is the most authentic way to participate in the mystery of God’s love, which is “the answer to the mystery of the world and human beings” (Walter Kasper).
| Author | : Albrecht Classen |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 706 |
| Release | : 2020-08-24 |
| Genre | : History |
| ISBN | : 311069378X |
The notions of other peoples, cultures, and natural conditions have always been determined by the epistemology of imagination and fantasy, providing much freedom and creativity, and yet have also created much fear, anxiety, and horror. In this regard, the pre-modern world demonstrates striking parallels with our own insofar as the projections of alterity might be different by degrees, but they are fundamentally the same by content. Dreams, illusions, projections, concepts, hopes, utopias/dystopias, desires, and emotional attachments are as specific and impactful as the physical environment. This volume thus sheds important light on the various lenses used by people in the Middle Ages and the early modern age as to how they came to terms with their perceptions, images, and notions. Previous scholarship focused heavily on the history of mentality and history of emotions, whereas here the history of pre-modern imagination, and fantasy assumes center position. Imaginary things are taken seriously because medieval and early modern writers and artists clearly reveal their great significance in their works and their daily lives. This approach facilitates a new deep-structure analysis of pre-modern culture.
| Author | : Robert A. Orsi |
| Publisher | : Harvard University Press |
| Total Pages | : 378 |
| Release | : 2018-05-11 |
| Genre | : Religion |
| ISBN | : 0674984595 |
Honorable Mention, PROSE Award A Choice Outstanding Academic Title of the Year A Junto Favorite Book of the Year Beginning with metaphysical debates in the sixteenth century over the nature of Christ’s presence in the host, the distinguished historian and scholar of religion Robert Orsi imagines an alternative to the future of religion that early moderns proclaimed was inevitable. “This book is classic Orsi: careful, layered, humane, and subtle... If reformed theology has led to the gods’ ostensible absence in modern religion, History and Presence is a sort of counter-reformation literature that revels in the excesses of divine materiality: the contradictions, the redundancies, the scrambling of borders between the sacred and profane, the dead and the living, the past and the present, the original and the imitator...History and Presence is a thought-provoking, expertly arranged tour of precisely those abundant, excessive phenomena which scholars have historically found so difficult to think.” —Sonja Anderson, Reading Religion “With reference to Marian apparitions, the cult of the saints and other divine–human encounters, Orsi constructs a theory of presence for the study of contemporary religion and history. Many interviews with individuals devoted to particular saints and relics are included in this fascinating study of how people process what they believe.” —Catholic Herald
| Author | : Charles Andrews |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 217 |
| Release | : 2024-01-11 |
| Genre | : Literary Criticism |
| ISBN | : 1350362042 |
Exploring novels by Virginia Woolf, D. H. Lawrence, Evelyn Waugh, and Sylvia Townsend Warner as political theology – works that imagine a resistance to the fusion of Christianity and patriotism which fuelled and supported the First World War – this book shows how we can gain valuable insights from their works for anti-militarist, anti-statist, and anti-nationalist efforts today. While none of the four novelists in this study were committed Christians during the 1920s, Andrews explores how their fiction written in the wake of the First World War operates theologically when it challenges English civil religion – the rituals of the nation that elevate the state to a form of divinity. Bringing these novels into a dialogue with recent political theologies by theorists and theologians including Giorgio Agamben, William Cavanaugh, Simon Critchley, Michel Foucault, Stanley Hauerwas and Jürgen Moltmann, this book shows the myriad ways that we can learn from the authors' theopolitical imaginations. Andrews demonstrates the many ways that these novelists issue a challenge to the problems with civil religion and the sacralized nation state and, in so doing, offer alternative visions to coordinate our inner lives with our public and collective actions.
| Author | : Cameron J. Anderson |
| Publisher | : InterVarsity Press |
| Total Pages | : 200 |
| Release | : 2021-10-12 |
| Genre | : Religion |
| ISBN | : 0830850708 |
Should Christians even bother with modern art? This STA volume gathers the reflections of artists, art historians, and theologians who collectively offer a more complicated narrative of the history of modern art and its place in the Christian life. Readers will find insights on the work and faith of artists like Marc Chagall, Jackson Pollock, Mark Rothko, Andy Warhol, and more.
| Author | : G. Erickson |
| Publisher | : Palgrave Macmillan |
| Total Pages | : 236 |
| Release | : 2007-06-08 |
| Genre | : Literary Criticism |
| ISBN | : 9781403977588 |
Uses recent thought in continental philosophy and postmodern theology to interpret hidden and contradictory 'god-ideas' in texts of modernism such as Henry James's The Golden Bowl , Marcel Proust's In Search of Lost Time , James Joyce's Portrait of the Artist As a Young Man , and Arnold Schoenberg's opera Moses und Aron .
| Author | : Celia Marshik |
| Publisher | : Cambridge University Press |
| Total Pages | : 281 |
| Release | : 2015 |
| Genre | : Art |
| ISBN | : 1107049261 |
This companion provides students and scholars alike with an interdisciplinary approach to literary modernism. Through essays written on a range of cultural contexts, this collection helps readers understand the significant changes in belief systems, visual culture, and pastimes that influenced, and were influenced by, the experimental literature published around 1890-1945.
| Author | : Matthew Riley |
| Publisher | : Routledge |
| Total Pages | : 346 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351573012 |
Imaginative analytical and critical work on British music of the early twentieth century has been hindered by perceptions of the repertory as insular in its references and backward in its style and syntax, escaping the modernity that surrounded its composers. Recent research has begun to break down these perceptions and has found intriguing links between British music and modernism. This book brings together contributions from scholars working in analysis, hermeneutics, reception history, critical theory and the history of ideas. Three overall themes emerge from its chapters: accounts of British reactions to Continental modernism and the forms they took; links between music and the visual arts; and analysis and interpretation of compositions in the light of recent theoretical work on form, tonality and pitch organization.
