Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Continuity And Crisis In German Cinema 1928 1936 PDF full book. Access full book title Continuity And Crisis In German Cinema 1928 1936.
| Author | : Barbara Hales |
| Publisher | : Boydell & Brewer |
| Total Pages | : 345 |
| Release | : 2016 |
| Genre | : Motion pictures |
| ISBN | : 1571139354 |
New essays examining the differences and commonalities between late Weimar-era and early Nazi-era German cinema against a backdrop of the crises of that time.
| Author | : Barbara Hales |
| Publisher | : Berghahn Books |
| Total Pages | : 366 |
| Release | : 2020-11-01 |
| Genre | : Performing Arts |
| ISBN | : 1789208734 |
The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish “outsiders” to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodological approaches to understanding the significant involvement of German Jews in Weimar cinema. Reflecting upon different conceptions of Jewishness – as religion, ethnicity, social role, cultural code, or text – these studies offer a wide-ranging exploration of an often overlooked aspect of German film history.
| Author | : Tim Bergfelder |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 624 |
| Release | : 2020-02-20 |
| Genre | : History |
| ISBN | : 1911239414 |
This comprehensively revised, updated and significantly extended edition introduces German film history from its beginnings to the present day, covering key periods and movements including early and silent cinema, Weimar cinema, Nazi cinema, the New German Cinema, the Berlin School, the cinema of migration, and moving images in the digital era. Contributions by leading international scholars are grouped into sections that focus on genre; stars; authorship; film production, distribution and exhibition; theory and politics, including women's and queer cinema; and transnational connections. Spotlight articles within each section offer key case studies, including of individual films that illuminate larger histories (Heimat, Downfall, The Lives of Others, The Edge of Heaven and many more); stars from Ossi Oswalda and Hans Albers, to Hanna Schygulla and Nina Hoss; directors including F.W. Murnau, Walter Ruttmann, Wim Wenders and Helke Sander; and film theorists including Siegfried Kracauer and Béla Balázs. The volume provides a methodological template for the study of a national cinema in a transnational horizon.
| Author | : Mariana Ivanova |
| Publisher | : Berghahn Books |
| Total Pages | : 292 |
| Release | : 2019-10-03 |
| Genre | : Performing Arts |
| ISBN | : 1789203449 |
From their very inception, European cinemas undertook collaborative ventures in an attempt to cultivate a transnational “Film-Europe.” In the postwar era, it was DEFA, the state cinema of East Germany, that emerged as a key site for cooperative practices. Despite the significant challenges that the Cold War created for collaboration, DEFA sought international prestige through various initiatives. These ranged from film exchange in occupied Germany to partnerships with Western producers, and from coproductions with Eastern European studios to strategies for film co-authorship. Uniquely positioned between East and West, DEFA proved a crucial mediator among European cinemas during a period of profound political division.
| Author | : Sophie Duvernoy |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 353 |
| Release | : 2023-10-05 |
| Genre | : Literary Criticism |
| ISBN | : 1501391496 |
Using Germany as a national case study, this volume examines the historical genesis of precarity, its evolution from 19th-century industrial modernity to the present, and its reflections and reconfigurations in artistic production, in particular with relation to work, gender, and sexuality. “Precarity is everywhere now,” sociologist Pierre Bourdieu declared almost thirty years ago. Not only declining middle-class standards of living, but also debt, drug addiction, housing and food insecurity, depression, and “deaths of despair” are now being recognized as symptoms of the downward pull of social precarity. Although these and similar ills have been attributed to neoliberal policies of deregulation, privatization, and willful neglect of the common good, precarization has accompanied the booms and busts of industrial modernity from its beginnings. Representing Social Precarity in German Literature and Film explores how German and Austrian literature, film, and social history have engaged with social precarity, from the period of Romanticism and early industrialization to the present. The chapters in this volume deal with precarity as both an objective phenomenon reflected in literary and filmic representations and as a subjective phenomenon that gives these representations their particular shape. Representing Social Precarity in German Literature and Film opens new critical perspectives on diverse forms of lived precarity and their creative manifestations by reflecting on the history of capitalist modernity from the vantage points of weakness, vulnerability, marginality, impoverishment, and otherness.
