Cinema And Soviet Society From The Revolution To The Death Of Stalin PDF Download
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Author | : Peter Kenez |
Publisher | : I.B. Tauris |
Total Pages | : 264 |
Release | : 2000-12-15 |
Genre | : Performing Arts |
ISBN | : 9781860645686 |
Download Cinema and Soviet Society Book in PDF, ePub and Kindle
The story of Soviet film over the period covered by Peter Kenez is central to the history of World Cinema. In this revised, updated paperback edition of his classic text, Peter Kenez explores the roots of Soviet cinema in the film heritage of pre-Revolutionary Russia, tracing the changes in content, style, technical means and production capacities generated by the Revolution of 1917; the constraints on form and subject imposed from the 1930s in the name of Socialist Realism; the relative freedom of expression accorded to film-makers during World War Two; and the extraordinary repression during the final years of Stalin era. Based on original research both in the former Soviet Union and elsewhere in the primary sources of Eastern Europe, this is the essential student text on the period which produced the major films of such 'greats' as Eisenstein, Vertov, Kuleshov, Pudovkin and many more.
Author | : Peter Kenez |
Publisher | : |
Total Pages | : 252 |
Release | : |
Genre | : Electronic books |
ISBN | : 9780755604616 |
Download Cinema and Soviet Society from the Revolution to the Death of Stalin Book in PDF, ePub and Kindle
In this updated edition of his classic text, Kenez covers the roots of Soviet cinema in the film heritage of pre-Revolutionary Russia, tracing the changes generated by the Revolution of 1917.
Author | : Peter Kenez |
Publisher | : Cambridge University Press |
Total Pages | : 291 |
Release | : 1992-06-26 |
Genre | : Social Science |
ISBN | : 9780521428637 |
Download Cinema and Soviet Society, 1917-1953 Book in PDF, ePub and Kindle
n this history of Soviet cinema Peter Kenez describes the pre-revolutionary heritage, the changes brought about by the Revolution, the great flourishing of the golden years of the late 1920s, the constraints imposed on artists in the name of Socialist realism, the relative liberalization during the years of the Second World War, and the extraordinary repression during the gloomy last years of Stalin. The author's primary concern is the political uses of film. The Bolsheviks had high expectations: they believed that this medium would be a major vehicle for transmitting their social and political messages, and so experimented with the various ways with which they could bring movies to worker and peasant audiences. Although they achieved major successes, their unrealistically high expectations often led to disappointments and acrimonious debates. An examination of how the explicit and implicit messages in Soviet films changed over time helps us to understand the evolution of Soviet society. This study deals with the intersection of politics and culture and aims to illuminate both.In this history of Soviet cinema Peter Kenez describes the pre-revolutionary heritage, the changes brought about by the Revolution, the great flourishing of the golden years of the late 1920s, the constraints imposed on artists in the name of Socialist realism, the relative liberalization during the years of the Second World War, and the extraordinary repression during the gloomy last years of Stalin. The author's primary concern is the political uses of film. The Bolsheviks had high expectations: they believed that this medium would be a major vehicle for transmitting their social and political messages, and so experimented with the various ways with which they could bring movies to worker and peasant audiences. Although they achieved major successes, their unrealistically high expectations often led to disappointments and acrimonious debates. An examination of how the explicit and implicit messages in Soviet films changed over time helps us to understand the evolution of Soviet society. This study deals with the intersection of politics and culture and aims to illuminate both.
Author | : Peter Kenez |
Publisher | : CUP Archive |
Total Pages | : 300 |
Release | : 1992-06-26 |
Genre | : History |
ISBN | : 9780521428637 |
Download Cinema and Soviet Society, 1917-1953 Book in PDF, ePub and Kindle
The political influences on Soviet cinema are traced from its pre-revolutionary heritage, through the Revolution and the golden years of the late 1920s through Second World War liberalization and the extraordinary repression of Stalin final years.The political influences on Soviet cinema are traced from its pre-revolutionary heritage, through the Revolution and the golden years of the late 1920s through Second World War liberalization and the extraordinary repression of Stalin final years.
Author | : Derek Spring |
Publisher | : Routledge |
Total Pages | : 296 |
Release | : 2013-11-05 |
Genre | : Social Science |
ISBN | : 113612828X |
Download Stalinism and Soviet Cinema Book in PDF, ePub and Kindle
Stalinism and Soviet Cinema marks the first attempt to confront systematically the role and influence of Stalin and Stalinism in the history and development of Soviet cinema. The collection provides comprehensive coverage of the antecedents, role and consequences of Stalinism and Soviet cinema, how Stalinism emerged, what the relationship was between the political leadership, the cinema administrators, the film-makers and their films and audiences, and how Soviet cinema is coming to terms with the disintegration of established structures and mythologies. Contributors from Britain, America and the Soviet Union address themselves to the importance of the Stalinist legacy, not only to the history of Soviet cinema but to Soviet history as a whole.
