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| Author | : Oliver Tostmann |
| Publisher | : Isabella Stewart Gardner Museu |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Art |
| ISBN | : 9781907372704 |
"Accompanies the exhibition Donatello, Michelangelo, Cellini: Sculptors Drawings From Renaissance Italy curated by Oliver Tostmann and Michael W. Cole at the Isabella Stewart Gardner Museum, Boston, 23 October 2014-23 January 2015"--from title page verso.
| Author | : Monika Schmitter |
| Publisher | : Cambridge University Press |
| Total Pages | : 943 |
| Release | : 2021-09-23 |
| Genre | : Art |
| ISBN | : 1108934439 |
Lorenzo Lotto's Portrait of Andrea Odoni is one of the most famous paintings of the Italian Renaissance. Son of an immigrant and a member of the non-noble citizen class, Odoni understood how the power of art could make a name for himself and his family in his adopted homeland. Far from emulating Venetian patricians, however, he set himself apart through the works he collected and the way he displayed them. In this book, Monika Schmitter imaginatively reconstructs Odoni's house – essentially a 'portrait' of Odoni through his surroundings and possessions. Schmitter's detailed analysis of Odoni's life and portrait reveals how sixteenth-century individuals drew on contemporary ideas about spirituality, history, and science to forge their own theories about the power of things and the agency of object. She shows how Lotto's painting served as a meta-commentary on the practice of collecting and on the ability of material things to transform the self.
| Author | : Carmen C. Bambach |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 395 |
| Release | : 2017-11-05 |
| Genre | : Art |
| ISBN | : 1588396371 |
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.
| Author | : Benvenuto Cellini |
| Publisher | : |
| Total Pages | : 488 |
| Release | : 1910 |
| Genre | : Artists |
| ISBN | : |
| Author | : Lilian H. Zirpolo |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 277 |
| Release | : 2020-08-09 |
| Genre | : Young Adult Nonfiction |
| ISBN | : 1538123045 |
Michelangelo: A Reference Guide to His Life and Works cover the life and works of Michelangelo Buonarroti. Michelangelo is considered to be one of the greatest masters in history and he produced some of the most notable icons of civilization, including the Sistine Ceiling frescoes, the Moses, and the Pietà at St. Peter’s. Includes a detailed chronology of Michelangelo’s life, family, and work. The A to Z section includes the major events, places, and people in Michelangelo’s life and the complete works of his sculptures, paintings, architectural designs, drawings, and poetry. The bibliography includes a list of publications concerning his life and work. The index thoroughly cross-references the chronological and encyclopedic entries.
| Author | : Benvenuto Cellini |
| Publisher | : Simon and Schuster |
| Total Pages | : 484 |
| Release | : 2013-05-20 |
| Genre | : Biography & Autobiography |
| ISBN | : 1627931678 |
Benvenuto Cellini was a celebrated Renaissance sculptor and goldsmith; a passionate craftsman who was admired and resented by the most powerful political and artistic personalities in sixteenth-century Florence, Rome and Paris. He was also a murderer and a braggart, a shameless adventurer who at different times experienced both papal persecution and imprisonment, and the adulation of the royal court. Inn-keepers and prostitutes, kings and cardinals, artists and soldiers rub shoulders in the pages of his notorious autobiography: a vivid portrait of the manners and morals of both the rulers of the day and of their subjects. Written with supreme powers of invective and an irrepressible sense of humour, this is an unrivalled glimpse into the palaces and prisons of the Italy of Michelangelo and the Medici.