| Author | : Jaimey Fisher |
| Publisher | : Rutgers University Press |
| Total Pages | : 250 |
| Release | : 2022-08-12 |
| Genre | : Performing Arts |
| ISBN | : 1978829191 |
German Ways of War deploys theories of space, mobility, and affect to investigate how war films realize their political projects. Analyzing films across the decades, from the 1910s to 2000s, German Ways of War addresses an important lacuna in media studies: while scholars have tended to focus on the similarities between cinematic looking and weaponized targeting -- between shooting a camera and discharging a gun – this book argues that war films negotiate spaces throughout that frame their violence in ways more revealing than their battle scenes. Beyond that well-known intersection of visuality and violence, German Ways of War explores how the genre frames violence within spatio-affective operations. The production of novel spaces and evocation of new affects transform war films, including the genre’s manipulation of mobility, landscape, territory, scales, and topological networks. Such effects amount to what author Jaimey Fisher terms the films’ “affective geographies” that interweave narrative-generated affects, spatial depictions, and political processes.
| Author | : Valerie Weinstein |
| Publisher | : Indiana University Press |
| Total Pages | : 298 |
| Release | : 2019-03-05 |
| Genre | : Performing Arts |
| ISBN | : 0253040736 |
Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans" physically, economically, and artistically. Weinstein highlights how the German propaganda ministry used directives, pre- and post-production censorship, financial incentives, and influence over film critics and their judgments to replace Jewish "wit" with a slower, simpler, and more direct German "humor" that affirmed values that the Nazis associated with the Aryan race. Through contextualized analyses of historical documents and individual films, Weinstein reveals how humor, coded hints and traces, absences, and substitutes in Third Reich film comedy helped spectators imagine an abstract "Jewishness" and a "German" identity and community free from the former. As resurgent populist nationalism and overt racism continue to grow around the world today, Weinstein’s study helps us rethink racism and prejudice in popular culture and reconceptualize the relationships between film humor, national identity, and race.
| Author | : Christina Gerhardt |
| Publisher | : Screen Cultures: German Film a |
| Total Pages | : 340 |
| Release | : 2019 |
| Genre | : History |
| ISBN | : 1571139958 |
Provides new insights into German-language cinema around 1968 and its relationship to the period's epoch-making cultural and political happenings.
| Author | : Jan-Christopher Horak |
| Publisher | : Berghahn Books |
| Total Pages | : 348 |
| Release | : 2024-05-03 |
| Genre | : Performing Arts |
| ISBN | : 1805395378 |
William Thiele is remembered today as the father of the sound film operetta with seminal classics such as Drei von der Tankstelle (1930). While often considered among the most accomplished directors of Late Weimar cinema, as an Austrian Jew he was vilified during the onset of the Nazi regime in 1933 and fled to the United States where he continued making films until the end of his career in 1960. Enchanted by Cinema closely examines the European musical film pioneer’s work and his cross-cultural perspective across forty years of filmography in Berlin and Hollywood to account for his popularity while discussing issues of ethnicity, exile, comedy, music, gender, and race.
| Author | : Rebeccah Dawson |
| Publisher | : Berghahn Books |
| Total Pages | : 316 |
| Release | : 2022-10-14 |
| Genre | : History |
| ISBN | : 1800736827 |
Over the past century, the impact of football on Germany has been manifold, influencing the arts, political debates, and even contributing to the construction of cultural memories and national narratives. Football Nation analyses the game’s fluid role in shaping and reflecting German society, and spans its focus on modern German history, from the Wilhelmine era to the early 21st century. Expounding on topics of gender, class, fandom, spectatorship, antisemitism, nationalism, and internationalism, a diverse group of interdisciplinary scholars offer a novel approach to understanding the many influences of football throughout its extensive history which until recently has only been available to a German-speaking readership.
