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| Author | : Antony Buxton |
| Publisher | : Boydell & Brewer |
| Total Pages | : 326 |
| Release | : 2015 |
| Genre | : History |
| ISBN | : 1783270411 |
A detailed study of the domestic life of the early modern, non-elite household
| Author | : Tara Hamling |
| Publisher | : Association of Human Rights Institutes series |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : England |
| ISBN | : 9780300195019 |
This fascinating book offers the first sustained investigation of the complex relationship between the middling sort and their domestic space in the tumultuous, rapidly changing culture of early modern England. Presented in an innovative and engaging narrative form that follows the pattern of a typical day from early morning through the middle of the night, A Day at Home in Early Modern England examines the profound influence that the domestic material environment had on structuring and expressing modes of thought and behaviour of relatively ordinary people. With a multidisciplinary approach that takes both extant objects and documentary sources into consideration, Tara Hamling and Catherine Richardson recreate the layered complexity of lived household experience and explore how a family's investment in rooms, decoration, possessions, and provisions served to define not only their status, but the social, commercial, and religious concerns that characterised their daily existence. Published in association with the Paul Mellon Centre for Studies in British Art
| Author | : Antony Buxton |
| Publisher | : |
| Total Pages | : 680 |
| Release | : 2012 |
| Genre | : England |
| ISBN | : |
| Author | : Lois G. Schwoerer |
| Publisher | : University of Virginia Press |
| Total Pages | : 368 |
| Release | : 2016-05-30 |
| Genre | : History |
| ISBN | : 0813938600 |
Guns had an enormous impact on the social, economic, cultural, and political lives of civilian men, women, and children of all social strata in early modern England. In this study, Lois Schwoerer identifies and analyzes England’s domestic gun culture from 1500 to 1740, uncovering how guns became available, what effects they had on society, and how different sectors of the population contributed to gun culture. The rise of guns made for recreational use followed the development of a robust gun industry intended by King Henry VIII to produce artillery and handguns for war. Located first in London, the gun industry brought the city new sounds, smells, street names, shops, sights, and communities of gun workers, many of whom were immigrants. Elite men used guns for hunting, target shooting, and protection. They collected beautifully decorated guns, gave them as gifts, and included them in portraits and coats-of-arms, regarding firearms as a mark of status, power, and sophistication. With statutes and proclamations, the government legally denied firearms to subjects with an annual income under £100—about 98 percent of the population—whose reactions ranged from grudging acceptance to willful disobedience. Schwoerer shows how this domestic gun culture influenced England’s Bill of Rights in 1689, a document often cited to support the claim that the Second Amendment to the United States Constitution conveys the right to have arms as an Anglo-American legacy. Schwoerer shows that the Bill of Rights did not grant a universal right to have arms, but rather a right restricted by religion, law, and economic standing, terms that reflected the nation's gun culture. Examining everything from gunmakers’ records to wills, and from period portraits to toy guns, Gun Culture in Early Modern England offers new data and fresh insights on the place of the gun in English society.
| Author | : Helen Berry |
| Publisher | : Cambridge University Press |
| Total Pages | : 233 |
| Release | : 2007-12-06 |
| Genre | : History |
| ISBN | : 0521858763 |
This text provides an assessment of the most important research published in the past three decades on the English family.
| Author | : Kari Boyd McBride |
| Publisher | : |
| Total Pages | : 360 |
| Release | : 2002 |
| Genre | : History |
| ISBN | : |
This book provides a varied and rich array of perspectives on a wide range of early modern English social roles and relationships as well as cultural norms and areas of contestation. It demonstrates the many ways in which the attitudes and activities that pertain to the domestic sphere are not in any way peripheral to the study of the period -- domestic arrangements are political arrangements. This rich collection of 11 essays illuminates the many ways in which the domestic sphere served as a stage for playing out the pressing questions that perplexed the writers and thinkers of early modern England -- questions about family (householding, marriage, children and parenting), as well as questions about emerging political realities. While 'home' may seem to invoke blood ties-the mother with a child at her breast or siblings at play -- it is finally the bonds that replace blood that demand the mythos of domestic arrangements in all their variety -- from the legal, social, economic and cultural ties of marriage, sealed by the exchange of women from man to man and house to house, to the relationships of stepparents and stepchildren, to the even more tenuous ties that bind class to class and citizen to citizen.
