Directory of Playwrights, Directors, Designers
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 1983 |
Genre | : Designers, Theatrical |
ISBN | : 9780903931564 |
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Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 1983 |
Genre | : Designers, Theatrical |
ISBN | : 9780903931564 |
Author | : Catherine Itzin |
Publisher | : |
Total Pages | : 186 |
Release | : 1983 |
Genre | : Dramatists, English |
ISBN | : 9780903931564 |
Author | : |
Publisher | : |
Total Pages | : 196 |
Release | : 1983 |
Genre | : Dramatists, English |
ISBN | : |
Author | : Phyllis Johnson Kaye |
Publisher | : Waterford, Conn. : Eugene O'Neill Theater Center |
Total Pages | : 528 |
Release | : 1981 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 530 |
Release | : 1981 |
Genre | : Dramatists, American |
ISBN | : |
Author | : Michelene Wandor |
Publisher | : Routledge |
Total Pages | : 299 |
Release | : 2004-07-31 |
Genre | : Performing Arts |
ISBN | : 1135794863 |
`one hell of a seminal read ... Here is a book that grapples, with energy, ingenuity and terrific intellectual rigour, with a bewildering forest of issues around gender and politics ... illuminating, insightful, perceptive.' - Women's Review
Author | : Anonymous |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2023-07-18 |
Genre | : |
ISBN | : 9781019742051 |
This book is a comprehensive directory of theater professionals, including actors, directors, playwrights, and designers. It contains biographical information and career highlights for each entry, making it an invaluable resource for anyone interested in the history of the theater. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Jeremy Ridgman |
Publisher | : Indiana University Press |
Total Pages | : 236 |
Release | : 1998 |
Genre | : Art |
ISBN | : 9781860205194 |
The essays in this collection provide a wide-ranging examination of how drama and theater are represented on British broadcast television.
Author | : Carol Fisher Saller |
Publisher | : University of Chicago Press |
Total Pages | : 151 |
Release | : 2009-08-01 |
Genre | : Reference |
ISBN | : 0226734102 |
Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.
Author | : Leo Shull |
Publisher | : |
Total Pages | : 70 |
Release | : 1975* |
Genre | : Theater |
ISBN | : |