Author | : Jamie Miller |
Publisher | : Bloomsbury Publishing |
Total Pages | : 239 |
Release | : 2009-12-18 |
Genre | : History |
ISBN | : 085771693X |
Download Soviet Cinema Book in PDF, ePub and Kindle
When the Bolsheviks seized power in the Soviet Union during 1917, they were suffering from a substantial political legitimacy deficit. Uneasy political foundations meant that cinema became a key part of the strategy to protect the existence of the USSR. Based on extensive archival research, this welcome book examines the interaction between politics and the Soviet cinema industry during the period between Stalin's rise to power and the beginning of the Great Patriotic War. It reveals that film had a central function during those years as an important means of convincing the masses that the regime was legitimate and a bearer of historical truth. Miller analyses key films, from the classic musical 'Circus' to the political epic "The Great Citizen", and examines the Bolsheviks', ultimately failed, attempts to develop a 'cinema for the millions'. As Denise Youngblood writes, 'this work is indispensable reading not only for specialists in Soviet film and culture, but also for anyone interested in the dynamics of cultural production in an authoritarian society'.
Author | : Birgit Beumers |
Publisher | : |
Total Pages | : 308 |
Release | : 2007 |
Genre | : Motion pictures |
ISBN | : 9781904764984 |
Download The Cinema of Russia and the Former Soviet Union Book in PDF, ePub and Kindle
This volume explores the cinema of the former Soviet Union and contemporary Russia, ranging from the pre-Revolutionary period to the present day. It offers an insight into the development of Soviet film, from 'the most important of all arts' as a propaganda tool to a means of entertainment in the Stalin era, from the rise of its 'dissident' art-house cinema in the 1960s through the glasnost era with its broken taboos to recent Russian blockbusters. Films have been chosen to represent both the classics of Russian and Soviet cinema as well as those films that had a more localised success and remain to date part of Russia's cultural reference system. The volume also covers a range of national film industries of the former Soviet Union in chapters on the greatest films and directors of Ukrainian, Kazakh, Georgian and Armenian cinematography. Films discussed include Strike (1925), Earth (1930), Ivan's Childhood (1962), Mother and Son (1997) and Brother (1997).
Author | : John Haynes |
Publisher | : Manchester University Press |
Total Pages | : 226 |
Release | : 2003 |
Genre | : Art |
ISBN | : 9780719062384 |
Download New Soviet Man Book in PDF, ePub and Kindle
Examines the 'New Soviet Man' not only as an ideal of masculinity presented to Soviet cinemagoers, but also, precisely, as a man in his specific, and hotly debated social, cultural and political context
Author | : Evgeny Dobrenko |
Publisher | : Edinburgh University Press |
Total Pages | : 320 |
Release | : 2008-03-05 |
Genre | : Performing Arts |
ISBN | : 0748632433 |
Download Stalinist Cinema and the Production of History Book in PDF, ePub and Kindle
This book explores how Soviet film worked with time, the past, and memory. It looks at Stalinist cinema and its role in the production of history. Cinema's role in the legitimization of Stalinism and the production of a new Soviet identity was enormous. Both Lenin and Stalin saw in this 'most important of arts' the most effective form of propaganda and 'organisation of the masses'. By examining the works of the greatest Soviet filmmakers of the Stalin era--Sergei Eisenstein, Vsevolod Pudovkin, Grigorii Kozintsev, Leonid Trauberg, Fridrikh Ermler--the author explores the role of the cinema in the formation of the Soviet political imagination.
Author | : John Haynes |
Publisher | : Manchester University Press |
Total Pages | : 216 |
Release | : 2024-07-30 |
Genre | : Performing Arts |
ISBN | : 1526185784 |
Download New Soviet Man Book in PDF, ePub and Kindle
Cinema has long been recognised as the privileged bridge between Soviet ideologies and their mass public. Recent feminist-oriented work has drawn out the symbolic role of women in Soviet culture, but, not surprisingly, men too were expected to play their part. In this first full-length study of masculinity in Stalinist Soviet cinema, John Haynes examines the ‘New Soviet Man’ not only as an ideal of masculinity presented to Soviet cinemagoers, but also, precisely, as a man in his specific, and hotly debated social, cultural and political context. A detailed analysis of Stalinist discourse sets the stage for an examination of the imagined relationship between the patriarch Stalin and his ‘model sons’ in the key genre cycles of the era: from the capital to the collective farms, and ultimately to the very borders of the Soviet state. Informed by contemporary and present day debates over the social and cultural significance of cinema and masculinity, New Soviet Man draws on a range of theoretical and comparative material to produce engaging and accessible readings accounting for both the appeal of, and the inherent potential for subversion within, films produced by the Stalinist culture industry. New Soviet Man will be widely read by students and specialists in the fields of film studies, Russian and Soviet studies, gender and modern European history.