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| Author | : Robert H. Sanders |
| Publisher | : Cambridge University Press |
| Total Pages | : 153 |
| Release | : 2016-09-29 |
| Genre | : Science |
| ISBN | : 1107155266 |
A critical assessment of the standard cosmological model and its main challenger, modified Newtonian dynamics (MOND).
| Author | : James Mattingly |
| Publisher | : SAGE Publications |
| Total Pages | : 1057 |
| Release | : 2022-09-21 |
| Genre | : Philosophy |
| ISBN | : 1483347710 |
The SAGE Encyclopedia of Theory is a landmark work that examines theory in general and the broad split between the "hard" and "soft" sciences, a split that is being re-examined as approaches to scientific questions become increasingly multidisciplinary.
| Author | : Matilde Marcolli |
| Publisher | : MIT Press |
| Total Pages | : 390 |
| Release | : 2020-05-26 |
| Genre | : Mathematics |
| ISBN | : 0262043904 |
Exploring common themes in modern art, mathematics, and science, including the concept of space, the notion of randomness, and the shape of the cosmos. This is a book about art—and a book about mathematics and physics. In Lumen Naturae (the title refers to a purely immanent, non-supernatural form of enlightenment), mathematical physicist Matilde Marcolli explores common themes in modern art and modern science—the concept of space, the notion of randomness, the shape of the cosmos, and other puzzles of the universe—while mapping convergences with the work of such artists as Paul Cezanne, Mark Rothko, Sol LeWitt, and Lee Krasner. Her account, focusing on questions she has investigated in her own scientific work, is illustrated by more than two hundred color images of artworks by modern and contemporary artists. Thus Marcolli finds in still life paintings broad and deep philosophical reflections on space and time, and connects notions of space in mathematics to works by Paul Klee, Salvador Dalí, and others. She considers the relation of entropy and art and how notions of entropy have been expressed by such artists as Hans Arp and Fernand Léger; and traces the evolution of randomness as a mode of artistic expression. She analyzes the relation between graphical illustration and scientific text, and offers her own watercolor-decorated mathematical notebooks. Throughout, she balances discussions of science with explorations of art, using one to inform the other. (She employs some formal notation, which can easily be skipped by general readers.) Marcolli is not simply explaining art to scientists and science to artists; she charts unexpected interdependencies that illuminate the universe.
| Author | : Naoto Kamano |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 324 |
| Release | : 2014-12-02 |
| Genre | : Religion |
| ISBN | : 3110870703 |
In this rhetorical-critical study of Ecclesiates, the author elucidates how Qoheleth teaches in his discourse, paying particular attention to the use of the cosmological texts (1:4-11 and 3:1-8) and the first-person speeches.
| Author | : N. Katherine Hayles |
| Publisher | : Cornell University Press |
| Total Pages | : 220 |
| Release | : 1984 |
| Genre | : Literary Criticism |
| ISBN | : 9780801492907 |
From the central concept of the field--which depicts the world as a mutually interactive whole, with each part connected to every other part by an underlying field-- have come models as diverse as quantum mathematics and Saussure's theory of language. In The Cosmic Web, N. Katherine Hayles seeks to establish the scope of the field concept and to assess its importance for contemporary thought. She then explores the literary strategies that are attributable directly or indirectly to the new paradigm; among the texts at which she looks closely are Robert Pirsig's Zen and the Art of Motorcycle Maintenance, Nabokov's Ada, D. H. Lawrence's early novels and essays, Borges's fiction, and Thomas Pynchon's Gravity's Rainbow.
| Author | : Helge Kragh |
| Publisher | : Princeton University Press |
| Total Pages | : 515 |
| Release | : 2021-03-09 |
| Genre | : Science |
| ISBN | : 0691227713 |
For over three millennia, most people could understand the universe only in terms of myth, religion, and philosophy. Between 1920 and 1970, cosmology transformed into a branch of physics. With this remarkably rapid change came a theory that would finally lend empirical support to many long-held beliefs about the origins and development of the entire universe: the theory of the big bang. In this book, Helge Kragh presents the development of scientific cosmology for the first time as a historical event, one that embroiled many famous scientists in a controversy over the very notion of an evolving universe with a beginning in time. In rich detail he examines how the big-bang theory drew inspiration from and eventually triumphed over rival views, mainly the steady-state theory and its concept of a stationary universe of infinite age. In the 1920s, Alexander Friedmann and Georges Lemaître showed that Einstein's general relativity equations possessed solutions for a universe expanding in time. Kragh follows the story from here, showing how the big-bang theory evolved, from Edwin Hubble's observation that most galaxies are receding from us, to the discovery of the cosmic microwave background radiation. Sir Fred Hoyle proposed instead the steady-state theory, a model of dynamic equilibrium involving the continuous creation of matter throughout the universe. Although today it is generally accepted that the universe started some ten billion years ago in a big bang, many readers may not fully realize that this standard view owed much of its formation to the steady-state theory. By exploring the similarities and tensions between the theories, Kragh provides the reader with indispensable background for understanding much of today's commentary about our universe.
