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The 6 Marks of Progressive Christian Worship Music

The 6 Marks of Progressive Christian Worship Music
Author: Bryan J. Sirchio
Publisher: Author House
Total Pages: 199
Release: 2012-08-30
Genre: Religion
ISBN: 1477249567

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Something about the lyrics of many of the hit contemporary Christian worship songs is at best problematic for many clergy persons in mainline denominations. Sometimes the songs are downright offensive theologically to the pastor. Often the problem is rooted in a theological nuance or doctrine that the pastor does not embrace. Sometimes these contemporary worship songs use too many Christian buzz words or clichswords or phrases that the pastor deliberately avoids in every other aspect of the liturgy. Often the problem is that the new songs show no sensitivity at all to things like inclusive language or the theological challenges of doctrines like penal substitutionary atonement. Sometimes the pastors feel that most of these new songs lack substance, that theyre too sugary, too individualistic, and too other-worldly. Sometimes theres an emotional tone to this contemporary worship music that might work well in another kind of church but which just doesnt feel authentic in a traditional or mainline congregation. Now I would imagine that at least some of you began to glaze over a bit as you attempted to read those last few paragraphs. Or maybe you didnt fully understand some of the terms I just used. If so, dont worrythats why I wrote this book! If you have no idea what things like penal substitutionary atonement or inclusive language are about, this book will help you understand what these terms mean and why its important to your pastors for you to know your way around these issues and concepts a bit as you seek new songs to bring into the worship life of your congregation. And I promise--Ill do my best to use down-to-earth language that youll be able to easily understand without a seminary education!


Sing!

Sing!
Author: Keith Getty
Publisher: B&H Publishing Group
Total Pages: 111
Release: 2017-09-01
Genre: Religion
ISBN: 146274267X

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Sing! has grown from Keith and Kristyn Getty’s passion for congregational singing; it’s been formed by their traveling and playing and listening and discussing and learning and teaching all over the world. And in writing it, they have five key aims: • to discover why we sing and the overwhelming joy and holy privilege that comes with singing • to consider how singing impacts our hearts and minds and all of our lives • to cultivate a culture of family singing in our daily home life • to equip our churches for wholeheartedly singing to the Lord and one another as an expression of unity • to inspire us to see congregational singing as a radical witness to the world They have also added a few “bonus tracks” at the end with some more practical suggestions for different groups who are more deeply involved with church singing. God intends for this compelling vision of His people singing—a people joyfully joining together in song with brothers and sisters around the world and around his heavenly throne—to include you. He wants you,he wants us, to sing.


The Jesus Music

The Jesus Music
Author: Marshall Terrill
Publisher: K-LOVE Books
Total Pages: 107
Release: 2021-10-05
Genre: Music
ISBN: 1954201133

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A written and visual complement to the documentary film of the same name, The Jesus Music brings the history of a movement to life. Featuring Contemporary Christian Music artists across five decades, readers will experience the story that has united and changed the lives of people around the world. The Jesus Music: A Visual Story of Redemption as Told by Those Who Lived It shares that story: people creating something they wanted, something that never existed before. Written by music and film historian Marshall Terrill, the book accompanies a documentary film by award-winning directors Jon and Andy Erwin; this written and visual narrative of the genre features historic concerts and candid behind-the-scenes photographs throughout. The Jesus Music explores the history, evolution, and redemptive thread of Contemporary Christian music over the last fifty years as it spans the convergence of rock and roll, country, and gospel music. Featuring the notable voices of Amy Grant, Michael W. Smith, Kirk Franklin, and TobyMac, as well as the stories of dozens of additional Christian artists.


Singing the Congregation

Singing the Congregation
Author: Monique M. Ingalls
Publisher: Oxford University Press
Total Pages: 224
Release: 2018-09-17
Genre: Music
ISBN: 0190499664

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Contemporary worship music shapes the way evangelical Christians understand worship itself. Author Monique M. Ingalls argues that participatory worship music performances have brought into being new religious social constellations, or "modes of congregating". Through exploration of five of these modes--concert, conference, church, public, and networked congregations--Singing the Congregation reinvigorates the analytic categories of "congregation" and "congregational music." Drawing from theoretical models in ethnomusicology and congregational studies, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice--in this case, the musically-structured participatory activity known as "worship." "Congregational music-making" is thereby recast as a practice capable of weaving together a religious community both inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a powerful way to identify with far-flung individuals, institutions, and networks that comprise this global religious community. The interactions among the congregations reveal widespread conflicts over religious authority, carrying far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.


