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Deconstructing the Stereotype: Reconsidering Indian Culture, Literature and Cinema

Deconstructing the Stereotype: Reconsidering Indian Culture, Literature and Cinema
Author: Kaustav Chakraborty
Publisher: diplom.de
Total Pages: 169
Release: 2014-04-01
Genre: Social Science
ISBN: 3954897407
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Stereotypes are mere 'pictures in our heads'. Prejudice and suspicion against all that is perceived of as ‘different’ give rise to cultural stereotypes. Creating stereotypes also involves connecting the created categories with values, equipping the categories with an ideational label. Thus, stereotypes often contain the presupposition that one’s own group represents the normal, or even universal and that one’s own culture and ist socially construed concepts of reality is superior and normative in relation to other cultures and world-views. The stereotypes are not just one person’s private attitude but are always shared with a larger socio-cultural group. Stereotypes result in simplifications that prevent people from seeing the ‘otherized’ individuals as they truly are. This book, aims at transgressing the boundaries of the strategically generated stereotyped image of a homogenous Indian culture. Rather, by highlighting the marginalised issues related to class, caste and gender, this book, by citing examples of select Indian literary and cinematic representations, argues that the stigma related to the non-conformist /alternative/minority identities, is baseless and fraudulent.

'Bad' Women of Bombay Films

'Bad' Women of Bombay Films
Author: Saswati Sengupta
Publisher: Springer Nature
Total Pages: 381
Release: 2019-12-06
Genre: Performing Arts
ISBN: 3030267881
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This book presents a feminist mapping of the articulation and suppression of female desire in Hindi films, which comprise one of modern India’s most popular cultural narratives. It explores the lineament of evil and the corresponding closure of chastisement or domesticity that appear as necessary conditions for the representation of subversive female desire. The term ‘bad’ is used heuristically, and not as a moral or essential category, to examine some of the iconic disruptive women of Hindi cinema and to uncover the nexus between patriarchy and other hierarchies, such as class, caste and religion in these representations. The twenty-one essays examine the politics of female desire/s from the 1930s to the present day - both through in-depth analyses of single films and by tracing the typologies in multiple films. The essays are divided into five sections indicating the various gendered desires and rebellions that patriarchal society seeks to police, silence and domesticate.

Women on Boards in China and India

Women on Boards in China and India
Author: Alice de Jonge
Publisher: Taylor & Francis
Total Pages: 113
Release: 2022-05-09
Genre: Business & Economics
ISBN: 1000583910
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This book provides an in-depth comparative exploration of gender diversity in corporate leadership roles in China and India. Set in the context of changing corporate governance norms, it utilises both quantitative and qualitative research methods to understand the key determinants of gender disparity. It identifies global-, national-, and enterprise-level factors shaping gender diversity in the corporate boardroom and measures their economic, political, and socio-cultural impacts on two of the world’s largest economies. The book draws upon narratives of women leaders to bridge the gap between theory and data, examining possible solutions to achieve gender parity in organisational hierarchies. Topical and detailed, this book will be an essential read for scholars, practitioners, and researchers of gender studies, corporate governance, business studies, human resource management, public policy, social anthropology, and Asian studies.

De-stereotyping Indian Body and Desire

De-stereotyping Indian Body and Desire
Author: Kaustav Chakraborty
Publisher: Cambridge Scholars Publishing
Total Pages: 195
Release: 2014-03-17
Genre: History
ISBN: 1443857432
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Stereotypes result in deceptive generalizations about groups and are held in a manner that renders them as derogatory. As such, this volume advocates an active, goal-oriented effort in order to reduce prejudice through contact. Deconstructing the motivated ‘otherizing’ of the marginalized, the book offers an alternative reading of the representations of Indian body and desire, in both literature and media, that are often politically inscribed as ‘abnormal’ and ‘unnatural’ due to their non-conformity. Poststructural and postcolonial theories have argued that the body is a cultural construct rather than a natural entity. This argument is based on the assumption that there is no unalloyed body with any singular signification, but there are bodies onto which a multiplicity of meanings are inscribed and enforced. The responsibility of this ‘inscription’ lies with the agencies that hold power in a culture, and the infused meanings will consequently facilitate the ideologies of such agencies. In other words, the bodies of a certain culture are the ‘embodiment’ of the ideas of those who hold power in that culture. The corporality of the body, in this sense, is a cultural site in which the subtle political ideologies are deftly imposed, and, accordingly, ‘correct’ and ‘sanctioned’ desire is expected to germinate. Consequently, it may be argued that apparently unified or non-contradictory bodies of ‘normal’ desire should be suspected of having subtle hegemonic mechanisms in their formation. As a corollary to this, an investigation into such ‘abnormal’ bodies with ‘unnatural’ desires may have the effect of subverting such a power structure. Today’s world believes in de-stereotyped thinking and stereotyped living. Language has already been declared as a means more of camouflage than of revelation. As a result, there is a need to deconstruct the so-called ‘radical’ representations and expose the undercurrent of the norm. Otherization through stereotyping agencies and ideologies motivates racist, sexist and other de-humanizing positions and perspectives. This book, which is the outcome of the UGC-sponsored National Seminar organised by the Department of English at Southfield College, Darjeeling, is an endeavour to demystify the politics behind stereotyping, and to advocate the justification of de-stereotyping. As such, it represents a significant contribution to numerous disciplines including subaltern studies, women and gender studies, queer studies and minority discourse.

