Don Miller's Hollywood Corral
Author | : Don Miller |
Publisher | : |
Total Pages | : 0 |
Release | : 1993 |
Genre | : Western films |
ISBN | : |
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Author | : Don Miller |
Publisher | : |
Total Pages | : 0 |
Release | : 1993 |
Genre | : Western films |
ISBN | : |
Author | : Don Miller |
Publisher | : |
Total Pages | : 590 |
Release | : 1993 |
Genre | : Performing Arts |
ISBN | : |
Hollywood Corral offers an accurate and entertaining look at the Saturday-matinee sagebrush sagas that flourished from the 30s through the 50s. It's the ultimate guide to the world of Gene Autry, Roy Rogers, Hopalong Cassidy, Tom Mix, Buck Jones, Hoot Gibson, Ken Maynard, Lash LaRue, and other western matinee-heroes. This seminal work on low-budget series westerns contains 462 rare photographs, a complete B-Western series filmography, and twenty essays.
Author | : Don Miller |
Publisher | : |
Total Pages | : |
Release | : 1993 |
Genre | : |
ISBN | : |
Author | : Larry Powell |
Publisher | : McFarland |
Total Pages | : 194 |
Release | : 2018-02-20 |
Genre | : Biography & Autobiography |
ISBN | : 1476629943 |
Exploring the early westerns of John Wayne--from his first starring role in the The Big Trail (1930) to his breakthrough as the Ringo Kid in John Ford's Stagecoach (1939)--the authors trace his transformation from Marion Mitchell Morrison, movie studio prop man, into John Wayne, a carefully crafted film persona of his own invention that made him world famous. Wayne's years of training went well beyond honing his acting skill, as he developed the ability to do his own stunts, perfected his technique as a gun handler and became an expert horseman.
Author | : Don Miller |
Publisher | : |
Total Pages | : 255 |
Release | : 1976 |
Genre | : Hollywood (Los Angeles, Calif.) |
ISBN | : |
Author | : Richard Aquila |
Publisher | : University of Arizona Press |
Total Pages | : 384 |
Release | : 2015-04-16 |
Genre | : History |
ISBN | : 0816531781 |
The Sagebrush Trail is a history of Western movies but also a history of twentieth-century America. Richard Aquila’s fast-paced narrative covers both the silent and sound eras, and includes classic westerns such as Stagecoach, A Fistful of Dollars, and Unforgiven, as well as B-Westerns that starred film cowboys like Tom Mix, Gene Autry, and Hopalong Cassidy. The book is divided into three parts. Part 1 traces the birth and growth of Westerns from 1900 through the end of World War II. Part 2 focuses on a transitional period in Western movie history during the two decades following World War II. Finally, part 3 shows how Western movies reflected the rapid political, social, and cultural changes that transformed America in the 1960s and the last decades of the twentieth century. The Sagebrush Trail explains how Westerns evolved throughout the twentieth century in response to changing times, and it provides new evidence and fresh interpretations about both Westerns and American history. These films offer perspectives on the past that historians might otherwise miss. They reveal how Americans reacted to political and social movements, war, and cultural change. The result is the definitive story of Western movies, which contributes to our understanding of not just movie history but also the mythic West and American history. Because of its subject matter and unique approach that blends movies and history, The Sagebrush Trail should appeal to anyone interested in Western movies, pop culture, the American West, and recent American history and culture. The mythic West beckons but eludes. Yet glimpses of its utopian potential can always be found, even if just for a few hours in the realm of Western movies. There on the silver screen, the mythic West continues to ride tall in the saddle along a “sagebrush trail” that reveals valuable clues about American life and thought.