| Author | : Carolina Mangone |
| Publisher | : Yale University Press |
| Total Pages | : 289 |
| Release | : 2020-06-16 |
| Genre | : Art |
| ISBN | : 0300247737 |
A novel exploration of the threads of continuity, rivalry, and self-conscious borrowing that connect the Baroque innovator with his Renaissance paragon Gianlorenzo Bernini (1598–1680), like all ambitious artists, imitated eminent predecessors. What set him apart was his lifelong and multifaceted focus on Michelangelo Buonarroti—the master of the previous age. Bernini’s Michelangelo is the first comprehensive examination of Bernini’s persistent and wide-ranging imitation of Michelangelo’s canon (his art and its rules). Prevailing accounts submit that Michelangelo’s pervasive, yet controversial, example was overcome during Bernini’s time, when it was rejected as an advantageous model for enterprising artists. Carolina Mangone reconsiders this view, demonstrating how the Baroque innovator formulated his work by emulating his divisive Renaissance forebear’s oeuvre. Such imitation earned him the moniker “Michelangelo of his age.” Investigating Bernini’s “imitatio Buonarroti” in its extraordinary scope and variety, this book identifies principles that pervade his production over seven decades in papal Rome. Close analysis of religious sculptures, tomb monuments, architectural ornament, and the design of New Saint Peter’s reveals how Bernini approached Michelangelo’s art as a surprisingly flexible repertory of precepts and forms that he reconciled—here with daring license, there with creative restraint—to the aesthetic, sacred, and theoretical imperatives of his own era. Situating Bernini’s imitation in dialogue with that by other artists as well as with contemporaneous writings on Michelangelo’s art, Mangone repositions the Renaissance master in the artistic concerns of the Baroque from peripheral to pivotal. Without Michelangelo, there was no Bernini.
| Author | : Federico Botana |
| Publisher | : Cambridge University Press |
| Total Pages | : 673 |
| Release | : 2020-07-02 |
| Genre | : Art |
| ISBN | : 1108853099 |
For the affluent merchant class of fifteenth-century Florence, the education of future generations was a fundamental matter. Together with texts, images played an important role in the development of the young into adult citizens. In this book, Federico Botana demonstrates how illustrated manuscripts of vernacular texts read by the Florentine youth facilitated understanding and memorisation of basic principles and knowledge. They were an important means of acquiring skills then considered necessary to gain the respect of others, to prosper as merchants, and to participate in civic life. Botana focuses on illustrated texts that were widely read in Quattrocento Florence: the Fior di virtù (a moral treatise including a bestiary), the Esopo volgarizzato (Aesop's Fables in Tuscan), the Sfera by Goro Dati (a poem on cosmology and geography), and mathematical manuals known as libri d'abbaco. He elucidates, in light of original sources and medieval and modern cognitive theory, the mechanisms that empowered illustrations to transmit knowledge in the Italian Renaissance.
| Author | : Benvenuto Cellini |
| Publisher | : |
| Total Pages | : 534 |
| Release | : 1961 |
| Genre | : Artists |
| ISBN | : |
Benvenuto Cellini was a celebrated Renaissance sculptor and goldsmith; a passionate craftsman who was admired and resented by the most powerful political and artistic personalities in sixteenth-century Florence, Rome and Paris. He was also a murderer and a braggart, a shameless adventurer who at different times experienced both papal persecution and imprisonment, and the adulation of the royal court. Inn-keepers and prostitutes, kings and cardinals, artists and soldiers rub shoulders in the pages of his notorious autobiography: a vivid portrait of the manners and morals of both the rulers of the day and of their subjects. Written with supreme powers of invective and an irrepressible sense of humor, this is an unrivalled glimpse into the palaces and prisons of the Italy of Michelangelo and the Medici.
| Author | : Jane Fejfer |
| Publisher | : Routledge |
| Total Pages | : 265 |
| Release | : 2022-03-20 |
| Genre | : Art |
| ISBN | : 1000555070 |
This book explores the multifaceted aspects of sculptor’s workshops from the Renaissance to the early nineteenth century. Contributors take a fresh look at the sculptor’s workshop as both a physical and discursive space. By studying some of the most prominent artists’ sculptural practices, the workshop appears as a multifaced, sociable and practical space. The book creates a narrative in which the sculptural workshop appears as a working laboratory where new measuring techniques, new materials and new instruments were tested and became part of the lived experience of the artist and central to the works coming into being. Artists covered include Donatello, Roubilliac, Thorvaldsen, Canova, and Christian Daniel Rauch. The book will be of interest to scholars studying art history, sculpture, artist workshops, and European studies.