Queer sexualities in Indian Culture : Critical Responses

Queer sexualities in Indian Culture : Critical Responses
Author: Dipak Giri
Publisher: Booksclinic Publishing, Chhattisgarh, India
Total Pages: 198
Release: 2020-10-20
Genre: Education
ISBN: 9390192935
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The anthology Queer Sexualities in Indian Culture: Critical Responses surveys the queer (LGBTQIA+) space in Indian culture in reference to literature, movies and other important media of culture. Shedding light on the marginalised position of queer in Indian culture, the anthology seeks sympathy for this minority class of people from majorities. It traces out factors like gender stereotype, body politics, prejudism etc. causing these minorities to lead a life of invisibility. Along with a critical introduction and an interview with queer activist and author Ruth Vanita, the anthology has covered sixteen well-explored articles through which authors have tried to sincerely articulate their noble ideas on queer studies in Indian context. The book will be helpful not only for readers who want to know about Indian queers but also prove resourceful to scholars who intend to do further studies on it.

The Stereotypical Portrayal of Women in Commercial Indian Cinema

The Stereotypical Portrayal of Women in Commercial Indian Cinema
Author: Sowmya Nandakumar
Publisher:
Total Pages:
Release: 2011
Genre:
ISBN:
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Historical and recent literature on the subject of the representation of women in Indian cinema suggest that in commercial (blockbuster) Indian films, grossing the highest at the Indian box office, the roles of actresses are stereotypical in nature. Publicity on the subject has explored the term "stereotypical" defining it in terms of fixed categories, arrived at on the basis of the repetitive characteristics and traits observed in the roles women play. In this thesis I will arrive at operational definitions of the term "stereotypical", which I have coined after an extensive review of literature on the subject. I will further establish with photographic examples and instances drawn from specific films and scenes that women's roles in Indian Cinema conform to these operational definitions of the term "stereotype". The term "Indian Cinema" for the purpose of this paper refers to Bollywood Cinema, made in the Indian language, Hindi. The terms "commercial" and "blockbuster" include films that have been classified by boxofficeindia.com, as "All Time Blockbuster", "Blockbuster: and "Super Hit". In terms of the monetary gross adjusted profits earned, (all adjusted to inflation), this includes films that earned anything from $70,015,847 to $76, 74,892. I aim to look specifically at the treatment of women on-screen, focusing on the lead actresses and in some cases, other important woman characters in blockbuster films over the last fifty years of Indian cinema, from the 1960s through 2011. I will analyze in detail the various kinds of roles women have played and build the premise that these roles are thrust on Indian women by the society in which they live. In the thesis, I argue that the stereotypical roles given to women are the patriarchal society's, male fantasies, projected onto film, catering to those male fantasies, so much so, that women have internalized this fantasy and don't think of them as being the patriarchal power structure's impositions on them. I will establish that the reason for this is a result of a complex mix of three factors: (i) Socio-Cultural and historical factors, (ii) the influence of epics and mythological stories of the Hindu religion on pop culture and (iii) the elements that encompass the film viewing masses and the patriarchal power structure of the social set-up in which this Indian audience lives. This is a qualitative study, which uses a number of still pictures from films, journal articles, books, film stories and interviews with media professionals to further elucidate specific aspects of the subject.

Handbook of Research on Social and Cultural Dynamics in Indian Cinema

Handbook of Research on Social and Cultural Dynamics in Indian Cinema
Author: Biswal, Santosh Kumar
Publisher: IGI Global
Total Pages: 401
Release: 2020-06-26
Genre: Social Science
ISBN: 1799835138
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Cinema in India is an entertainment medium that is interwoven into society and culture at large. It is clearly evident that continuous struggle and conflict at the personal as well as societal levels is depicted in cinema in India. It has become a reflection of society both in negative and positive ways. Hence, cinema has become an influential factor and one of the largest mass communication mediums in the nation. Social and Cultural Dynamics in Indian Cinema is an essential reference source that discusses cultural and societal issues including caste, gender, oppression, and social movements through cinema and particularly in specific language cinema and culture. Featuring research on topics such as Bollywood, film studies, and gender equality, this book is ideally designed for researchers, academicians, film studies students, and industry professionals seeking coverage on various aspects of regional cinema in India.

Hollywood's Indian

Hollywood's Indian
Author: Peter Rollins
Publisher: University Press of Kentucky
Total Pages: 267
Release: 2011-01-23
Genre: Performing Arts
ISBN: 0813131650
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Offering both in-depth analyses of specific films and overviews of the industry's output, Hollywood's Indian provides insightful characterizations of the depiction of the Native Americans in film. This updated edition includes a new chapter on Smoke Signals , the groundbreaking independent film written by Sherman Alexie and directed by Chris Eyre. Taken as a whole the essays explore the many ways in which these portrayals have made an impact on our collective cultural life.

The "new Woman" Revised

The
Author: Ellen Wiley Todd
Publisher: Univ of California Press
Total Pages: 464
Release: 1993-01-01
Genre: Art
ISBN: 9780520074712
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In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters--Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop--placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period. This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.

Culture and Imperialism

Culture and Imperialism
Author: Edward W. Said
Publisher: Vintage
Total Pages: 416
Release: 2012-10-24
Genre: Political Science
ISBN: 0307829650
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A landmark work from the author of Orientalism that explores the long-overlooked connections between the Western imperial endeavor and the culture that both reflected and reinforced it. In the nineteenth and early twentieth centuries, as the Western powers built empires that stretched from Australia to the West Indies, Western artists created masterpieces ranging from Mansfield Park to Heart of Darkness and Aida. Yet most cultural critics continue to see these phenomena as separate. Edward Said looks at these works alongside those of such writers as W. B. Yeats, Chinua Achebe, and Salman Rushdie to show how subject peoples produced their own vigorous cultures of opposition and resistance. Vast in scope and stunning in its erudition, Culture and Imperialism reopens the dialogue between literature and the life of its time.