Author | : |
Publisher | : CreateSpace |
Total Pages | : 418 |
Release | : 2015-10-23 |
Genre | : |
ISBN | : 9781512267419 |
"B" MOVIES by Don Miller, with an introduction by Leonard Maltin No one ever paid much attention to the bottom half of double-features in the 1930s and '40s-except movie enthusiast Don Miller, who had a photographic memory. This unique and invaluable book traces the history of Hollywood's cinematic step-children, the low-budget movies that came from fly-by-night producers as well as the major studios. From Bela Lugosi to Charlie Chan, they're all here in this comprehensive and entertaining text-a resource that's been out-of-print for many years. Whether your interest is the early work of directors like Anthony Mann and Budd Boetticher or the roots of film noir, you'll find what you're looking for in Don Miller's lively, encyclopedic book.
Author | : Gary A. Yoggy |
Publisher | : McFarland |
Total Pages | : 228 |
Release | : 1998-09-01 |
Genre | : Performing Arts |
ISBN | : 9780786405664 |
The western is one of the most popular genres in American film history, and some estimate more than 20,000 of them have been produced. Its popular portrayal of the American West, as a place where good and evil are clearly defined, created heroes that are still among the most respected and remembered in film history. Writers Lane Roth and Tom W. Hoffer, William E. Tydeman III, R. Philip Loy, Gary Kramer, Raymond E. White, Michael K. Schoenecke, Sandra Schackel, Jacqueline K. Greb, Jim Collins, Richard Robertson, and Gary Yoggy each contributed an essay, focusing on the performances of some of the most famous of Hollywood's leading cowboys and cowgirls. Analyses of the works of G.M. "Broncho Billy" Anderson, Tom Mix, Buck Jones, Tex Ritter, Roy Rogers, James Stewart, Barbara Stanwyck, Steve McQueen, and James Arness are included. James Drury of The Virginian relates his firsthand experiences of movie making by way of introducing this collection.
Author | : Peter C. Rollins |
Publisher | : University Press of Kentucky |
Total Pages | : 388 |
Release | : 2005-11-11 |
Genre | : Performing Arts |
ISBN | : 0813171806 |
American historians such as Frederick Jackson Turner have argued that the West has been the region that most clearly defines American democracy and the national ethos. Throughout the twentieth century, the "frontier thesis" influenced film and television producers who used the West as a backdrop for an array of dramatic explorations of America's history and the evolution of its culture and values. The common themes found in Westerns distinguish the genre as a quintessentially American form of dramatic art. In Hollywood's West, Peter C. Rollins, John E. O'Connor, and the nation's leading film scholars analyze popular conceptions of the frontier as a fundamental element of American history and culture. This volume examines classic Western films and programs that span nearly a century, from Cimarron (1931) to Turner Network Television's recent made-for-TV movies. Many of the films discussed here are considered among the greatest cinematic landmarks of all time. The essays highlight the ways in which Westerns have both shaped and reflected the dominant social and political concerns of their respective eras. While Cimarron challenged audiences with an innovative, complex narrative, other Westerns of the early sound era such as The Great Meadow (1931) frequently presented nostalgic visions of a simpler frontier era as a temporary diversion from the hardships of the Great Depression. Westerns of the 1950s reveal the profound uncertainty cast by the cold war, whereas later Westerns display heightened violence and cynicism, products of a society marred by wars, assassinations, riots, and political scandals. The volume concludes with a comprehensive filmography and an informative bibliography of scholarly writings on the Western genre. This collection will prove useful to film scholars, historians, and both devoted and casual fans of the Western genre. Hollywood's West makes a significant contribution to the understanding of both the historic American frontier and its innumerable popular representations.
Author | : Richard M. Hurst |
Publisher | : Scarecrow Press |
Total Pages | : 284 |
Release | : 2007-03-15 |
Genre | : Performing Arts |
ISBN | : 081085886X |
Republic Studios: Between Poverty Row and the Majors documents the influence and significance of this major B studio. Originally published in 1979, this book provides a brief overview of the studio's economic structure and charts its output. Hurst examines the various genres represented by the studio and addresses the non-series B films Republic produced, as well as rare A films such as Wake of the Red Witch, Sands of Iwo Jima, and John Ford's The Quiet Man, all of which starred John Wayne.