Colonies of American Impressionism
Author | : Deborah Epstein Solon |
Publisher | : Laguna Art Museum |
Total Pages | : 152 |
Release | : 1998 |
Genre | : Art |
ISBN | : |
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Author | : Deborah Epstein Solon |
Publisher | : Laguna Art Museum |
Total Pages | : 152 |
Release | : 1998 |
Genre | : Art |
ISBN | : |
Author | : Reading Public Museum and Art Gallery (Pa.) |
Publisher | : |
Total Pages | : 39 |
Release | : 2013 |
Genre | : Artist colonies |
ISBN | : |
Catalog of a traveling exhibition featuring works from the Reading Public Museum and Art Gallery's permanent collection arranged according to the artists' colonies that played a critical role in the development of American Impressionism around the turn of the 20th century.
Author | : Nina Lübbren |
Publisher | : Terra Foundation for the Arts |
Total Pages | : 228 |
Release | : 2007 |
Genre | : Art |
ISBN | : |
Between 1885 and 1915, the village of Giverny (in France) attracted more than 350 artists from at least eighteen countries around the world, transforming from a sleepy community to a vibrant and important artists' colony. The presence of master impressionist painter Claude Monet, who settled in the village in 1883, attracted these young artists, but his presence does not solely explain Giverny's popularity. Artists also sought the opportunity to combine the practice of "plein air" painting with an active social life and enjoyed the locale's picturesque features and easy proximity to Paris. Many artists visited briefly, while others purchased homes and studios, making this Norman village an artistic center.
Author | : Lisa N. Peters |
Publisher | : Trout Gallery of Dickinson College |
Total Pages | : 156 |
Release | : 1997 |
Genre | : Art |
ISBN | : |
Author | : Susan G. Larkin |
Publisher | : Plymbridge Distributors Limited |
Total Pages | : 246 |
Release | : 2001 |
Genre | : Artist colonies |
ISBN | : 9781887149068 |
"What Argenteuil in the 1870s was to French Impressionism, Cos Cob between 1890 and 1920 was to American Impressionists Childe Hassam, Theodore Robinson, John H. Twachtman, J. Alden Weir, and their followers. These artists and writers came together to work in the modest Cos Cob section of Greenwich, Connecticut, testing new styles and new themes in the stimulating company of colleagues. This book is the first to examine the art colony at Cos Cob and the role it played in the development of American Impressionist art."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author | : Helene Barbara Weinberg |
Publisher | : |
Total Pages | : 136 |
Release | : 2000 |
Genre | : Art |
ISBN | : |
Author | : Helene Barbara Weinberg |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 341 |
Release | : 2009 |
Genre | : Art, American |
ISBN | : 1876509996 |
An exhibition publication featuring curatorial essays and works from the Metropolitan Museum of Art, New York
Author | : Amanda C. Burdan |
Publisher | : Other Distribution |
Total Pages | : 0 |
Release | : 2020 |
Genre | : Art |
ISBN | : 9780300247701 |
"Published on the occasion of the exhibition 'America's impressionism: echoes of a revolution' [held at] Brandywine River Museum of Art, Chadds Ford, October 17, 2020-January 10, 2021; Dixon Gallery and Gardens, Memphis, January 23-April 11, 2021; San Antonio Museum of Art, June 11-September 5, 2021"--Colophon. According to the Brandywine River Museum of Art website (viewed 10/21/2020), their portion of the exhibition appears to have been rescheduled for October 9, 2021-January 9, 2022.
Author | : William H. Gerdts |
Publisher | : University of Pennsylvania Press |
Total Pages | : 378 |
Release | : 2002-10-25 |
Genre | : Art |
ISBN | : 0812237005 |
"This magnificent new book . . . has assembled a definitive collection of impressionistic works from the Bucks Country region of eastern Pennsylvania. . . . Excellent!"—Bloomsbury Review
Author | : Roy Pedersen |
Publisher | : Down the Shore Publishing |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Atlantic Coast (N.J.) |
ISBN | : 9781593220730 |
Water and light have seduced artists through the years and the quality of these elements at the New Jersey Shore continues to attract artists to this day. Between the late 1800s and 1940, an inspired group of painters were drawn to the New Jersey coastline, forming communities of artists. Jersey Shore Impressionists breaks new ground in the history of American art by recognizing the distinct influence of New Jersey and its Shore on impressionist era American painters. This book establishes ¿ for the first time ¿ a category of impressionist American painters who focused on, or were profoundly influenced by, the landscapes and seascapes of this Shore ¿ from Sandy Hook and Highlands to the Barnegat Bay region to Cape May. ¿Not since 1964, nearly 50 years ago, and only once before that in 1938 has there been published a book on painters in New Jersey,¿ says the book¿s author, Roy Pedersen. ¿Never until now has there appeared a survey of the regional impressionist painters of New Jersey.¿ Jersey Shore Impressionists is produced in conjunction with an exhibition at the Morven Museum & Garden in Princeton, NJ., which seeks to examine how the New Jersey shore was home to artist colonies whose output rivaled that of the better-known colonies of Old Lyme and Cos Cob, Connecticut, and Bucks County, Pennsylvania. In a Foreword, Richard J. Boyle, former director of the Pennsylvania Academy of the Fine Arts, describes the foundation of art colonies, and how they traveled from origins in mid-nineteenth century France to the plein-air attraction of the Jersey Shore's ¿special light.¿ The first art colony ¿ at Manasquan ¿ forms around 1880 as young artists fresh from European training in Germany, France and Italy begin to arrive, and the book includes work from these artists ¿ Will Hicok Low, Theodore Robinson, Albert Grantley Reinhart, Charles Freeman and Caroline Coventry Haynes. The next generation ¿ Edward Boulton, Ida Wells Stroud, Julius Golz ¿ trained in America, join and form new colonies to paint the unique light as well as the activities of the Shore. The passionate work created by these artists stands as an important, but unsung, chapter of American Impressionism and is celebrated in this book, establishing the important contribution to American art in general, and New Jersey¿s cultural heritage in particular.