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| Author | : Keith Negus |
| Publisher | : SAGE |
| Total Pages | : 192 |
| Release | : 2004-06-05 |
| Genre | : Social Science |
| ISBN | : 9780761970767 |
Negus and Pickering provide a clear and logical way of understanding what we describe as creative, and how this term has become central to attaching cultural value.
| Author | : Keith Negus |
| Publisher | : SAGE |
| Total Pages | : 192 |
| Release | : 2004-06-05 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780761970767 |
Negus and Pickering provide a clear and logical way of understanding what we describe as creative, and how this term has become central to attaching cultural value.
| Author | : Kathy Bowrey |
| Publisher | : Routledge |
| Total Pages | : 228 |
| Release | : 2022-04 |
| Genre | : Authorship |
| ISBN | : 9780367631154 |
Copyright, Creativity, Big Media & Cultural Value: Incorporating the Author explains why copyright is much more than a creator's private property right or a mechanism through which corporations control cultural production and influence mass consumption choices.
| Author | : Nissim Otmazgin |
| Publisher | : Springer Nature |
| Total Pages | : 180 |
| Release | : 2020-04-23 |
| Genre | : Business & Economics |
| ISBN | : 9811530564 |
The purpose of this volume is to broaden scholars' analytical perspective by placing the creative industries in frameworks that compare and contrast them with other kinds of entities, organizations, and social forms that mix creativity and production. In other words, this volume aims to set out an emerging agenda for the study of creativity in the cultural and media industries. Although this work focuses on the media and cultural industries, they are investigated in the context of other groups and organizations connecting forms of creativity with an explicit emphasis on turning ideas into concrete practices and products. The originality of this book lies in (1) presenting a comparative and interdisciplinary perspective that develops a new framework and analytical concepts to understand the notion of creativity in the media and cultural industries, and (2) providing a series of fresh empirically based studies of the process of creativity in fields such as advertising, fashion, animation, and pop culture. This comparative move is taken in order to generate new insights about the particular features of the creative industries and new questions for future analysis.
| Author | : Carlos Simpson |
| Publisher | : Carlos Simpson Design Studio |
| Total Pages | : 226 |
| Release | : 2021-12-30 |
| Genre | : Art |
| ISBN | : 173990933X |
In the Survivor Guide by Carlos Simpson, the author shares some of his raw ideas and thoughts using a wide variety of techniques ranging from pencil drawings to watercolour, collage to coloured pencils, to pen and ink, handwriting, colours, photography, symbols, and information that we use every day. This sketchbook by Carlos Simpson explores the individual in a social, cultural, and political context. As a specialist communicator and an image-maker, I always start my first idea on a blank page which can be found always in my sketchbook.
| Author | : Andreas Reckwitz |
| Publisher | : John Wiley & Sons |
| Total Pages | : 300 |
| Release | : 2017-05-30 |
| Genre | : Social Science |
| ISBN | : 0745697070 |
Contemporary society has seen an unprecedented rise in both the demand and the desire to be creative, to bring something new into the world. Once the reserve of artistic subcultures, creativity has now become a universal model for culture and an imperative in many parts of society. In this new book, cultural sociologist Andreas Reckwitz investigates how the ideal of creativity has grown into a major social force, from the art of the avant-garde and postmodernism to the ‘creative industries’ and the innovation economy, the psychology of creativity and self-growth, the media representation of creative stars, and the urban design of ‘creative cities’. Where creativity is often assumed to be a force for good, Reckwitz looks critically at how this imperative has developed from the 1970s to the present day. Though we may well perceive creativity as the realization of some natural and innate potential within us, it has rather to be understood within the structures of a very specific culture of the new in late modern society. The Invention of Creativity is a bold and refreshing counter to conventional wisdom that shows how our age is defined by radical and restrictive processes of social aestheticization. It will be of great interest to those working in a variety of disciplines, from cultural and social theory to art history and aesthetics.
| Author | : Hubert Knoblauch |
| Publisher | : Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9783653043747 |
In the last decades the world has witnessed a revolutionary change in the ways people communicate with one another. This transformation is one of the most decisive aspects of the creativity of culture. The full aim of this volume therefore is to explore the resulting transformation in the relations of culture, creativity, and communication.
| Author | : Fiorenza Belussi |
| Publisher | : Routledge |
| Total Pages | : 132 |
| Release | : 2013-10-31 |
| Genre | : Business & Economics |
| ISBN | : 1317982436 |
Creativity is the emergence of something novel and appropriate, from a person, a group, a society. A creative idea or product must be novel. Yet, novelty is not enough (a novel idea may be ridiculous or nonsensical). In addition to novelty, to be creative an idea or product must also attain some level of social recognition. The individualist approaches to creativity overestimate the role of the individual and of his/her abilities (the myth of the genius). On the contrary, the socio-cultural approach emphasizes the role played by contexts in the creation process: societies, cultures and historical periods. Accordingly, the individual is seen as a member of many overlapping social groups, each of them has its own network, with a specific structure and organization, which influences the creation of networks of—potentially creative—ideas. Each individual is also a member of a culture, which gives him/her the categories used to understand the world. Finally, each individual is representative of a specific historical period. From a managerial perspective it is important to deepen the knowledge of the contexts, both spatial and cognitive, which favor ‘‘situated creativity’’ in the realm of the cultural industries. This special book offers both theoretical and empirical contributions in an attempt to build such knowledge.
| Author | : Johanna Gibson |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 192 |
| Release | : 2006 |
| Genre | : Law |
| ISBN | : 9780754647072 |
Drawing upon critical theories in authorship, literature, music, the sciences and the arts, Gibson suggests a radical re-consideration of the notion of creativity in the intellectual property debate and the means by which to encourage and sustain creativity in contemporary society.
| Author | : Robert Paul Weiner |
| Publisher | : State University of New York Press |
| Total Pages | : 369 |
| Release | : 2012-02-01 |
| Genre | : Philosophy |
| ISBN | : 0791493148 |
Creativity and Beyond offers a wide-ranging, interdisciplinary tour of cultures past and present to examine the different ways people have conceived of "creativity" and how the common understanding of creativity is changing in the current flux of global culture. Weiner analyzes the ways in which understanding creativity is tied to broader contemporary patterns, including intellectual concerns with postmodernism; trends in the arts; the changing status of women; the power of the electronic media; multiculturalism; developments in psychology, science, and technology; and the dramatic political, economic, and social transformations of our age.
