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| Author | : Adam Lecznar |
| Publisher | : Cambridge University Press |
| Total Pages | : 259 |
| Release | : 2020-04-16 |
| Genre | : History |
| ISBN | : 1108482562 |
Explores how, after Nietzsche, Dionysus and the ancient Greeks would never be the same again.
| Author | : Paul Gordon |
| Publisher | : University of Illinois Press |
| Total Pages | : 186 |
| Release | : 2001 |
| Genre | : Literary Criticism |
| ISBN | : 9780252025747 |
"In defining rapturous superabundance, Gordon explicates the tension between Apollonian principles of preservation and orderly boundaries (Exemplified in Aristotle's theory of tragedy) and an ecstatic Dionysian energy (essentially a manifestation of will) that ruptures boundaries. Aristotle denied this disruptive element by focusing on tragedy as a rational framework for redefining moral boundaries. Nietzsche seized on it as the core of his theory of tragedy."--BOOK JACKET.
| Author | : Rose Pfeffer |
| Publisher | : Bucknell University Press |
| Total Pages | : 308 |
| Release | : 1972 |
| Genre | : Philosophy |
| ISBN | : 9780838710692 |
| Author | : Friedrich Nietzsche |
| Publisher | : The Floating Press |
| Total Pages | : 172 |
| Release | : 2016-12-01 |
| Genre | : Literary Criticism |
| ISBN | : 1776673174 |
This classic work of creative criticism from German philosopher Friedrich Nietzsche argues that ancient Greek drama represents the highest form of art ever produced. In the first section of the book, Nietzsche presents an in-depth analysis of Athenian tragedy and its many merits. In the second section, Nietzsche contrasts the refinement of classical tragedy with what he regards as the cultural wasteland of the nineteenth-century.
| Author | : Friedrich Nietzsche |
| Publisher | : U of Minnesota Press |
| Total Pages | : 56 |
| Release | : 2015-11-01 |
| Genre | : Philosophy |
| ISBN | : 1937561267 |
Before the world knew of the thinker who “philosophizes with a hammer,” there was a young, passionate thinker who was captivated by the two forces found within Greek art: Dionysus and Apollo. In this essay, which was the forerunner to his groundbreaking book The Birth of Tragedy, The Dionysian Vision of the World provides an unparalleled look into the philosophical mind of one of Europe’s greatest and provocative intellects at the beginning of his philosophical interrogation on the subject of art. “While dreaming is the game man plays with reality as an individual, the visual artist (in the larger sense) plays a game with dreaming.” This is the Dionysian vision of the world.
| Author | : Friedrich Wilhelm Nietzsche |
| Publisher | : |
| Total Pages | : 452 |
| Release | : 1911 |
| Genre | : Philosophy, German |
| ISBN | : |
| Author | : Paul Raimond Daniels |
| Publisher | : Routledge |
| Total Pages | : 257 |
| Release | : 2014-09-19 |
| Genre | : Philosophy |
| ISBN | : 1317548108 |
Nietzsche's philosophy - at once revolutionary, erudite and deep - reaches into all spheres of the arts. Well into a second century of influence, the profundity of his ideas and the complexity of his writings still determine Nietzsche's power to engage his readers. His first book, "The Birth of Tragedy", presents us with a lively inquiry into the existential meaning of Greek tragedy. We are confronted with the idea that the awful truth of our existence can be revealed through tragic art, whereby our relationship to the world transfigures from pessimistic despair into sublime elation and affirmation. It is a landmark text in his oeuvre and remains an important book both for newcomers to Nietzsche and those wishing to enrich their appreciation of his mature writings. "Nietzsche and The Birth of Tragedy" provides a clear account of the text and explores the philosophical, literary and historical influences bearing upon it. Each chapter examines part of the text, explaining the ideas presented and assessing relevant scholarly points of interpretation. The book will be an invaluable guide to readers in Philosophy, Literary Studies and Classics coming to "The Birth of Tragedy" for the first time.
