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| Author | : F. Lanier Graham |
| Publisher | : |
| Total Pages | : 96 |
| Release | : 2003 |
| Genre | : Art |
| ISBN | : |
First book-length study of a symbol central to the art of Marcel Duchamp and many other modern artists by a noted art historian who discussed the symbol with Duchamp.
| Author | : Robert C. Morgan |
| Publisher | : |
| Total Pages | : 49 |
| Release | : 1990 |
| Genre | : Androgyny (Psychology) in art |
| ISBN | : 9782908139013 |
| Author | : David Hopkins |
| Publisher | : Oxford University Press |
| Total Pages | : 516 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : 9780198175131 |
Marcel Duchamp and Max Ernst are two of the greatest names associated with Dada and Surrealism, the iconoclastic art movements of the early part of the twentieth century. This detailed study brings their work into close proximity for the first time, examining the structural interaction of "ready-made" belief systems in their productions (Catholicism, masculinism, hermeticism). These artists are revealed as precursors of our postmodern obsessions with male and female identity and cultural fragmentation.
| Author | : John F. Moffitt |
| Publisher | : State University of New York Press |
| Total Pages | : 512 |
| Release | : 2012-02-01 |
| Genre | : Religion |
| ISBN | : 0791486907 |
Acknowledged as the "Artist of the Century," Marcel Duchamp (1887–1968) left a legacy that dominates the art world to this day. Inventing the ironically dégagé attitude of "ready-made" art-making, Duchamp heralded the postmodern era and replaced Pablo Picasso as the role model for avant-garde artists. John F. Moffitt challenges commonly accepted interpretations of Duchamp's art and persona by showing that his mature art, after 1910, is largely drawn from the influence of the occult traditions. Moffitt demonstrates that the key to understanding the cryptic meaning of Duchamp's diverse artworks and writings is alchemy, the most pictorial of all the occult philosophies and sciences.
| Author | : Jacquelynn Baas |
| Publisher | : MIT Press |
| Total Pages | : 397 |
| Release | : 2019-11-19 |
| Genre | : Art |
| ISBN | : 0262354217 |
A groundbreaking reading of Duchamp's work as informed by Asian “esoterism, ” energetic spiritual practices identifying creative energy with the erotic impulse. Considered by many to be the most important artist of the twentieth century, the object of intensive critical scrutiny and extensive theorizing, Marcel Duchamp remains an enigma. He may be the most intellectual artist of all time; and yet, toward the end of his life, he said, “If you wish, my art would be that of living: each second, each breath is a work which is inscribed nowhere, which is neither visual or cerebral.” In Marcel Duchamp and the Art of Life, Jacquelynn Baas offers a groundbreaking new reading of Duchamp, arguing in particular that his work may have been informed by Asian “esoterism, ” energetic spiritual practices that identify creative energy with the erotic impulse. Duchamp drew on a wide range of sources for his art, from science and mathematics to alchemy. Largely overlooked, until now, have been Asian spiritual practices, including Indo-Tibetan tantra. Baas presents evidence that Duchamp's version of artistic realization was grounded in a western interpretation of Asian mind training and body energetics designed to transform erotic energy into mental and spiritual liberation. She offers close readings of many Duchamp works, beginning and ending with his final work, the mysterious, shockingly explicit Étant donnés: 1° la chute d'eau 2° le gaz d'éclairage, (Given: 1. The Waterfall, 2. The Illuminating Gas). Generously illustrated, with many images in color, Marcel Duchamp and the Art of Life speculates that Duchamp viewed art making as part of an esoteric continuum grounded in Eros. It asks us to unlearn what we think we know, about both art and life, in order to be open to experience.
| Author | : Christian Hite |
| Publisher | : punctum books |
| Total Pages | : 296 |
| Release | : 2017 |
| Genre | : Literary Criticism |
| ISBN | : 0998531898 |
Coming from behind (derrière)-how else to describe a volume called "Derrida and Queer Theory"? - as if arriving late to the party, or, indeed, after the party is already over. After all, we already have Deleuze and Queer Theory and, of course, Saint Foucault. And judging by Annamarie Jagose's Queer Theory: An Introduction, in which there is not a single mention of "Derrida" (or "deconstruction") - even in the sub-chapter titled "The Post-Structuralist Context of Queer" - one would think that Derrida was not only late to the party, but was never there at all. This untimely volume, then, with wide-ranging essays from key thinkers in the field, addresses, among other things, what could be called the disavowed debt to "Derrida" in canonical "queer theory." TABLE OF CONTENTS // The Gift from (of the) "Behind" (Derrière): Intro-extro-duction - Christian Hite Preposturous Preface: Derrida and Queer Discourse - J. Hillis Miller Impossible Uncanniness: Deconstruction and Queer Theory - Nicholas Royle No Kingdom of the Queer - Calvin Thomas Derrida and the Question of "Woman" - Sarah Dillon Les chats de Derrida - Carla Freccero Derrida's Queer Root(s) - Jarrod Hayes Deco-pervo-struction - Èamonn Dunne A Man For All Seasons: Derrida-cum-"Queer Theory," or the Limits of "Performativity" - Alexander García Düttmann "Practical Deconstruction" A Note on Some Notes by Judith Butler - Martin McQuillan Performing Friendship - Linnell Secomb Postface: Just Queer - Geoffrey Bennington Appendix: Supreme Court (1988) - David Wills
| Author | : Dalia Judovitz |
| Publisher | : U of Minnesota Press |
| Total Pages | : 318 |
| Release | : 2010 |
| Genre | : Art |
| ISBN | : 081666529X |
This volume explores the central importance of appropriation, collaboration, influence, and play in French artist Marcel Duchamp's (1887-1968) work -- and in Dada and Surrealism in general -- to show how the concept of art itself became the critical fueland springboard for questioning art's fundamental premises. Duchamp was a French artist whose work is most often associated with the Dadaist and Surrealist movements. The author maintains that rather than simply negating art, Duchamp's readymades (Duchamp's "readymades" are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art") and later works, including films and conceptual pieces, demonstrating the impossibility of defining art in the first place. Through his readymades, Duchamp explicitly critiqued the commodification of art and inaugurated a profound shift from valuing art for its visual appearance to understanding the significance of its mode of public presentation.
