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Author | : Edith Hall |
Publisher | : OUP Oxford |
Total Pages | : 500 |
Release | : 2004-01-08 |
Genre | : Literary Criticism |
ISBN | : 019155541X |
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Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds of classics, theatre studies, and the professional theatre. They relate the recent appeal of Greek tragedy to social trends, political developments, aesthetic and performative developments, and the intellectual currents of the last three decades, especially multiculturalism, post-colonialism, feminism, post-structuralism, revisions of psychoanalytical models, and secularization.
Author | : Performance Group |
Publisher | : |
Total Pages | : |
Release | : 1970 |
Genre | : |
ISBN | : |
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Author | : Richard Schechner |
Publisher | : |
Total Pages | : |
Release | : 1970 |
Genre | : |
ISBN | : |
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Author | : Performance Group |
Publisher | : |
Total Pages | : 240 |
Release | : 1970 |
Genre | : Bacchantes |
ISBN | : |
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Author | : Walter F. Otto |
Publisher | : Indiana University Press |
Total Pages | : 300 |
Release | : 1965 |
Genre | : Philosophy |
ISBN | : 9780253208910 |
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"This study of Dionysus . . . is also a new theogony of Early Greece." —Publishers Weekly "An original analysis . . . of the spiritual significance of the Greek myth and cult of Dionysus." —Theology Digest
Author | : Erika Fischer-Lichte |
Publisher | : John Wiley & Sons |
Total Pages | : 256 |
Release | : 2014-01-07 |
Genre | : Literary Criticism |
ISBN | : 1405175788 |
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Dionysus Resurrected analyzes the global resurgence since the late 1960s of Euripides’ The Bacchae. By analyzing and contextualizing these modern day performances, the author reveals striking parallels between transformational events taking place during the era of the play’s revival and events within the play itself. Puts forward a lively discussion of the parallels between transformational eventsduring the era of the play’s revival and events within the play itself The first comparative study to analyse and contextualize performances of The Bacchae that took place between 1968 and 2009 from the United States, Africa, Latin America, Europe and Asia Argues that presentations of the play not only represent liminal states but also transfer the spectators into such states Contends that the play’s reflection on various stages of globalization render the tragedy a contemporary play Establishes the importance of The Bacchae within Euripides’ work as the only extant tragedy in which the god Dionysus himself appears, not just as a character but as the protagonist
Author | : Courtney J.P. Friesen |
Publisher | : Mohr Siebeck |
Total Pages | : 352 |
Release | : 2015-07-17 |
Genre | : Religion |
ISBN | : 9783161538131 |
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Courtney J. P. Friesen explores shifting boundaries of ancient religions by way of the reception of a popular tragedy, Euripides' Bacchae. As a play staging political crises provoked by the arrival of the foreign god Dionysus and his ecstatic cult, audiences and readers found resonances with their own cultural moments. This dramatic deity became emblematic of exuberant and liberating spirituality and, at the same time, a symbol of imperial conquest. Thus, readings of the Bacchae frequently foreground conflicts between religious autonomy and political authority, and between ethnic diversity and social cohesion. This cross-disciplinary study traces appropriations and evocations of this drama ranging from the fifth century BCE through Byzantium not only among pagans but also Jews and Christians. Writers variously articulated their religious visions over against Dionysus, often while paradoxically adopting the god's language and symbols. Consequently, imitation and emulati on are at times indistinguishable from polemics and subversion.
Author | : Rafael López-Pedraza |
Publisher | : |
Total Pages | : 120 |
Release | : 2000 |
Genre | : Body, Mind & Spirit |
ISBN | : |
Download Dionysus in Exile Book in PDF, ePub and Kindle
The internationally renowned Jungian analyst Lopez-Pedraza diagnoses the psychological illness at the core of modern society--the loss of embodied soulfulness in people's lives. In this study of the Greek god Dionysus, he offers insight for a cure. This book may be worth several years in psychotherapy, if one takes its message to heart. Dismemberment and cannibalism, Prometheus and Titanic nature, mystical experience, the communal aspect of Dionysiac worship, jazz, flamenco, and bullfighting are among the many twists and turns taken in this essay that wends its way through issues of the body and emotion to open hidden doors for psychotherapy and to cast new light on post-modern humanity.
Author | : Kevin J. Wetmore, Jr. |
Publisher | : McFarland |
Total Pages | : 276 |
Release | : 2010-03-22 |
Genre | : Performing Arts |
ISBN | : 9780786451593 |
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Many playwrights, authors, poets and historians have used images, metaphors and references to and from Greek tragedy, myth and epic to describe the African experience in the New World. The complex relationship between ancient Greek tragedy and modern African American theatre is primarily rooted in America, where the connection between ancient Greece and ancient Africa is explored and debated the most. The different ways in which Greek tragedy has been used by playwrights, directors and others to represent and define African American history and identity are explored in this work. Two models are offered for an Afro-Greek connection: Black Orpheus, in which the Greek connection is metaphorical, expressing the African in terms of the European; and Black Athena, in which ancient Greek culture is "reclaimed" as part of an Afrocentric tradition. African American adaptations of Greek tragedy on the continuum of these two models are then discussed, and plays by Peter Sellars, Adrienne Kennedy, Lee Breuer, Rita Dove, Jim Magnuson, Ernest Ferlita, Steve Carter, Silas Jones, Rhodessa Jones and Derek Walcott are analyzed. The concepts of colorblind and nontraditional casting and how such practices can shape the reception and meaning of Greek tragedy in modern American productions are also covered.
Author | : Susan Rowland |
Publisher | : Routledge |
Total Pages | : 202 |
Release | : 2016-07-28 |
Genre | : Literary Criticism |
ISBN | : 1317209621 |
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Dionysus, god of dismemberment and sponsor of the lost or abandoned feminine, originates both Jungian psychology and literature in Remembering Dionysus. Characterized by spontaneity, fluid boundaries, sexuality, embodiment, wild nature, ecstasy and chaos, Dionysus is invoked in the writing of C. G. Jung and James Hillman as the dual necessity to adopt and dismiss literature for their archetypal vision of the psyche or soul. Susan Rowland describes an emerging paradigm for the twenty-first century enacting the myth of a god torn apart to be re-membered, and remembered as reborn in a great renewal of life. Rowland demonstrates how persons, forms of knowing and even eras that dismiss Dionysus are torn apart, and explores how Jung was Dionysian in providing his most dismembered text, The Red Book. Remembering Dionysus pursues the rough god into the Sublime in the destruction of meaning in Jung and Jacques Lacan, to a re-membering of sublime feminine creativity that offers zoe, or rebirth participating in an archetype of instinctual life. This god demands to be honoured inside our knowing and being, just as he (re)joins us to wild nature. This revealing book will be invigorating reading for Jungian analysts, psychotherapists, arts therapists and counsellors, as well as academics and students of analytical psychology, depth psychology, Jungian and post-Jungian studies, literary studies and ecological humanities.