Church Music in the Nineteenth Century
Author | : Arthur Hutchings |
Publisher | : |
Total Pages | : 166 |
Release | : 1977 |
Genre | : |
ISBN | : |
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Author | : Arthur Hutchings |
Publisher | : |
Total Pages | : 166 |
Release | : 1977 |
Genre | : |
ISBN | : |
Author | : Dr Martin Clarke |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 281 |
Release | : 2013-01-28 |
Genre | : Music |
ISBN | : 1409495094 |
The interrelationship of music and theology is a burgeoning area of scholarship in which conceptual issues have been explored by musicologists and theologians including Jeremy Begbie, Quentin Faulkner and Jon Michael Spencer. Their important work has opened up opportunities for focussed, critical studies of the ways in which music and theology can be seen to interact in specific repertoires, genres, and institutions as well as the work of particular composers, religious leaders and scholars. This collection of essays explores such areas in relation to the religious, musical and social history of nineteenth-century Britain. The book does not simply present a history of sacred music of the period, but examines the role of music in the diverse religious life of a century that encompassed the Oxford Movement, Catholic Emancipation, religious revivals involving many different denominations, the production of several landmark hymnals and greater legal recognition for religions other than Christianity. The book therefore provides a valuable guide to the music of this complex historical period.
Author | : Nick Strimple |
Publisher | : Hal Leonard Corporation |
Total Pages | : 302 |
Release | : 2008 |
Genre | : Music |
ISBN | : 9781574671544 |
From the author of the critically acclaimed "Choral Music in the Twentieth Century" comes an indispensable resource for choral conductors, choral singers, and other music lovers, and an essential text for educators and their students. Strimple covers repertory by Beethoven, Brahms, Mendelssohn, and lesser figures.
Author | : Carl Dahlhaus |
Publisher | : Univ of California Press |
Total Pages | : 432 |
Release | : 1989 |
Genre | : Biography & Autobiography |
ISBN | : 9780520076440 |
This magnificent survey of the most popular period in music history is an extended essay embracing music, aesthetics, social history, and politics, by one of the keenest minds writing on music in the world today. Dahlhaus organizes his book around "watershed" years--for example, 1830, the year of the July Revolution in France, and around which coalesce the "demise of the age of art" proclaimed by Heine, the musical consequences of the deaths of Beethoven and Schubert, the simultaneous and dramatic appearance of Chopin and Liszt, Berlioz and Meyerbeer, and Schumann and Mendelssohn. But he keeps us constantly on guard against generalization and clich . Cherished concepts like Romanticism, tradition, nationalism vs. universality, the musical culture of the bourgeoisie, are put to pointed reevaluation. Always demonstrating the interest in socio-historical influences that is the hallmark of his work, Dahlhaus reminds us of the contradictions, interrelationships, psychological nuances, and riches of musical character and musical life. Nineteenth-Century Music contains 90 illustrations, the collected captions of which come close to providing a summary of the work and the author's methods. Technical language is kept to a minimum, but while remaining accessible, Dahlhaus challenges, braces, and excites. This is a landmark study that no one seriously interested in music and nineteenth-century European culture will be able to ignore.
Author | : Martin Clarke |
Publisher | : Routledge |
Total Pages | : 281 |
Release | : 2016-04-22 |
Genre | : Music |
ISBN | : 1317092260 |
The interrelationship of music and theology is a burgeoning area of scholarship in which conceptual issues have been explored by musicologists and theologians including Jeremy Begbie, Quentin Faulkner and Jon Michael Spencer. Their important work has opened up opportunities for focussed, critical studies of the ways in which music and theology can be seen to interact in specific repertoires, genres, and institutions as well as the work of particular composers, religious leaders and scholars. This collection of essays explores such areas in relation to the religious, musical and social history of nineteenth-century Britain. The book does not simply present a history of sacred music of the period, but examines the role of music in the diverse religious life of a century that encompassed the Oxford Movement, Catholic Emancipation, religious revivals involving many different denominations, the production of several landmark hymnals and greater legal recognition for religions other than Christianity. The book therefore provides a valuable guide to the music of this complex historical period.
Author | : Robert Guy McCutchan |
Publisher | : |
Total Pages | : 15 |
Release | : 1933 |
Genre | : Church music |
ISBN | : |
Author | : Eftychia Papanikolaou |
Publisher | : Rowman & Littlefield |
Total Pages | : 439 |
Release | : 2022-06-21 |
Genre | : Music |
ISBN | : 1666906050 |
Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a monolithic attribute that applies only to music written for and performed in a religious ritual. Rather, the “sacred” is viewed as a functional as well as a topical category that enhances the discourse of cross-pollination of musical vocabularies between sacred and secular compositions, church and concert music. Using a variety of methodological approaches, the contributors articulate how sacred and religious identities coalesce, reconcile, fuse, or intersect in works from the long nineteenth century that traverse an array of genres and compositional styles.
Author | : Jse Him Chan |
Publisher | : |
Total Pages | : 148 |
Release | : 1978 |
Genre | : Church music |
ISBN | : |
Author | : N. Lee Orr |
Publisher | : Scarecrow Press |
Total Pages | : 156 |
Release | : 1999 |
Genre | : History |
ISBN | : 9780810836648 |
Choral music represented an important part of American cultural life during the nineteenth century, whether integral to worship or merely for entertainment. Despite this history, choral music remains one of the more neglected studies in the scholarly community. In an effort to fill this gap, N. Lee Orr and W. Dan Hardin offer a new approach to the study of choral music by mapping out and bringing bibliographical control to this expansive and challenging field of study. Their unique guide focuses on literature related to choral music in the United States from the end of the second decade of the nineteenth century through the earlier part of the twentieth century. Choral Music in Nineteenth-Century America explores the entire range of choral music conceived, written, published, rehearsed, and performed by an ensemble of singers gathered specifically to present the music before an audience or congregation. The guide expertly sifts through the extensive literature to cite the most notable sources for study and provides individual chapters on the leading nineteenth-century composers who were instrumental in the development of choral music.
Author | : John Mark Jordan |
Publisher | : |
Total Pages | : 472 |
Release | : 1994 |
Genre | : Church music |
ISBN | : |