Comic songs. Collection the first (-thirteenth).
Author | : Thomas Hudson (grocer.) |
Publisher | : |
Total Pages | : 486 |
Release | : 1820 |
Genre | : |
ISBN | : |
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Author | : Thomas Hudson (grocer.) |
Publisher | : |
Total Pages | : 486 |
Release | : 1820 |
Genre | : |
ISBN | : |
Author | : Thomas HUDSON (Grocer.) |
Publisher | : |
Total Pages | : 12 |
Release | : 1820 |
Genre | : |
ISBN | : |
Author | : Thomas Hudson |
Publisher | : |
Total Pages | : |
Release | : 1819 |
Genre | : Songs |
ISBN | : |
Author | : Isidore Edouard Legouix |
Publisher | : |
Total Pages | : 46 |
Release | : 1872 |
Genre | : |
ISBN | : |
Author | : Thomas Hudson |
Publisher | : |
Total Pages | : 500 |
Release | : 1818 |
Genre | : Songs, English |
ISBN | : |
Author | : Tony Pastor |
Publisher | : |
Total Pages | : 748 |
Release | : 1867 |
Genre | : Ballads, American |
ISBN | : |
Author | : Robert Kirkman |
Publisher | : Image Comics |
Total Pages | : 59 |
Release | : 2011-10-19 |
Genre | : Comics & Graphic Novels |
ISBN | : 1534308989 |
From the pages of Invincible comes a Science Dog odyssey no fan should miss! Spanning time and space, watch Science Dog fight fire with fire, evil with science! Collected from issues #1 and #2 of Science Dog
Author | : Daniel Goldmark |
Publisher | : Chicago Review Press |
Total Pages | : 337 |
Release | : 2002-11 |
Genre | : Juvenile Nonfiction |
ISBN | : 1569764123 |
The popularity of cartoon music, from Carl Stalling's work for Warner Bros. to Disney sound tracks and "The Simpsons"' song parodies, has never been greater. This lively and fascinating look at cartoon music's past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. Here Mark Mothersbaugh talks about his music for "Rugrats," Alf Clausen about composing for "The Simpsons," Carl Stalling about his work for Walt Disney and Warner Bros., Irwin Chusid about Raymond Scott's work, Will Friedwald about "Casper the Friendly Ghost," Richard Stone about his music for "Animaniacs," Joseph Lanza about "Ren and Stimpy," and much, much more.
Author | : Siobhán Donovan |
Publisher | : Boydell & Brewer |
Total Pages | : 199 |
Release | : 2022 |
Genre | : Germany |
ISBN | : 1640140603 |
Volume 13 deals with the interaction of music and politics, considering a broad range of genres, authors, composers, and artists in Germany since the nineteenth century. A particularly iconic image of German Reunification is that of Mstislav Rostropovich playing from J. S. Bach's cello suites in front of the Berlin Wall on November 11, 1989. Thirty years on, it is timely to reconsider the cross-fertilization of music and politics within the German-speaking context. Frequently employed as a motivational force, a propaganda tool, or even a weapon, music can imbue a sense of identity and belonging, triggering both comforting and disturbing memories. Playing a key role in the formation of Heimat and "Germanness," it serves ideological, nationalistic, and propagandistic purposes conveying political messages and swaying public opinion. This volume brings together essays by historians, literary scholars, and musicologists on topics concerning the increasing politicization of music, especially since the nineteenth century. They cover a broad spectrum of genres, musicians, and thinkers, discussing the interplay of music and politics in "classical" and popular music: from the rediscovery and repurposing of Martin Luther in nineteenth-century Germany to the exploitation of music during the Third Reich, from the performative politics of German punk and pop music to the influence of the events of 1988/89 on operatic productions in the former GDR - up to the relevance of Ernst Bloch in our contemporary post-truth society.
Author | : Timothy J. Moore |
Publisher | : Cambridge University Press |
Total Pages | : 469 |
Release | : 2012-04-19 |
Genre | : History |
ISBN | : 1107006481 |
This book offers a new explanation of how the plays of Plautus and Terence worked as musical theatre.