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Art in Cinema

Art in Cinema
Author: Scott MacDonald
Publisher: Temple University Press
Total Pages: 332
Release: 2006
Genre: Performing Arts
ISBN: 9781592134274

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Fascinating documentation of one of the most important film societies in American history.


Seductive Cinema

Seductive Cinema
Author: James Card
Publisher:
Total Pages: 319
Release: 1999
Genre: Performing Arts
ISBN: 9780816633906

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On the history of silent films.


Art Cinema. Ediz. Inglese

Art Cinema. Ediz. Inglese
Author: Paul Young
Publisher: Taschen America Llc
Total Pages: 191
Release: 2009
Genre: Performing Arts
ISBN: 9783822835944

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"Art Cinema" explores how artists have used film to explode cinematic conventions and convey a truly expressive format that uses rhythm, color, structure, and content to express a staggering array of ideas and feelings.


Museum Movies

Museum Movies
Author: Haidee Wasson
Publisher: Univ of California Press
Total Pages: 331
Release: 2005-05-27
Genre: Art
ISBN: 0520241312

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In 1935, the foundation of the Film Library of the Museum of Modern Art in New York marked the transformation of the film medium from a passing amusement to an enduring art form. Haidee Wasson maps the work of the MoMA film library as it pioneered the preservation of film & promoted the concept of art cinema.


The Art of Pure Cinema

The Art of Pure Cinema
Author: Bruce Isaacs
Publisher: Oxford University Press, USA
Total Pages: 273
Release: 2020
Genre: Performing Arts
ISBN: 0190889950

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""This is not a book about Hitchcock. There are many of those in critical circles, and I wouldn't presume to add a great deal more to the landmark studies of scholars such as Raymond Bellour, Robin Wood, and William Rothman, among many others. But it is a book that attempts to situate Hitchcockian cinema, and more specifically, an aspect of the Hitchcockian style in the aftermath of Hitchcock's rich, complex, and sometimes unwieldy filmmaking career. In a series of discussions with François Truffaut in 1962, Hitchcock, then at the height of his influence as a filmmaker and prior to the perceived decline of his cinema in the later 1960s, gestures toward an artistic disposition in the following exchange on Rear Window (1954): "Truffaut: I imagine that the story appealed to you primarily because it represented a technical challenge: a whole film from the viewpoint of one man, and embodied in a single, large set. Hitchcock: Absolutely. It was a possibility of doing a purely cinematic film. You have an immobilized man looking out. That's one part of the film. The second part shows what he sees and the third part shows how he reacts. This is actually the purest expression of a cinematic idea." ""--


Separate Cinema

Separate Cinema
Author: John Kisch
Publisher:
Total Pages: 317
Release: 2014
Genre: Art
ISBN: 9781909526068

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A complete history of first 100 years of black cast movie posters. Stunning images. From world's leading archive.


Film as Art

Film as Art
Author: Rudolf Arnheim
Publisher: Univ of California Press
Total Pages: 244
Release: 1957
Genre: Art
ISBN: 9780520248373

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“More than half a century since its initial publication, this deceptively compact book remains among the most incisive analyses of the formal and perceptual dynamics of cinema. No one who cares about film can afford to remain ignorant of its insights and wisdom. As digital technology fundamentally alters motion pictures, the lessons of Film as Art commend themselves as excellent insurance against reinventing the wheel in the new media landscape and hailing it as progress.”—Edward Dimendberg author of Film Noir and the Spaces of Modernity “After more than eight decades, Rudolph Arnheim's small book of film theory remains one of the essential works in defining film art, understanding film less as reproducing the world than as opening up new possibilities for formal play and unexpected imagery. Anyone serious about film, whether scholar, filmmaker or simply a lover of cinema, must take Arnheim seriously.”—Tom Gunning, author of The Films of Fritz Lang and D.W. Griffith and the Origins of American Narrative Film “An aesthetic theory based on the formal ‘limitations’ of the medium, Arnheim’s Film as Art always provokes students in an age of few limits and less formality, and they argue and engage this classic text with unparalleled passion. Written in the wake of sound’s transformation of the cinema, Arnheim’s essays are not only central to understanding a major historical moment in theoretical debates about what constitutes the ‘essence’ of film, but also are a must read for anyone seeking a lucid, detailed, and rigorous argument about how works of art emerge from expressive constraint as much as expressive freedom.”—Vivian Sobchack, author of Carnal Thoughts


The City Symphony Phenomenon

The City Symphony Phenomenon
Author: Steven Jacobs
Publisher: Routledge
Total Pages: 342
Release: 2018-07-20
Genre: Performing Arts
ISBN: 1317215575

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The 1920s and 1930s saw the rise of the city symphony, an experimental film form that presented the city as protagonist instead of mere decor. Combining experimental, documentary, and narrative practices, these films were marked by a high level of abstraction reminiscent of high-modernist experiments in painting and photography. Moreover, interwar city symphonies presented a highly fragmented, oftentimes kaleidoscopic sense of modern life, and they organized their urban-industrial images through rhythmic and associative montage that evoke musical structures. In this comprehensive volume, contributors consider the full 80 film corpus, from Manhatta and Berlin: Die Sinfonie der Grosstadt to lesser-known cinematic explorations.


Cinema and Painting

Cinema and Painting
Author: Angela Dalle Vacche
Publisher: University of Texas Press
Total Pages: 324
Release: 1996
Genre: Performing Arts
ISBN: 9780292715837

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The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity. Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's split allegiances between East and West (Five Women around Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's project to convey interiority through images (The Marquise of O), F. W. Murnau's debt to Romantic landscape painting (Nosferatu), Vincente Minnelli's affinities with American Abstract Expressionism (An American in Paris), and Alain Cavalier's use of still life and the close-up to explore the realms of mysticism and femininity (Thérèse). While addressing issues of influence and intentionality, Dalle Vacche concludes that intertextuality is central to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting art history, defines itself in relation to national traditions and broadly shared visual cultures.


Framing Film

Framing Film
Author: Steven Allen
Publisher: Intellect (UK)
Total Pages: 0
Release: 2012
Genre: Art and motion pictures
ISBN: 9781841505077

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In 'Framing Film', the authors draw on a selection of historically and culturally diverse texts to explore the intricate relationships between cinema and the visual arts. Broad in scope, the volume considers a range of visual arts media, including posters, paintings, photography, comic books and production design.