| Author | : Paul S. Wesson |
| Publisher | : World Scientific |
| Total Pages | : 216 |
| Release | : 2011 |
| Genre | : Science |
| ISBN | : 9814313947 |
A thorough but short review of the history and present status of ideas in cosmology. The book is aimed at a broad audience, but will contain a few equations where needed to make the argument exact.
| Author | : Paul Gladston |
| Publisher | : Springer |
| Total Pages | : 194 |
| Release | : 2015-08-21 |
| Genre | : Art |
| ISBN | : 3662464888 |
The book presents a range of articles and discussions that offer critical insights into the development of contemporary Chinese art, both within China and internationally. It brings together selected writings, both published and unpublished, by Paul Gladston, one of the foremost international scholars on contemporary Chinese art. The articles are based on extensive first-hand research, much of which was carried out during an extended residence in China between 2005 and 2010. In contrast to many other writers on contemporary Chinese art, Gladston analyses his subject with specific reference to the concerns of critical theory. In his writings he consistently argues for a “polylogic” (multi-voiced) approach to research and analysis grounded in painstaking attention to local, regional and international conditions of artistic production, reception and display.
| Author | : Brian Greene |
| Publisher | : Vintage |
| Total Pages | : 594 |
| Release | : 2007-12-18 |
| Genre | : Science |
| ISBN | : 0307428532 |
NATIONAL BESTSELLER • From one of the world’s leading physicists and author of the Pulitzer Prize finalist The Elegant Universe, comes “an astonishing ride” through the universe (The New York Times) that makes us look at reality in a completely different way. Space and time form the very fabric of the cosmos. Yet they remain among the most mysterious of concepts. Is space an entity? Why does time have a direction? Could the universe exist without space and time? Can we travel to the past? Greene has set himself a daunting task: to explain non-intuitive, mathematical concepts like String Theory, the Heisenberg Uncertainty Principle, and Inflationary Cosmology with analogies drawn from common experience. From Newton’s unchanging realm in which space and time are absolute, to Einstein’s fluid conception of spacetime, to quantum mechanics’ entangled arena where vastly distant objects can instantaneously coordinate their behavior, Greene takes us all, regardless of our scientific backgrounds, on an irresistible and revelatory journey to the new layers of reality that modern physics has discovered lying just beneath the surface of our everyday world.
| Author | : Akel Ismail Kahera |
| Publisher | : University of Texas Press |
| Total Pages | : 209 |
| Release | : 2010-01-01 |
| Genre | : Architecture |
| ISBN | : 0292779755 |
From the avant-garde design of the Islamic Cultural Center in New York City to the simplicity of the Dar al-Islam Mosque in Abiquiu, New Mexico, the American mosque takes many forms of visual and architectural expression. The absence of a single, authoritative model and the plurality of design nuances reflect the heterogeneity of the American Muslim community itself, which embodies a whole spectrum of ethnic origins, traditions, and religious practices. In this book, Akel Ismail Kahera explores the history and theory of Muslim religious aesthetics in the United States since 1950. Using a notion of deconstruction based on the concepts of "jamal" (beauty), "subject," and "object" found in the writings of Ibn Arabi (d. 1240), he interprets the forms and meanings of several American mosques from across the country. His analysis contributes to three debates within the formulation of a Muslim aesthetics in North America—first, over the meaning, purpose, and function of visual religious expression; second, over the spatial and visual affinities between American and non-American mosques, including the Prophet's mosque at Madinah, Arabia; and third, over the relevance of culture, place, and identity to the making of contemporary religious expression in North America.
