Contemporary Women Writing in the Other Americas
Author | : Georgiana M. M. Colvile |
Publisher | : |
Total Pages | : |
Release | : 1996 |
Genre | : |
ISBN | : |
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Author | : Georgiana M. M. Colvile |
Publisher | : |
Total Pages | : |
Release | : 1996 |
Genre | : |
ISBN | : |
Author | : Jennifer Browdy de Hernandez |
Publisher | : South End Press |
Total Pages | : 260 |
Release | : 2003 |
Genre | : Caribbean Area |
ISBN | : 9780896087088 |
Eighteen women, including Jamaica Kincaid, Rigoberta Menchú, Cherríe Moraga, Marjorie Agosin, Margaret Randall, Gloria Anzaldúa, Michelle Cliff, Edwidge Danticat, and Julia Alvarez, are featured in this powerful anthology on art, feminism, and activism in Latin America and the Caribbean. Women Writing Resistance highlights Latin American and Caribbean women writers who, with increasing urgency, are writing in the service of social justice and against the entrenched patriarchal, racist, and exploitative regimes that have ruled their countries. Many of the women in this collection have been thrust out into the Latino-Caribbean diaspora by violent forces that make differences in language and culture seem less significant than connections based on resistance to inequality and oppression. It is these connections that Women Writing Resistance highlights, presenting "conversations" on the potential of writing to confront injustice. This mixed-genre anthology, a resource for activists and readers of Latin American and Caribbean women's literature, demonstrates and enacts how women can collaborate across class, race and nationality, and illustrates the value of this solidarity in the ongoing struggles for human rights and social justice in the Americas. Jennifer Browdy de Hernandez earned her Ph.D. in comparative literature from New York University, specializing in contemporary Caribbean, Latin American, and ethnic North American autobiographies by women. She teaches literature and gender studies courses at Simon's Rock College of Bard, and is also a faculty member at the University at Albany, SUNY.
Author | : Belinda Edmondson |
Publisher | : Duke University Press |
Total Pages | : 244 |
Release | : 1999 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780822322634 |
Colonialism left an indelible mark on writers from the Caribbean. Many of the mid-century male writers, on the eve of independence, looked to England for their models. The current generation of authors, many of whom are women, have increasingly looked--and relocated--to the United States. Incorporating postcolonial theory, West Indian literature, feminist theory, and African American literary criticism, Making Men carves out a particular relationship between the Caribbean canon--as represented by C. L. R. James and V. S. Naipaul, among others--and contemporary Caribbean women writers such as Jean Rhys, and Jamaica Kincaid, Paule Marshall, and Michelle Cliff, who now live in the United States. Discussing the canonical Caribbean narrative as it reflects national identity under the domination of English cultural authority, Belinda Edmondson focuses particularly on the pervasive influence of Victorian sensibilities in the structuring of twentieth-century national identity. She shows that issues of race and English constructions of masculinity not only are central to West Indian identity but also connect Caribbean authorship to the English literary tradition. This perspective on the origins of West Indian literary nationalism then informs Edmondson's search for female subjectivity in current literature by West Indian women immigrants in America. Making Men compares the intellectual exile of men with the economic migration of women, linking the canonical male tradition to the writing of modern West Indian women and exploring how the latter write within and against the historical male paradigm in the continuing process of national definition. With theoretical claims that invite new discourse on English, Caribbean, and American ideas of exile, migration, race, gender identity, and literary authority, Making Men will be informative reading for those involved with postcolonial theory, African American and women's studies, and Caribbean literature.
Author | : Georgiana M. M. Colvile |
Publisher | : Lewiston : E. Mellen Press |
Total Pages | : 164 |
Release | : 1996 |
Genre | : Literary Criticism |
ISBN | : |
Author | : D. Francis |
Publisher | : Springer |
Total Pages | : 191 |
Release | : 2010-03-01 |
Genre | : Social Science |
ISBN | : 0230105777 |
Reading novels by contemporary women in the Caribbean dyaspora alongside and against law, history and anthropology, the book argues that Caribbean women's sexuality has been mobilized for various imperialist and nationalist projects from the nineteenth century to present.
