Code Universal Des Couleurs
Author | : Eugene Seguy |
Publisher | : |
Total Pages | : |
Release | : 1936 |
Genre | : Color |
ISBN | : |
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Author | : Eugene Seguy |
Publisher | : |
Total Pages | : |
Release | : 1936 |
Genre | : Color |
ISBN | : |
Author | : Eugène Séguy |
Publisher | : |
Total Pages | : 188 |
Release | : 1936 |
Genre | : Color |
ISBN | : |
Author | : Eugène A. SÉGUY |
Publisher | : |
Total Pages | : 68 |
Release | : 1936 |
Genre | : Color |
ISBN | : |
Author | : Eugène-A. Séguy |
Publisher | : |
Total Pages | : 0 |
Release | : 1936 |
Genre | : Colors |
ISBN | : 9782720502200 |
Author | : Eugène Séguy |
Publisher | : |
Total Pages | : 68 |
Release | : 1936 |
Genre | : Color |
ISBN | : |
Author | : Rolf G. Kuehni |
Publisher | : Oxford University Press |
Total Pages | : 407 |
Release | : 2008-01-09 |
Genre | : Psychology |
ISBN | : 0198040881 |
Since antiquity, people have searched for a way to understand the colors we see-what they are, how many there are, and how they can be systematically identified and arranged in some kind of order. How to order colors is not merely a philosophical question, it also has many practical applications in art, design, and commerce. Our intense interest in color and its myriad practical applications have led people throughout history to develop many systems to characterize and order it. The number of color order systems developed throughout history is unknown but ranges in the hundreds. Many are no longer used, but continue to be of historical interest. Despite wrong turns and slow progress, our understanding of color and its order has improved steadily. Although full understanding continues to elude us, it seems clear that it will ultimately come from research in neurobiology, perception and consciousness. Color Ordered is a comprehensive, in-depth compendium of over 170 systems, dating from antiquity to the present. In it, Rolf Kuehni and Andreas Schwarz present a history and categorization of color systems, describe each one using original figures and schematic drawings, and provide a broad review of the underlying theory. Included are a brief overview of color vision and a synthesis of the various systems. This volume is a unique and valuable resource for researchers in color vision, and visual perception, as well as for neuroscientists, art historians, artists, and designers.
Author | : Eugène Séguy |
Publisher | : |
Total Pages | : 0 |
Release | : 1936 |
Genre | : |
ISBN | : |
Author | : C. Seguy |
Publisher | : |
Total Pages | : 68 |
Release | : 1936 |
Genre | : |
ISBN | : |
Author | : Eugene Seguy |
Publisher | : |
Total Pages | : 68 |
Release | : 1963 |
Genre | : |
ISBN | : |
Author | : Ernest Thompson Seaton |
Publisher | : anboco |
Total Pages | : 217 |
Release | : 2016-08-06 |
Genre | : Fiction |
ISBN | : 3736407203 |
In offering this book to the public after having had the manuscript actually on my desk for more than nine years, let me say frankly that no one realizes better than myself, now, the magnitude of the subject and the many faults of my attempt to handle it. My attention was first directed to the Sign Language in 1882 when I went to live in Western Manitoba. There I found it used among the various Indian tribes as a common language, whenever they were unable to understand each other's speech. In later years I found it a daily necessity when traveling among the natives of New Mexico and Montana, and in 1897, while living among the Crow Indians at their agency near Fort Custer, I met White Swan, who had served under General George A. Custer as a Scout. He had been sent across country with a message to Major Reno, so escaped the fatal battle; but fell in with a party of Sioux, by whom he was severely wounded, clubbed on the head, and left for dead. He recovered and escaped, but ever after was deaf and practically dumb. However, sign-talk was familiar to his people and he was at little disadvantage in daytime. Always skilled in the gesture code, he now became very expert; I was glad indeed to be his pupil, and thus in 1897 began seriously to study the Sign Language. In 1900 I included a chapter on Sign Language in my projected Woodcraft Dictionary, and began by collecting all the literature. There was much more than I expected, for almost all early travellers in our Western Country have had something to say about this lingua franca of the Plains. As the material continued to accumulate, the chapter grew into a Dictionary, and the work, of course, turned out manifold greater than was expected. The Deaf, our School children, and various European nations, as well as the Indians, had large sign vocabularies needing consideration.