Music and Worship in the Church

Music and Worship in the Church
Author: Austin Cole Lovelace
Publisher:
Total Pages: 260
Release: 1987-08
Genre: Music
ISBN: 9780687273577

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Designed to make the minister, musician, and layman aware of their respective roles in fostering the relation of music to worship. With lists of hym s for the congregation and of anthems for the various choirs. Both authors serve as Ministers of Music in Methodist churches in Illinois.


Church and Worship Music

Church and Worship Music
Author: James Michael Floyd
Publisher: Routledge
Total Pages: 342
Release: 2013-10-31
Genre: Music
ISBN: 1135453721

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First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.


Top 25 Worship Songs

Top 25 Worship Songs
Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
Total Pages: 294
Release: 2019-03-01
Genre: Music
ISBN: 1540052737

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(Piano/Vocal/Guitar Songbook). 25 contemporary worship hits are presented in this collection for piano, voice and guitar. Includes: Glorious Day (Passion) * Good, Good Father (Chris Tomlin) * Holy Spirit (Francesca Battistelli) * King of My Heart (John Mark & Sarah McMillan) * The Lion and the Lamb (Big Daddy Weave) * Reckless Love (Cory Asbury) * 10,000 Reasons (Matt Redman) * This Is Amazing Grace (Phil Wickham) * What a Beautiful Name (Hillsong Worship) * and more.


The Spirit of Praise

The Spirit of Praise
Author: Monique M. Ingalls
Publisher: Penn State Press
Total Pages: 312
Release: 2015-06-18
Genre: Religion
ISBN: 0271070684

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In The Spirit of Praise, Monique Ingalls and Amos Yong bring together a multidisciplinary, scholarly exploration of music and worship in global pentecostal-charismatic Christianity at the beginning of the twenty-first century. The Spirit of Praise contends that gaining a full understanding of this influential religious movement requires close listening to its songs and careful attention to its patterns of worship. The essays in this volume place ethnomusicological, theological, historical, and sociological perspectives into dialogue. By engaging with these disciplines and exploring themes of interconnection, interface, and identity within musical and ritual practices, the essays illuminate larger social processes such as globalization, sacralization, and secularization, as well as the role of religion in social and cultural change. Aside from the editors, the contributors are Peter Althouse, Will Boone, Mark Evans, Ryan R. Gladwin, Birgitta J. Johnson, Jean Ngoya Kidula, Miranda Klaver, Andrew Mall, Kimberly Jenkins Marshall, Andrew M. McCoy, Martijn Oosterbaan, Dave Perkins, Wen Reagan, Tanya Riches, Michael Webb, and Michael Wilkinson.


Church and Worship Music in the United States

Church and Worship Music in the United States
Author: James Michael Floyd
Publisher: Taylor & Francis
Total Pages: 355
Release: 2016-08-12
Genre: Music
ISBN: 1317270363

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This fully updated second edition is a selective annotated bibliography of all relevant published resources relating to church and worship music in the United States. Over the past decade, there has been a growth of literature covering everything from traditional subject matter such as the organ works of J.S. Bach to newer areas of inquiry including folk hymnology, women and African-American composers, music as a spiritual healer, to the music of Mormon, Shaker, Moravian, and other smaller sects. With multiple indices, this book will serve as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field.


Shout to the Lord

Shout to the Lord
Author: Ari Y. Kelman
Publisher: NYU Press
Total Pages: 221
Release: 2018-06-19
Genre: Music
ISBN: 147986367X

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How music makes worship and how worship makes music in Evangelical churches Music is a nearly universal feature of congregational worship in American churches. Congregational singing is so ingrained in the experience of being at church that it is often misunderstood to be synonymous with worship. For those who assume responsibility for making music for congregational use, the relationship between music and worship is both promising and perilous – promise in the power of musical style and collective singing to facilitate worship, peril in the possibility that the experience of the music might eclipse the worship it was written to facilitate. As a result, those committed to making music for worship are constantly reminded of the paradox that they are writing songs for people who wish to express themselves, as directly as possible, to God. This book shines a new light on how people who make music for worship also make worship from music. Based on interviews with more than 75 songwriters, worship leaders, and music industry executives, Shout to the Lord maps the social dimensions of sacred practice, illuminating how the producers of worship music understand the role of songs as both vehicles for, and practices of, faith and identity. This book accounts for the human qualities of religious experience and the practice of worship, and it makes a compelling case for how – sometimes – faith comes by hearing.