Documents concernant le film "Son Altesse l'amour", 1931
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| Total Pages | : |
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A History of the French in London
| Author | : Debra Kelly |
| Publisher | : |
| Total Pages | : 488 |
| Release | : 2013 |
| Genre | : History |
| ISBN | : 9781905165865 |
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This book examines, for the first time, the history of the social, cultural, political and economic presence of the French in London, and explores the multiple ways in which this presence has contributed to the life of the city. The capital has often provided a place of refuge, from the Huguenots in the 17th century, through the period of the French Revolution, to various exile communities during the 19th century, and on to the Free French in the Second World War.It also considers the generation of French citizens who settled in post-war London, and goes on to provide insights into the contemporary French presence by assessing the motives and lives of French people seeking new opportunities in the late 20th and early 21st centuries. It analyses the impact that the French have had historically, and continue to have, on London life in the arts, gastronomy, business, industry and education, manifest in diverse places and institutions from the religious to the political via the educational, to the commercial and creative industries.
City of Darkness, City of Light
| Author | : Alastair Phillips |
| Publisher | : Amsterdam University Press |
| Total Pages | : 256 |
| Release | : 2004 |
| Genre | : PERFORMING ARTS |
| ISBN | : 9053566333 |
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A ground-breaking study of the cinematic representation of Paris in the films of émigré filmmakers who made it their first refuge from Hitler's Germany.
Court Culture in Dresden
| Author | : H. Watanabe-O'Kelly |
| Publisher | : Springer |
| Total Pages | : 326 |
| Release | : 2002-03-07 |
| Genre | : History |
| ISBN | : 0230514499 |
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This is the first cultural history of Baroque Dresden, the capital of Saxony and the most important Protestant territory in the Empire from the mid-sixteenth to the early eighteenth century. Helen Watanabe-O'Kelly shows how the art patronage of the Electors fits into the intellectual climate of the age and investigates its political and religious context. Lutheran church music and architecture, the influence of Italy, the cabinet of curiosities and the culture of collecting, alchemy, mining and early technology, official image-making and court theatre are some of the wealth of colourful subjects dealt with during the period 1553 to 1733.
Great Concert Music: Philip Hale's Boston Symphony Programme Notes
| Author | : Philip Hale |
| Publisher | : Greenwood |
| Total Pages | : 434 |
| Release | : 1971 |
| Genre | : Music |
| ISBN | : |
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Who Needs Classical Music?
| Author | : Julian Johnson |
| Publisher | : Oxford University Press |
| Total Pages | : 151 |
| Release | : 2011-09-01 |
| Genre | : Music |
| ISBN | : 019983119X |
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During the last few decades, most cultural critics have come to agree that the division between "high" and "low" art is an artificial one, that Beethoven's Ninth and "Blue Suede Shoes" are equally valuable as cultural texts. In Who Needs Classical Music?, Julian Johnson challenges these assumptions about the relativism of cultural judgements. The author maintains that music is more than just "a matter of taste": while some music provides entertainment, or serves as background noise, other music claims to function as art. This book considers the value of classical music in contemporary society, arguing that it remains distinctive because it works in quite different ways to most of the other music that surrounds us. This intellectually sophisticated yet accessible book offers a new and balanced defense of the specific values of classical music in contemporary culture. Who Needs Classical Music? will stimulate readers to reflect on their own investment (or lack of it) in music and art of all kinds.
Parisian Fields
| Author | : Michael Sheringham |
| Publisher | : Reaktion Books |
| Total Pages | : 214 |
| Release | : 1996 |
| Genre | : History |
| ISBN | : 9780948462856 |
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Perhaps no world city has so many resonances, on so many levels, as Paris. Cafe society, demi-monde, the intellectual life, film-makers and writers... Paris has fragmented socially, sexually, intellectually and linguistically into many fields. Parisian Fields sets out to investigate some of these. The writers investigate how Paris has been both seen and shaped by tourist guides; how its topography has been represented and allegorized by film-makers like Godard, Clair, Vigo and Renoir; how the city has responded to "new" Parisians - for example Afro-American musicians and dancers such as Josephine Baker - and to previously marginalized Parisians - gays and women. Literary analysis, film, social and gender theory, perspectives on urbanism; here are many provocative and innovative views of the open field of Paris, which will appeal to anyone interested in French cultural and literary studies - or just in the City of Light herself. With essays by Roger Clark, Nicholas Hewitt, Jon Kear, Tom Conley, Michael Sheringham, Alex Hughes, Adrian Rifkin, Belinda Jack, Verena Andermatt Conley and Marc Augé.
Dracula
| Author | : Matei Cazacu |
| Publisher | : BRILL |
| Total Pages | : 491 |
| Release | : 2017-07-10 |
| Genre | : History |
| ISBN | : 9004349219 |
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Originally published in French in 2004, Matei Cazacu’s Dracula remains the most authoritative scholarly biography of the Wallachian prince Vlad III the Impaler (1448, 1456-1462, 1476). Its core is an exhaustively researched reconstruction of Dracula’s life and political career, using original sources in more than nine languages. In addition Cazacu traces Dracula’s metamorphosis, at the hands of contemporary propagandists, into variously a bloodthirsty tyrant, and an early modern “great sovereign.” Beyond this Cazacu explores Dracula’s transformation into “the vampire prince” in literature, film and folklore, with surprising new discoveries on Bram Stoker’s sources for his novel. In this first English translation, the text and bibliography are updated, and readers are provided with an appendix of the key sources for Dracula’s life, in fresh and accurate English translations.
The French Cinema Book
| Author | : Michael Temple |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 743 |
| Release | : 2019-07-25 |
| Genre | : Performing Arts |
| ISBN | : 1838718869 |
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This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day. The contributors, who include leading historians and film scholars, provide an indispensable introduction to key topics and debates in French film history. Each chronological section addresses seven key themes – people, business, technology, forms, representations, spectators and debates, providing an essential overview of the cinema industry, the people who worked in it, including technicians and actors as well as directors, and the culture of cinema going in France from the beginnings of cinema to the contemporary period.
Translation in Russian Contexts
| Author | : Brian James Baer |
| Publisher | : Routledge |
| Total Pages | : 319 |
| Release | : 2017-07-28 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 131530533X |
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This volume represents the first large-scale effort to address topics of translation in Russian contexts across the disciplinary boundaries of Slavic Studies and Translation Studies, thus opening up new perspectives for both fields. Leading scholars from Eastern and Western Europe offer a comprehensive overview of Russian translation history examining a variety of domains, including literature, philosophy and religion. Divided into three parts, this book highlights Russian contributions to translation theory and demonstrates how theoretical perspectives developed within the field help conceptualize relevant problems in cultural context in pre-Soviet, Soviet, and post-Soviet Russia. This transdisciplinary volume is a valuable addition to an under-researched area of translation studies and will appeal to a broad audience of scholars and students across the fields of Translation Studies, Slavic Studies, and Russian and Soviet history. Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com/books/e/9781315305356.