| Author | : Catherine Richardson |
| Publisher | : Routledge |
| Total Pages | : 908 |
| Release | : 2016-09-13 |
| Genre | : History |
| ISBN | : 1317042840 |
The Routledge Handbook of Material Culture in Early Modern Europe marks the arrival of early modern material culture studies as a vibrant, fully-established field of multi-disciplinary research. The volume provides a rounded, accessible collection of work on the nature and significance of materiality in early modern Europe – a term that embraces a vast range of objects as well as addressing a wide variety of human interactions with their physical environments. This stimulating view of materiality is distinctive in asking questions about the whole material world as a context for lived experience, and the book considers material interactions at all social levels. There are 27 chapters by leading experts as well as 13 feature object studies to highlight specific items that have survived from this period (defined broadly as c.1500–c.1800). These contributions explore the things people acquired, owned, treasured, displayed and discarded, the spaces in which people used and thought about things, the social relationships which cluster around goods – between producers, vendors and consumers of various kinds – and the way knowledge travels around those circuits of connection. The content also engages with wider issues such as the relationship between public and private life, the changing connections between the sacred and the profane, or the effects of gender and social status upon lived experience. Constructed as an accessible, wide-ranging guide to research practice, the book describes and represents the methods which have been developed within various disciplines for analysing pre-modern material culture. It comprises four sections which open up the approaches of various disciplines to non-specialists: ‘Definitions, disciplines, new directions’, ‘Contexts and categories’, ‘Object studies’ and ‘Material culture in action’. This volume addresses the need for sustained, coherent comment on the state, breadth and potential of this lively new field, including the work of historians, art historians, museum curators, archaeologists, social scientists and literary scholars. It consolidates and communicates recent developments and considers how we might take forward a multi-disciplinary research agenda for the study of material culture in periods before the mass production of goods.
| Author | : Andrew McRae |
| Publisher | : Cambridge University Press |
| Total Pages | : 260 |
| Release | : 2009-08-27 |
| Genre | : Literary Criticism |
| ISBN | : 9780521448376 |
In the early modern period, the population of England travelled more than is often now thought, by road and by water: from members of the gentry travelling for pleasure, through the activities of those involved in internal trade, to labourers migrating out of necessity. Yet the commonly held view that people should know their places, geographically as well as socially, made domestic travel highly controversial. Andrew McRae examines the meanings of mobility in the early modern period, drawing on sources from canonical literature and travel narratives to a range of historical documents including maps and travel guides. He identifies the relationship between domestic travel and the emergence of vital new models of nationhood and identity. An original contribution to the study of early modern literature as well as travel literature, this interdisciplinary book opens up domestic travel as a vital and previously underexplored area of research.
| Author | : Corinne S. Abate |
| Publisher | : Routledge |
| Total Pages | : 355 |
| Release | : 2017-05-15 |
| Genre | : Literary Criticism |
| ISBN | : 135190874X |
The ten essays in this collection explore the discrete yet overlapping female spaces of privacy and domesticity in early modern England. While other literary critics have focused their studies of female privacy on widows, witches, female recusants and criminals, the contributors to this collection propose that the early modern subculture of femaleness is more expansive and formative than is typically understood. They maintain that the subculture includes segregated, sometimes secluded, domestic places for primarily female activities like nursing, sewing, cooking, and caring for children and the sick. It also includes hidden psychological realms of privacy, organized by women's personal habits, around intimate friendships or kinship, and behind institutional powerlessness. The texts discussed in the volume include plays not only by Shakespeare but also Ford, Wroth, Marvell, Spenser and Cavendish, among others. Through the lens of literature, contributors consider the unstructured, fluid quality of much everyday female experience as well as the dimensions, symbols, and the ever-changing politics and culture of the household. They analyze the complex habits of female settings-the verbal, spatial, and affective strategies of early-modern women's culture, including private rituals, domestic practices, and erotic attachments-in order to provide a broader picture of female culture and of female authority. The authors argue-through a range of critical approaches that include feminist, historical, and psychoanalytic-that early modern women often transformed their confinement into something useful and necessary, creating protected and even sacred spaces with their own symbols and aesthetic.
| Author | : Viviana Comensoli |
| Publisher | : University of Toronto Press |
| Total Pages | : 248 |
| Release | : 1999-12-15 |
| Genre | : Literary Criticism |
| ISBN | : 1442658010 |
The domestic play flourished on the English popular stage during the late sixteenth and early seventeenth centuries. Its roots were predominantly native, rather than classical, and its mainspring was the staging of domestic conflict amongst English characters from the middle ranks of society. 'Household Business' traces the genre's origins in the cycle plays of medieval England and examines its aesthetic configurations in relation to extra-literary discourses and practices that underwrote Renaissance ideologies of private life. At a time when the orthodox view of the family defined it as the foundation of the social order, a number of domestic dramas took a more critical perspective, stressing the contradictions and struggles that attend marriage and the patriarchal family. In addition to well-known domestic dramas as A Woman Killed with Kindness, Arden of Feversham, The Witch of Edmonton, and A Yorkshire Tragedy, Viviana Comensoli analyzes less well-studied plays as A Warning for Fair Women, Two Lamentable Tragedies, and The Late Lancashire Witches. The book also provides an extensive and timely assessment of domestic comedy, demonstrating how plays such as The London Prodigal, The Fair Maid of Bristow, and The Honest Whore (Parts I and II) resist homiletic paradigms in favour of a more dialectical dramaturgy.
