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| Author | : Derek Jarman |
| Publisher | : Thames & Hudson |
| Total Pages | : 133 |
| Release | : 1986-01-01 |
| Genre | : British cinema films: Caravaggio - Production |
| ISBN | : 9780500274194 |
| Author | : Ann-Marie Hodges |
| Publisher | : |
| Total Pages | : 48 |
| Release | : 1999 |
| Genre | : Art in motion pictures |
| ISBN | : |
| Author | : Derek Jarman |
| Publisher | : U of Minnesota Press |
| Total Pages | : 322 |
| Release | : 1992 |
| Genre | : Performing Arts |
| ISBN | : 1452915024 |
Originally published: Woodstock, N.Y.: Overlook Press, 1994.
| Author | : Rowland Wymer |
| Publisher | : Manchester University Press |
| Total Pages | : 225 |
| Release | : 2019-01-04 |
| Genre | : Performing Arts |
| ISBN | : 1526141329 |
This book gives detailed and original critical readings of all eleven of Derek Jarman's feature-length films, arguing that he occupies a major and influential place in European and world cinema rather than merely being a cult figure. It places particular emphasis on the importance of Renaissance art and literature for Jarman, and emphasises his interest in Jungian psychology. Wymer shows how Jarman used his films to take his audience with him on an inner journey in search of the self, whilst remaining fully aware of the dangers of such a journey. Making substantial use of Jarman's unpublished papers as well as all his published works, Wymer argues that the films are orientated towards a much wider audience than is often supposed. They are addressed to anyone, of whatever gender or sexuality, who is prepared to go on a journey in search of him or her self and to become Jarman's accomplice in 'the dream world of the soul'.
| Author | : Derek Jarman |
| Publisher | : U of Minnesota Press |
| Total Pages | : 258 |
| Release | : 1984 |
| Genre | : Motion picture producers and directors |
| ISBN | : 1452915717 |
| Author | : Stephen Farthing |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2013-10-22 |
| Genre | : Antiques & Collectibles |
| ISBN | : 0500516944 |
Part autobiography and part social history: the acclaimed director’s filmmaking process revealed through his private sketchbooks Legendary filmmaker Derek Jarman recorded his life and work in highly detailed sketchbooks. Encompassing both the private and the professional, these offer a personal view into the life and career of a highly influential filmmaker and artist. Drawn from the collection of handmade books that Jarman gave to the British Film Institute shortly before his death in 1994, Derek Jarman’s Sketchbooks showcases the most insightful and beautiful pages. Each of the original volumes is composed of drawings, photographs, and cuttings; pressed flowers are set beside scrawled ideas, and carefully penned poems accompany typed and edited working scripts. These once-private books are an intimate pictorial record of the detailed planning and research and the creative and emotional engagement behind every scene in Jarman’s films.
| Author | : Leo Bersani |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 97 |
| Release | : 2021-03-25 |
| Genre | : Performing Arts |
| ISBN | : 1839022574 |
Caravaggio (1986), Derek Jarman's portrait of the Italian Baroque artist, shows the painter at work with models drawn from Rome's homeless and prostitutes, and his relationship with two very different lovers: Ranuccio, played by Sean Bean, and Lena, played by Tilda Swinton. It is probably the closest Derek Jarman came to a mainstream film. And yet the film is a uniquely complex and lucid treatment of Jarman's major concerns: violence, history, homosexuality, and the relation between film and painting. In particular, according to Leo Bersani and Ulysse Dutoit, Caravaggio is unlike Jarman's other work in avoiding a sentimentalising of gay relationships and in making no neat distinction between the exercise and the suffering of violence. Film-making involves a coercive power which, for Bersani and Dutoit, Jarman may, without admitting it to himself, have found deeply seductive. But in Caravaggio this power is renounced, and the result is Jarman's most profound, unsettling and astonishing reflection on sexuality and identity.
| Author | : Mieke Bal |
| Publisher | : University of Chicago Press |
| Total Pages | : 332 |
| Release | : 2001-03 |
| Genre | : Art |
| ISBN | : 9780226035574 |
The author's primary object of investigation in this text is not the Caravaggio, but rather the issue of temporality in art. She analyzes the productives relationship between Caravaggio and a number of late-20th century artists who "quote" the baroque master in their own works.
| Author | : Tony Peake |
| Publisher | : U of Minnesota Press |
| Total Pages | : 623 |
| Release | : 2000 |
| Genre | : Motion picture producers and directors |
| ISBN | : 145292337X |
| Author | : Pascale Aebischer |
| Publisher | : Cambridge University Press |
| Total Pages | : 287 |
| Release | : 2013-05-23 |
| Genre | : Literary Criticism |
| ISBN | : 110724482X |
While film adaptations of Shakespeare's plays captured the popular imagination at the turn of the last century, independent filmmakers began to adapt the plays of Shakespeare's contemporaries. The roots of their films in European avant-garde cinema and the plays' politically subversive, sexually transgressive and violent subject matter challenge Shakespeare's cultural dominance and the conventions of mainstream cinema. In Screening Early Modern Drama, Pascale Aebischer shows how director Derek Jarman constructed an alternative, dissident approach to filming literary heritage in his 'queer' Caravaggio and Edward II, providing models for subsequent filmmakers such as Mike Figgis, Peter Greenaway, Alex Cox and Sarah Harding. Aebischer explains how the advent of digital video has led to an explosion in low-budget screen versions of early modern drama. The only comprehensive analysis of early modern drama on screen to date, this groundbreaking study also includes an extensive annotated filmography listing forty-eight surviving adaptations.