| Author | : Claudia Crawford |
| Publisher | : SUNY Press |
| Total Pages | : 336 |
| Release | : 1995-01-01 |
| Genre | : Philosophy |
| ISBN | : 9780791421499 |
This book explores the possibility that Friedrich Nietzsche simulated his madness as a form of "voluntary death," and thus that his madness functioned as the symbolic culmination of his philosophy. The book weaves together scholarly, mytho-poetic, literary critical, biographical, and dramatic genres not only to explore specifics of Nietzsche's "madness," but to question the "reason/madness" opposition in nineteenth and twentieth century thinking. A rational and scholarly study of this period of Nietzsche's "breakdown"--presented through his writings, letters, and poetry in combination with relevant historical documents and other critics' writings--is simultaneously disrupted and questioned by several non-traditional discourses or voices that break in on it. Thus, Ariadne's voice frames and unframes the research context and plays alongside it. Ariadne's voice is poetic, revelatory, rhapsodic, and prophetic, sounding much like Nietzsche's own voice during his "breakdown." Ariadne's discourse attempts to seduce through a non-rational, mytho-poetic love story which culminates in the wedding of Dionysus and Ariadne. Other non-rational discourses, critically developed and based upon the work of Nietzsche, Jean Baudrillard, and Gilles Deleuze, are given voice and work together with Ariadne to counter the usual interpretations of Nietzsche's "madness" and of what "mad" discourse is. These discourses are given the names "catastrophe," "phantasm," and "seduction." The experiment of the book is not only to offer an entirely different perspective on Nietzche's "madness" but to offer and perform new and challenging forms of affirmative discourse.
| Author | : James I. Porter |
| Publisher | : Stanford University Press |
| Total Pages | : 244 |
| Release | : 2000 |
| Genre | : Philosophy |
| ISBN | : 9780804737005 |
This book argues that The Birth of Tragedy, Nietzsche's first book, does not mark a rupture with his prior philosophical undertakings but is, in fact, continuous with them and with his later writings as well. It shows that many of the book's elements are reminiscent of Nietzsche's earlier revisions of philology and anticipate the later writings.
| Author | : Sue Prideaux |
| Publisher | : Tim Duggan Books |
| Total Pages | : 464 |
| Release | : 2018-10-30 |
| Genre | : Biography & Autobiography |
| ISBN | : 1524760846 |
NEW YORK TIMES Editors’ Choice • THE TIMES BIOGRAPHY OF THE YEAR • WINNER OF THE HAWTHORNDEN PRIZE A groundbreaking new biography of philosophy’s greatest iconoclast Friedrich Nietzsche is one of the most enigmatic figures in philosophy, and his concepts—the Übermensch, the will to power, slave morality—have fundamentally reshaped our understanding of the human condition. But what do most people really know of Nietzsche—beyond the mustache, the scowl, and the lingering association with nihilism and fascism? Where do we place a thinker who was equally beloved by Albert Camus, Ayn Rand, Martin Buber, and Adolf Hitler? Nietzsche wrote that all philosophy is autobiographical, and in this vividly compelling, myth-shattering biography, Sue Prideaux brings readers into the world of this brilliant, eccentric, and deeply troubled man, illuminating the events and people that shaped his life and work. From his placid, devoutly Christian upbringing—overshadowed by the mysterious death of his father—through his teaching career, lonely philosophizing on high mountains, and heart-breaking descent into madness, Prideaux documents Nietzsche’s intellectual and emotional life with a novelist’s insight and sensitivity. She also produces unforgettable portraits of the people who were most important to him, including Richard and Cosima Wagner, Lou Salomé, the femme fatale who broke his heart; and his sister Elizabeth, a rabid German nationalist and anti-Semite who manipulated his texts and turned the Nietzsche archive into a destination for Nazi ideologues. I Am Dynamite! is the essential biography for anyone seeking to understand history's most misunderstood philosopher.