| Author | : Dawn Ades |
| Publisher | : Thames & Hudson |
| Total Pages | : 398 |
| Release | : 2021-04-13 |
| Genre | : Art |
| ISBN | : 0500776261 |
A revised and expanded edition of one of the most original books ever written on the enigmatic artist Marcel Duchamp. Genius, anti-artist, charlatan, guru, impostor? Since he arrived on the scene in 1914, Marcel Duchamp has been called all of these. Almost no other artist of the twentieth century has inspired more passion and controversy, nor exerted a greater influence on art. At the same time, Duchamp continually challenged the very nature of art and strove to redefine it as conceptual rather than as product by questioning why the medium was mostly a "retinal" experience. Always the provocateur, Duchamp never ceased to be engaged, openly or secretly, in activities and works that transformed traditional artmaking. Through his works like Fountain; Bicycle Wheel; L.H.O.O.Q.; and Nude Descending a Staircase, No. 2, Duchamp played with the idea of what art can be, opening new possibilities for future generations. This revised entry in the World of Art series, written by three leading experts on twentieth-century art, and published with support of Duchamp’s widow, is one of the most original books written on this enigmatic artist. Featuring a new chapter and preface, as well as updates throughout from specialist scholars who are active in their fields, this is the definitive introduction to Duchamp. Thoroughly illustrated, this volume combines thirty years of research by the authors and challenges history’s presumptions, misunderstandings, and pieces of misinformation about Marcel Duchamp and his legacy.
| Author | : Juan Ramírez |
| Publisher | : Reaktion Books |
| Total Pages | : 295 |
| Release | : 2013-06-01 |
| Genre | : Art |
| ISBN | : 1780231571 |
Marcel Duchamp's stature in the history of art has grown steadily since the 1950s, as several artistic movements have embraced him as their founding father. But although his influence is comparable only to Picasso's, Duchamp continues to be relatively unknown outside his narrow circle of followers. This book seeks to explain his oeuvre, which has been shrouded with mystery. Duchamp's two great preoccupations were the nature of scientific truth and a feeling for love with its natural limit, death. His works all speak of eroticism in a way that pushes the socially acceptable to its outer limits. Juan Antonio Ramirez addresses such questions as the meaning of the artist's ground-breaking ready-mades and his famous installation Etant donnés; his passionate essay reproduces all of Duchamp's important works, in addition to numerous previously unpublished visual sources. Duchamp: Love and Death, even is a seminal monograph for understanding this crucial figure of modern art.
| Author | : Adina Kamien-Kazhdan |
| Publisher | : Routledge |
| Total Pages | : 378 |
| Release | : 2018-05-11 |
| Genre | : Art |
| ISBN | : 0429843569 |
Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. Remaking the Readymade reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication of readymades and objects. The 1964 editioned replicas of the readymades sent shock waves through the art world. Even though the replicas undermined ideas of authorship and problematized the notion of identity and the artist, they paradoxically shared in the aura of the originals, becoming stand-ins for the readymades. Scholar-poet-dealer Arturo Schwarz played a crucial role, opening the door to joint or alternate authorship—an outstanding relationship between artist and dealer. By unearthing previously unpublished correspondence and documentary materials and combining this material with newly conducted exclusive interviews with key participants, Remaking the Readymade details heretofore unrevealed aspects of the technical processes involved in the (re)creation of iconic, long-lost Dada objects. Launched on the heels of the centenary of Duchamp’s Fountain, this new analysis intensifies and complicates our understanding of Duchamp and Man Ray’ initial conceptions, and raises questions about replication and authorship that will stimulate significant debate about the legacy of the artists, the continuing significance of their works, and the meaning of terms such as creativity, originality, and value in the formation of art.
