Contemporary Australian Printmakers I [poster]
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Total Pages | : 0 |
Release | : 1979 |
Genre | : |
ISBN | : |
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Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 1979 |
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ISBN | : |
Author | : Franz Kempf |
Publisher | : Melbourne : Landsdowne |
Total Pages | : 152 |
Release | : 1976 |
Genre | : Printmakers |
ISBN | : |
Author | : Sasha Grishin |
Publisher | : Craftsman House (AU) |
Total Pages | : 342 |
Release | : 1997 |
Genre | : Art |
ISBN | : |
Closely examines the work of contemporary Australian printmakers, listed alphabetically - Includes Davida Allen - Rick Amor - Yvonne Boag.
Author | : Sasha Grishin |
Publisher | : Fine Art Publishing |
Total Pages | : 202 |
Release | : 1994 |
Genre | : Antiques & Collectibles |
ISBN | : |
Grishin examines the nature of Australian printmaking and its role in contemporary art and visual communication - George Baldessin - Bea Maddock - Barbara Hanrahan - Martin Sharp - Brett Whitely; Screenprint - Etching - Linocut - Lithograph - Woodcut - Woodblock print.
Author | : Roger Butler |
Publisher | : |
Total Pages | : 432 |
Release | : 2021-09 |
Genre | : Printmakers |
ISBN | : 9780642334930 |
Printed: Images by Australian artists 1942-2020 traces the history of printmaking by Australian artists during an era of dramatic changes in Australian society and the visual arts. Arranged in three sections, it begins with the innovative wartime policy initiatives of the Commonwealth. Reconstruction Scheme which laid the groundwork for crucial development in the arts. In this period émigré artists and Australian artists returning home helped established printmaking societies, art galleries and publishers -- which underpinned the growing popularity of this most democratic of art forms. The second section explores the rise of political and social posters, which became one of the most dynamic forms of print practice in the 1970s and 1980s, and prints by Aboriginal and Torres Strait Islander artists which have been at the forefront of Australian art since the 1970s. The book's final section discusses the continuing responses by printmakers to key concerns of our time, focusing on the themes of land and identity.
Author | : Lilian Wood |
Publisher | : |
Total Pages | : 52 |
Release | : 1979-01 |
Genre | : Printmakers |
ISBN | : 9780909227050 |
Author | : Roberta Rice Treseder |
Publisher | : Pomegranate Communications |
Total Pages | : 0 |
Release | : 2009 |
Genre | : California |
ISBN | : 9780764948039 |
William Seltzer Rice (American, 1873-1963) was a young artist of twenty-seven when he stepped off a train in Stockton, California, in 1900; he had left his home in Pennsylvania to take the job of assistant art supervisor for the Stockton public schools. California became not only his lifelong home but also his muse, inspiring a prolific career in art. Rice soon moved to the San Francisco Bay Area, where the region's Arts and Crafts movement was flowering. He was talented in several mediums, but block printing ultimately became his favorite, for it gave him the opportunity to combine draftsmanship, carving, and printing. California's flora, fauna, and landscapes-from the Sierra Nevada to the Pacific-were the subjects that fed his creativity. William S. Rice: California Block Prints is the first book published on the artist's work and presents more than sixty of his color block prints dating from 1910 to 1935. Among the prints featured are scenes from Yosemite, Mt. Shasta, Monterey, Carmel, the San Francisco Bay Area, Lake Tahoe, and other California landmarks. An essay by Roberta Rice Treseder, Rice's daughter, recounts his life and achievements, with special emphasis on his block printing methods and materials. William S. Rice's works are in many private and public collections, including the Smithsonian American Art Museum, the Oakland Museum of California, the Achenbach Foundation for Graphic Arts, the New York Public Library, and the Worcester Art Museum.
Author | : Joanna Barrkman |
Publisher | : |
Total Pages | : 0 |
Release | : 2020 |
Genre | : Art |
ISBN | : 9780998044507 |
Tiwi Design : screen-printing textiles for fifty years / Nadine Lee and Joanna Barrkamn -- Merrepen Arts, Culture and Language Corporation : floods of crativity / Cathy Laudenbach -- Mantra Pandanas project / Bobbie Ruben.
Author | : Sasha Grishin |
Publisher | : Macmillan Education AU |
Total Pages | : 166 |
Release | : 2005 |
Genre | : Art |
ISBN | : 9781876832599 |
Grahame Kings life as an artist began with his mastery of the new art of colour reproduction as a photolithographic colour etcher in Melbourne in the 1930s. At the same time, study at the National Gallery Art School with George Bell assisted his development as a painter. After war service and travels abroad, King returned to Melbourne with his wife, the sculptor Inge King. The two held a number of joint exhibitions of paintings and sculptures in Australia throughout the 1950s and then, from c.1962 Grahame King turned his attention, increasingly, towards the art of lithography becoming a master in this field of printmaking. He has also devoted himself to promoting the art of lithography and printmaking generally through the Print Council of Australia. He is often called Australias patron saint of printmaking. The book examines his seven decades working as an artist in Melbourne and is lavishly illustrated with colour reproductions throughout.
Author | : Anni Doyle Wawrzyńczak |
Publisher | : ANU Press |
Total Pages | : 311 |
Release | : 2020-08-31 |
Genre | : Art |
ISBN | : 1760463418 |
Canberra’s dual status as national capital and local city dramatically affected the rise of a unique contemporary arts scene. This complex story, informed by rich archival material and interviews, details the triumph of local arts practice and community over the insistent cultural nation-building of Australia’s capital. It exposes local arts as a vital force in Canberra’s development and uncovers the influence of women in the growth of its visual arts culture. A broad illumination of the city-wide development of arts and culture from the 1920s to 2001 is combined with the story of Bitumen River Gallery and its successor Canberra Contemporary Art Space from 1978 to 2001. This history traces the growth of the arts from a community-led endeavour, through a period of responses to social and cultural needs, and ultimately to a humanising local practice that transcended national and international boundaries.