Author | : Jennifer Browdy |
Publisher | : Beacon Press |
Total Pages | : 234 |
Release | : 2017-10-10 |
Genre | : Literary Collections |
ISBN | : 0807088196 |
Essays on Latinx and Caribbean identity and on globalization by renowned women writers, including Julia Alvarez, Edwidge Danticat, and Jamaica Kincaid Women Writing Resistance: Essays on Latin America and the Caribbean gathers the voices of sixteen acclaimed writer-activists for a one-of-a-kind collection. Through poetry and essays, writers from the Anglophone, Hispanic, and Francophone Caribbean, including Puertorriqueñas and Cubanas, grapple with their hybrid American political identities. Gloria Anzaldúa, the founder of Chicana queer theory; Rigoberta Menchú, the first Indigenous person to win a Nobel Peace Prize; and Michelle Cliff, a searing and poignant chronicler of colonialism and racism, among many others, highlight how women can collaborate across class, race, and nationality to lead a new wave of resistance against neoliberalism, patriarchy, state terrorism, and white supremacy.
Author | : Georgiana M. M. Colvile |
Publisher | : Lewiston, N.Y. : E. Mellen Press |
Total Pages | : 196 |
Release | : 1996 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Jennifer Donahue |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 170 |
Release | : 2020-07-15 |
Genre | : Literary Criticism |
ISBN | : 1496828739 |
Caribbean women have long utilized the medium of fiction to break the pervasive silence surrounding abuse and exploitation. Contemporary works by such authors as Tiphanie Yanique and Nicole Dennis-Benn illustrate the deep-rooted consequences of trauma based on gender, sexuality, and race, and trace the steps that women take to find safer ground from oppression. Taking Flight examines the immigrant experience in contemporary Caribbean women’s writing and considers the effects of restrictive social mores. In the texts examined in Taking Flight, culturally sanctioned violence impacts the ability of female characters to be at home in their bodies or in the spaces they inhabit. The works draw attention to the historic racialization and sexualization of black women’s bodies and continue the legacy of narrating black women’s long-standing contestation of systems of oppression. Arguing that there is a clear link between trauma, shame, and migration, with trauma serving as a precursor to the protagonists’ emigration, Jennifer Donahue focuses on how female bodies are policed; how moral, racial, and sexual codes are linked; and how the enforcement of social norms can function as a form of trauma. Donahue considers the relationship between trauma, shame, and sexual politics and investigates how shame works as a social regulator that frequently leads to withdrawal or avoidant behaviors in those who violate socially sanctioned mores. Most importantly, Taking Flight positions flight as a powerful counter to disempowerment and considers how flight, whether through dissociation or migration, functions as a form of resistance.
Author | : Mildred P. Mortimer |
Publisher | : Lexington Books |
Total Pages | : 228 |
Release | : 2007 |
Genre | : Literary Criticism |
ISBN | : 9780739119075 |
Writing from the Hearth probes the relationship of gender to space in close readings of texts of Francophone women writers of Africa: Aoua Kéita, Mariama Bâ, Calixthe Beyala, and Aminata Sow Fall, and the Caribbean: Marie Chauvet, Simon Schwarz-Bart, Maryse Condé, and Edwidge Danticat. It explores the hypothesis that the female protagonist moves toward empowerment by appropriating public space and transforming domestic space into alternative space.
Author | : Helen C. Scott |
Publisher | : Routledge |
Total Pages | : 201 |
Release | : 2016-04-08 |
Genre | : Literary Criticism |
ISBN | : 1317169697 |
Caribbean Women Writers and Globalization offers a fresh reading of contemporary literature by Caribbean women in the context of global and local economic forces, providing a valuable corrective to much Caribbean feminist literary criticism. Departing from the trend towards thematic diasporic studies, Helen Scott considers each text in light of its national historical and cultural origins while also acknowledging regional and international patterns. Though the work of Caribbean women writers is apparently less political than the male-dominated literature of national liberation, Scott argues that these women nonetheless express the sociopolitical realities of the postindependent Caribbean, providing insight into the dynamics of imperialism that survive the demise of formal colonialism. In addition, she identifies the specific aesthetic qualities that reach beyond the confines of geography and history in the work of such writers as Oonya Kempadoo, Jamaica Kincaid, Edwidge Danticat, Pauline Melville, and Janice Shinebourne. Throughout, Scott's persuasive and accessible study sustains the dialectical principle that art is inseparable from social forces and yet always strains against the limits they impose. Her book will be an indispensable resource for literature and women's studies scholars, as well as for those interested in postcolonial, cultural, and globalization studies.