Creative Vision in Artist and Audience
Author | : Richard Guggenheimer |
Publisher | : |
Total Pages | : 173 |
Release | : 1950 |
Genre | : Aesthetics |
ISBN | : |
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Author | : Richard Guggenheimer |
Publisher | : |
Total Pages | : 173 |
Release | : 1950 |
Genre | : Aesthetics |
ISBN | : |
Author | : Richard Henry Guggenheimer |
Publisher | : |
Total Pages | : 196 |
Release | : 1950 |
Genre | : Art |
ISBN | : |
Author | : Richard Guggenheimer |
Publisher | : |
Total Pages | : 173 |
Release | : 1950 |
Genre | : |
ISBN | : |
Author | : Gerald Klickstein |
Publisher | : Oxford University Press, USA |
Total Pages | : 357 |
Release | : 2009-08-06 |
Genre | : Music |
ISBN | : 0199711291 |
In The Musician's Way, veteran performer and educator Gerald Klickstein combines the latest research with his 30 years of professional experience to provide aspiring musicians with a roadmap to artistic excellence. Part I, Artful Practice, describes strategies to interpret and memorize compositions, fuel motivation, collaborate, and more. Part II, Fearless Performance, lifts the lid on the hidden causes of nervousness and shows how musicians can become confident performers. Part III, Lifelong Creativity, surveys tactics to prevent music-related injuries and equips musicians to tap their own innate creativity. Written in a conversational style, The Musician's Way presents an inclusive system for all instrumentalists and vocalists to advance their musical abilities and succeed as performing artists.
Author | : Hannah Wohl |
Publisher | : University of Chicago Press |
Total Pages | : 230 |
Release | : 2021-06-22 |
Genre | : Art |
ISBN | : 022678472X |
What is creativity? While our traditional view of creative work might lead us to think of artists as solitary visionaries, the creative process is profoundly influenced by social interactions even when artists work alone. Sociologist Hannah Wohl draws on more than one hundred interviews and two years of ethnographic research in the New York contemporary art market to develop a rich sociological perspective of creativity. From inside the studio, we see how artists experiment with new ideas and decide which works to abandon, destroy, put into storage, or exhibit. Wohl then transports readers into the art world, where we discover how artists’ understandings of their work are shaped through interactions in studio visits, galleries, international art fairs, and collectors’ homes. Bound by Creativity reveals how artists develop conceptions of their distinctive creative visions through experimentation and social interactions. Ultimately, we come to appreciate how judgment is integral to the creative process, both resulting in the creation of original works while also limiting an artist’s ability to break new ground. Exploring creativity through the lens of judgment sheds new light on the production of cultural objects, markets, and prestige.
Author | : Richard Henry Guggenheimer |
Publisher | : |
Total Pages | : 200 |
Release | : 1960 |
Genre | : Aesthetics |
ISBN | : |
Author | : Gary Alan Fine |
Publisher | : University of Chicago Press |
Total Pages | : 344 |
Release | : 2006-08-01 |
Genre | : Social Science |
ISBN | : 0226249603 |
From Henry Darger's elaborate paintings of young girls caught in a vicious war to the sacred art of the Reverend Howard Finster, the work of outsider artists has achieved unique status in the art world. Celebrated for their lack of traditional training and their position on the fringes of society, outsider artists nonetheless participate in a traditional network of value, status, and money. After spending years immersed in the world of self-taught artists, Gary Alan Fine presents Everyday Genius, one of the most insightful and comprehensive examinations of this network and how it confers artistic value. Fine considers the differences among folk art, outsider art, and self-taught art, explaining the economics of this distinctive art market and exploring the dimensions of its artistic production and distribution. Interviewing dealers, collectors, curators, and critics and venturing into the backwoods and inner-city homes of numerous self-taught artists, Fine describes how authenticity is central to the system in which artists—often poor, elderly, members of a minority group, or mentally ill—are seen as having an unfettered form of expression highly valued in the art world. Respected dealers, he shows, have a hand in burnishing biographies of the artists, and both dealers and collectors trade in identities as much as objects. Revealing the inner workings of an elaborate and prestigious world in which money, personalities, and values affect one another, Fine speaks eloquently to both experts and general readers, and provides rare access to a world of creative invention-both by self-taught artists and by those who profit from their work. “Indispensable for an understanding of this world and its workings. . . . Fine’s book is not an attack on the Outsider Art phenomenon. But it is masterful in its anatomization of some of its contradictions, conflicts, pressures, and absurdities.”—Eric Gibson, Washington Times
Author | : Bandhu Dunham |
Publisher | : SCB Distributors |
Total Pages | : 240 |
Release | : 2020-01-01 |
Genre | : Art |
ISBN | : 1942493681 |
This book is about the interface of art and spirituality in everyday life. In language that is both elegant and streetwise, Creative Life presents practical means whereby any serious artist can develop greater clarity, dignity, generosity and insight. The author’s re?ections about the nature of “spirit” - which he de?nes as inspiration - affirm that art is meant to be shared. This isn’t a book only for painters or musicians. Non-artists also will ?nd Dunham’s considerations, including those about wishful thinking, procrastination and life as art, to be applicable.
Author | : Cher Krause Knight |
Publisher | : John Wiley & Sons |
Total Pages | : 512 |
Release | : 2016-06-07 |
Genre | : Art |
ISBN | : 1118475356 |
A Companion to Public Art is the only scholarly volume to examine the main issues, theories, and practices of public art on a comprehensive scale. Edited by two distinguished scholars with contributions from art historians, critics, curators, and art administrators, as well as artists themselves Includes 19 essays in four sections: tradition, site, audience, and critical frameworks Covers important topics in the field, including valorizing victims, public art in urban landscapes and on university campuses, the role of digital technologies, jury selection committees, and the intersection of public art and mass media Contains “artist’s philosophy” essays, which address larger questions about an artist’s body of work and the field of public art, by Julian Bonder, eteam (Hajoe Moderegger and Franziska Lamprecht), John Craig Freeman, Antony Gormley, Suzanne Lacy, Caleb Neelon, Tatzu Nishi, Greg Sholette, and Alan Sonfist.
Author | : Cameron Cartiere |
Publisher | : Routledge |
Total Pages | : 291 |
Release | : 2015-11-19 |
Genre | : Social Science |
ISBN | : 1317572025 |
The Everyday Practice of Public Art: Art, Space, and Social Inclusion is a multidisciplinary anthology of analyses exploring the expansion of contemporary public art issues beyond the built environment. It follows the highly successful publication The Practice of Public Art (eds. Cartiere and Willis), and expands the analysis of the field with a broad perspective which includes practicing artists, curators, activists, writers and educators from North America, Europe and Australia, who offer divergent perspectives on the many facets of the public art process. The collection examines the continual evolution of public art, moving beyond monuments and memorials to examine more fully the development of socially-engaged public art practice. Topics include constructing new models for developing and commissioning temporary and performance-based public artworks; understanding the challenges of a socially-engaged public art practice vs. social programming and policymaking; the social inclusiveness of public art; the radical developments in public art and social practice pedagogy; and unravelling the relationships between public artists and the communities they serve. The Everyday Practice of Public Art offers a diverse perspective on the increasingly complex nature of artistic practice in the public realm in the twenty-first century.