Documents concernant le film "Ces voyous d'hommes", 1943
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Author | : Roy Armes |
Publisher | : Indiana University Press |
Total Pages | : 418 |
Release | : 2008-07-11 |
Genre | : History |
ISBN | : 0253351162 |
Chiefly short biographies and filmographies.
Author | : Steven Shaviro |
Publisher | : U of Minnesota Press |
Total Pages | : 300 |
Release | : 1994 |
Genre | : Cinema |
ISBN | : 9781452902494 |
A radical approach to film viewing
Author | : Stephen Goldblatt |
Publisher | : |
Total Pages | : 109 |
Release | : 2010 |
Genre | : Rock musicians |
ISBN | : 9780615402284 |
Author | : Paul Monaco |
Publisher | : Praeger |
Total Pages | : 212 |
Release | : 1976 |
Genre | : Business & Economics |
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Author | : L. Anderst |
Publisher | : Springer |
Total Pages | : 212 |
Release | : 2014-03-13 |
Genre | : Performing Arts |
ISBN | : 1137011009 |
Eric Rohmer was a key figure in French New Wave cinema. Contributors to this volume revisit, complicate, and upend accepted readings and interpretations of perennial Rohmerian topics including the important role of language in his films, the influence of the arts, depictions of gender and class, and the roles played by space and place in his films.
Author | : Alan Warren Friedman |
Publisher | : University Press of Kentucky |
Total Pages | : 248 |
Release | : 2014-07-15 |
Genre | : Literary Criticism |
ISBN | : 0813161622 |
In 1934, Nancy Cunard published Negro: An Anthology, which brought together more than two hundred contributions, serving as a plea for racial justice, an exposé of black oppression, and a hymn to black achievement and endurance. The anthology stands as a virtual ethnography of 1930s racial, historic, artistic, political, and economic culture. Samuel Beckett, a close friend of the flamboyant and unconventional Cunard, translated nineteen of the contributions for Negro, constituting Beckett's largest single prose publication. Beckett traditionally has been viewed as an apolitical postmodernist rather than as a willing and major participant in Negro's racial, political, and aesthetic agenda. In Beckett in Black and Red, Friedman reevaluates Beckett's contribution to the project, reconciling the humanism of his life and work and valuing him as a man deeply engaged with the greatest public issues of his time. Cunard believed racial justice and equality could be achieved only through Communism, and thus "black" and "red" were inextricably linked in her vision. Beckett's contribution to Negro demonstrates his support for Cunard's interest in surrealism as well as her political causes, including international republicanism and anti-fascism. Only in recent years have Cunard's ideas begun to receive serious consideration. Beckett in Black and Red radically revalues Cunard and reconceives Beckett. His work in Negro shows a commitment to cultural and individual equality and worth that Beckett consistently demonstrated throughout his life, both in personal relationships and in his writing.
Author | : Dudley Andrew |
Publisher | : John Wiley & Sons |
Total Pages | : 642 |
Release | : 2013-02-11 |
Genre | : Performing Arts |
ISBN | : 1118321200 |
A Companion to François Truffaut “An unprecedented critical tribute to the director who, in France, wound up becoming the most controversial figure of the New Wave he helped found.” Raymond Bellour, Centre National de la Recherche Scientifique “This exciting collection breaks through the widely held critical view that Truffaut abandoned the iconoclasm of his early work for an academicism he had consistently railed against in his own film criticism. Indeed, if ‘fever’ and ‘fire’ were Truffaut’s most consistent motifs, the essays in this collection live up to his lifelong, burning passion for the cinema. Written by world-famous scholars, the essays exhaustively explore the themes and styles of the films, as well as Truffaut’s relationships to André Bazin, Alfred Hitchcock, and the directors of the New Wave, his ground-breaking and controversial film criticism, and his position in the complex politics of French cultural life from the Popular Front to 1968 and after.” Angelo Restivo, Georgia State University Although the New Wave, one of the most influential aesthetic revolutions in the history of cinema, might not have existed without him, François Truffaut has largely been ignored by film scholars since his death almost thirty years ago. As an innovative theoretician, an influential critic, and a celebrated filmmaker, Truffaut formulated, disseminated, and illustrated the ideals of the New Wave with exceptional energy and distinction. Yet no book in recent years has focused on Truffaut’s value, and his overall contribution to cinema deserves to be redefined not only to reinstate him in his proper place but to let us rethink how cinema developed during his lifetime. In this new Companion, thirty-four original essays by leading film scholars offer new readings of individual films and original perspectives on the filmmaker’s background, influences, and consequence. Hugely influential around the globe, Truffaut is assessed by international contributors who delve into the unique quality of his narratives and establish the depth of his distinctively styled work. An extended interview with French filmmaker Arnaud Desplechin tracks Truffaut’s controversial stature within French cinema and vividly identifies how he thinks and works as a director, adding an irreplaceable perspective to this essential volume.
Author | : Emilie Bickerton |
Publisher | : Verso Books |
Total Pages | : 177 |
Release | : 2014-04-15 |
Genre | : Performing Arts |
ISBN | : 1844678318 |
Cahiers du Cinéma was the single most influential project in the history of film. Founded in 1951, it was responsible for establishing film as the ‘seventh art,’ equal to literature, painting or music, and it revolutionized film-making and writing. Its contributors would put their words into action: the likes of Godard, Truffaut, Rivette, Rohmer were to become some of the greatest directors of the age, their films part of the internationally celebrated nouvelle vague. In this authoritative new history, Emilie Bickerton explores the evolution and impact of Cahiers du Cinéma, from its early years, to its late-sixties radicalization, its internationalization, and its response to the television age of the seventies and eighties. Showing how the story of Cahiers continues to resonate with critics, practitioners and the film-going public, A Short History of Cahiers du Cinéma is a testimony to the extraordinary legacy and archive these ‘collected pages of a notebook’ have provided for the world of cinema.
Author | : Jim Hillier |
Publisher | : Harvard University Press |
Total Pages | : 332 |
Release | : 1985 |
Genre | : Performing Arts |
ISBN | : 9780674090613 |
The Cahiers du Cinéma has played a major role in establishing film theory and criticism as an essential part of the late 20th century culture. This volume contains articles from the 1950s.