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| Author | : David K. Coley |
| Publisher | : Interventions: New Studies Med |
| Total Pages | : 220 |
| Release | : 2019 |
| Genre | : Literary Criticism |
| ISBN | : 9780814213902 |
Shows how English responses to the Black Death were hidden in plain sight--as seen in the Pearl, Cleanness, Patience, and Sir Gawain and the Green Knight poems.
| Author | : David K Coley |
| Publisher | : Ohio State University Press |
| Total Pages | : 236 |
| Release | : 2019-02-25 |
| Genre | : |
| ISBN | : 9780814255223 |
The plague first arrived in the English port of Weymouth in the summer of 1348. Two years later, half of Britain was dead, but the Black Death was just beginning. In the decades to come, England would suffer recurring outbreaks, social and cultural upheaval, and violent demographic shifts. The pandemic was, by any measure, a massive cultural trauma; however, within the vernacular English literature of the fourteenth century, the response to the disease appears muted, particularly compared to contemporaneous descriptions emerging from mainland Europe. Death and the Pearl Maiden: Plague, Poetry, England asks why one of the singular historical traumas of the later Middle Ages appears to be evoked so fleetingly in fourteenth-century Middle English poetry, a body of work as daring and socially engaged as any in English literary history. By focusing on under-recognized pestilential discourses in Pearl, Cleanness, Patience, and Sir Gawain and the Green Knight-the four poems uniquely preserved British Library MS Cotton Nero A.x -this study resists the idea that the Black Death had only a slight impact on medieval English literature, and it strives to account for the understated shape of England's literary response to the plague and our contemporary understandings of it.
| Author | : J. J. Anderson |
| Publisher | : Manchester University Press |
| Total Pages | : 200 |
| Release | : 1977 |
| Genre | : Literary Criticism |
| ISBN | : 9780719006654 |
| Author | : |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 201 |
| Release | : 2008-11-17 |
| Genre | : Fiction |
| ISBN | : 0393334155 |
One of the earliest great stories of English literature after ?Beowulf?, ?Sir Gawain? is the strange tale of a green knight on a green horse, who rudely interrupts King Arthur's Round Table festivities one Yuletide, challenging the knights to a wager. Simon Armitrage, one of Britain's leading poets, has produced an inventive and groundbreaking translation that " helps] liberate ?Gawain ?from academia" (?Sunday Telegraph?).
| Author | : J. J. Anderson |
| Publisher | : Manchester University Press |
| Total Pages | : 257 |
| Release | : 2020-01-03 |
| Genre | : Literary Collections |
| ISBN | : 1526148218 |
This major new literary study offers a fresh view of the significance of a famous group of fourteenth-century poems, 'Pearl, Cleanness, Patience, and Sir Gawain and the Green Knight'. It is written in a jargon-free style designed to appeal to specialist, non-specialist and student readers alike.
| Author | : Philip Ziegler |
| Publisher | : Harper Collins |
| Total Pages | : 340 |
| Release | : 2009-04-07 |
| Genre | : History |
| ISBN | : 006171898X |
A series of natural disasters in the Orient during the fourteenth century brought about the most devastating period of death and destruction in European history. The epidemic killed one-third of Europe's people over a period of three years, and the resulting social and economic upheaval was on a scale unparalleled in all of recorded history. Synthesizing the records of contemporary chroniclers and the work of later historians, Philip Ziegler offers a critically acclaimed overview of this crucial epoch in a single masterly volume. The Black Death vividly and comprehensively brings to light the full horror of this uniquely catastrophic event that hastened the disintegration of an age.
| Author | : Jane Gilbert |
| Publisher | : Cambridge University Press |
| Total Pages | : 293 |
| Release | : 2011-02-17 |
| Genre | : Literary Criticism |
| ISBN | : 1139495550 |
Medieval literature contains many figures caught at the interface between life and death - the dead return to place demands on the living, while the living foresee, organize or desire their own deaths. Jane Gilbert's original study examines the ways in which certain medieval literary texts, both English and French, use these 'living dead' to think about existential, ethical and political issues. In doing so, she shows powerful connections between works otherwise seen as quite disparate, including Chaucer's Book of the Duchess and Legend of Good Women, the Chanson de Roland and the poems of Francois Villon. Written for researchers and advanced students of medieval French and English literature, this book provides original, provocative interpretations of canonical medieval texts in the light of influential modern theories, especially Lacanian psychoanalysis, presented in an accessible and lively way.
