Imagination in Coleridge
Author | : Samuel Taylor Coleridge |
Publisher | : |
Total Pages | : 260 |
Release | : 1978 |
Genre | : Literary Criticism |
ISBN | : |
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Author | : Samuel Taylor Coleridge |
Publisher | : |
Total Pages | : 260 |
Release | : 1978 |
Genre | : Literary Criticism |
ISBN | : |
Author | : I.A. Richards |
Publisher | : |
Total Pages | : 260 |
Release | : 1950 |
Genre | : |
ISBN | : |
Author | : Ivor Armstrong Richards |
Publisher | : |
Total Pages | : 187 |
Release | : 2001 |
Genre | : Literary Criticism |
ISBN | : 9780415217378 |
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : J. Robert Barth |
Publisher | : Princeton University Press |
Total Pages | : 172 |
Release | : 2015-03-08 |
Genre | : Literary Criticism |
ISBN | : 1400867193 |
Studying the nature of symbol in Coleridge's work, Father Barth shows that it is central to Coleridge's intellectual endeavor in poetry and criticism as well as in philosophy and theology. He finds symbol to be an essentially religious reality for Coleridge, one that partakes of the nature of a sacrament, especially sacrament as an encounter between material and spiritual reality. Father Barth notes that eighteenth-century poetry was by and large a poetry of metaphor rather than of symbol, a poetry of reference rather than of encounter. In close readings of the poetry of Wordsworth and Coleridge, he shows how they practiced and developed the poetry of symbol. Finally, analyzing the symbolic imagination, the author concludes that it is a phenomenon profoundly linked with the experience of Romanticism itself and with a fundamental change in religious sensibility. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : Samuel Taylor Coleridge |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2023-07-18 |
Genre | : |
ISBN | : 9781022853126 |
Written as a defense of Coleridge's poetry, Biographia Literaria also provides a snapshot of Coleridge's life and views on other literary figures of his time, such as Wordsworth and Shakespeare. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Jennifer Ford |
Publisher | : Cambridge University Press |
Total Pages | : 274 |
Release | : 1998 |
Genre | : Literary Criticism |
ISBN | : 0521583160 |
This book is the first in-depth investigation of Coleridge's responses to his dreams and to contemporary debates on the nature of dreaming, a subject of perennial interest to poets, philosophers and scientists throughout the Romantic period. Coleridge wrote and read extensively on the subject, but his richly diverse and original ideas have hitherto received little attention, scattered as they are throughout his notebooks, letters and marginalia. Jennifer Ford's emphasis is on analysing the ways in which dreaming processes were construed, by Coleridge in his dream readings, and by his contemporaries in a range of poetic and medical works. This historical exploration of dreams and dreaming allows Ford to explore previously neglected contemporary debates on 'the medical imagination'. By avoiding purely biographical or psychoanalytic approaches, she reveals instead a rich historical context for the ways in which the most mysterious workings of the Romantic imagination were explored and understood.
Author | : Ivor Armstrong Richards |
Publisher | : London, Routledge |
Total Pages | : 274 |
Release | : 1960 |
Genre | : Imagination |
ISBN | : |
Clarification of the author's first interpretation, offering additional insights into Coleridge's application of Plato's thought, in answer to the Greek philosopher's challenge to poetry. For other editions, see Author Catalog.
Author | : George Stiny |
Publisher | : MIT Press |
Total Pages | : 249 |
Release | : 2022-11-15 |
Genre | : Design |
ISBN | : 026254413X |
Visual calculating in shape grammars aligns with art and design, bridging the gap between seeing (Coleridge's “imagination”) and combinatoric play (Coleridge's “fancy”). In Shapes of Imagination, George Stiny runs visual calculating in shape grammars through art and design—incorporating Samuel Taylor Coleridge's poetic imagination and Oscar Wilde's corollary to see things as they aren't. Many assume that calculating limits art and design to suit computers, but shape grammars rely on seeing to prove otherwise. Rules that change what they see extend calculating to overtake what computers can do, in logic and with data and learning. Shape grammars bridge the divide between seeing (Coleridge's “imagination, or esemplastic power”) and combinatoric play (Coleridge's “fancy”). Stiny shows that calculating without seeing excludes art and design. Seeing is key for calculating to augment creative activity with aesthetic insight and value. Shape grammars go by appearances, in a full-fledged aesthetic enterprise for the inconstant eye; they answer the question of what calculating would be like if Turing and von Neumann were artists instead of logicians. Art and design are calculating in all their splendid detail.
Author | : Christine Gallant |
Publisher | : |
Total Pages | : 332 |
Release | : 1989 |
Genre | : Literary Collections |
ISBN | : |
Author | : John Constable |
Publisher | : Routledge |
Total Pages | : 264 |
Release | : 2014-01-09 |
Genre | : Literary Criticism |
ISBN | : 1136351167 |
In the sixth volume of his Selected Works, I. A. Richards focuses on the writings of Samuel Taylor Coleridge.