| Author | : John Wilson |
| Publisher | : |
| Total Pages | : 316 |
| Release | : 1816 |
| Genre | : Great Plague, London, England, 1664-1666 |
| ISBN | : |
| Author | : Geraldine Heng |
| Publisher | : Columbia University Press |
| Total Pages | : 550 |
| Release | : 2003 |
| Genre | : Education |
| ISBN | : 9780231125260 |
Empire of Magic offers a genesis and genealogy for medieval romance and the King Arthur legend through the history of Europe's encounters with the East in crusades, travel, missionizing, and empire formation. It also produces definitions of "race" and "nation" for the medieval period and posits that the Middle Ages and medieval fantasies of race and religion have recently returned. Drawing on feminist and gender theory, as well as cultural analyses of race, class, and colonialism, this provocative book revises our understanding of the beginnings of the nine hundred-year-old cultural genre we call romance, as well as the King Arthur legend. Geraldine Heng argues that romance arose in the twelfth century as a cultural response to the trauma and horror of taboo acts--in particular the cannibalism committed by crusaders on the bodies of Muslim enemies in Syria during the First Crusade. From such encounters with the East, Heng suggests, sprang the fantastical episodes featuring King Arthur in Geoffrey of Monmouth's chronicle The History of the Kings of England, a work where history and fantasy collide and merge, each into the other, inventing crucial new examples and models for romances to come. After locating the rise of romance and Arthurian legend in the contact zones of East and West, Heng demonstrates the adaptability of romance and its key role in the genesis of an English national identity. Discussing Jews, women, children, and sexuality in works like the romance of Richard Lionheart, stories of the saintly Constance, Arthurian chivralic literature, the legend of Prester John, and travel narratives, Heng shows how fantasy enabled audiences to work through issues of communal identity, race, color, class and alternative sexualities in socially sanctioned and safe modes of cultural discussion in which pleasure, not anxiety, was paramount. Romance also engaged with the threat of modernity in the late medieval period, as economic, social, and technological transformations occurred and awareness grew of a vastly enlarged world beyond Europe, one encompassing India, China, and Africa. Finally, Heng posits, romance locates England and Europe within an empire of magic and knowledge that surveys the world and makes it intelligible--usable--for the future. Empire of Magic is expansive in scope, spanning the eleventh to the fifteenth centuries, and detailed in coverage, examining various types of romance--historical, national, popular, chivalric, family, and travel romances, among others--to see how cultural fantasy responds to changing crises, pressures, and demands in a number of different ways. Boldly controversial, theoretically sophisticated, and historically rooted, Empire of Magic is a dramatic restaging of the role romance played in the culture of a period and world in ways that suggest how cultural fantasy still functions for us today.
| Author | : Julie Kagawa |
| Publisher | : Harlequin |
| Total Pages | : 390 |
| Release | : 2020-03-31 |
| Genre | : Young Adult Fiction |
| ISBN | : 1488056617 |
In the epic finale to New York Times bestselling author Julie Kagawa’s Shadow of the Fox trilogy, the scroll has been taken, and no one is safe. To save everyone she loves from imminent death, kitsune shapeshifter Yumeko gave up the final piece of the Scroll of a Thousand Prayers. Now she and her ragtag band of companions must make one desperate final effort to stop the Master of Demons from using the scroll to call the Great Kami Dragon and make the wish that will plunge the empire into chaos. Shadow clan assassin Kage Tatsumi has regained control of his body and agreed to a true deal with the devil—the demon inside him, Hakaimono. They will share his body and work with Yumeko to stop a madman, and to separate Hakaimono from Tatsumi and the cursed sword that trapped the demon for nearly a millennium. But even with their combined skills and powers, this unlikely team of heroes knows the forces of evil may be impossible to overcome. And there is another player in the battle for the scroll, a player who has been watching, waiting for the right moment to pull strings that no one even realized existed…until now. Books in the Shadow of the Fox trilogy: Shadow of the Fox Soul of the Sword Night of the Dragon
