Christopher Williams 97
Author | : Christopher Williams |
Publisher | : Museum Boymans-Van Beuningen |
Total Pages | : 130 |
Release | : 1997 |
Genre | : Art |
ISBN | : |
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Author | : Christopher Williams |
Publisher | : Museum Boymans-Van Beuningen |
Total Pages | : 130 |
Release | : 1997 |
Genre | : Art |
ISBN | : |
Author | : Christopher Williams |
Publisher | : |
Total Pages | : 0 |
Release | : 1997 |
Genre | : Art, American |
ISBN | : 9789069181790 |
Author | : Ann Temkin |
Publisher | : The Museum of Modern Art |
Total Pages | : 256 |
Release | : 2008 |
Genre | : Art |
ISBN | : 9780870707315 |
Color Chart celebrates a paradox: the lush beauty that results when contemporary artists assign colour decisions to chance, readymade source or arbitrary system. Midway through the 20th century, long-held convictions regarding the spiritual truth or scientific validity of particular colours gave way to an excitement about colour as a mass-produced and standardized commercial product. The Romantic quest for personal expression instead became Andy Warhol's 'I want to be a machine'; the artistry of mixing pigments was eclipsed by Frank Stella's 'Straight out of the can; it can't get better than that'. This book, and the exhibition it accompanies, is the first devoted to this pivotal transformation, and features work by some forty artists ranging from Ellsworth Kelly and Gerhard Richter to Sherrie Levine and Damien Hirst.
Author | : Christopher Williams |
Publisher | : Jrp Ringier |
Total Pages | : 0 |
Release | : 2007 |
Genre | : Artistic collaboration |
ISBN | : 9783905829044 |
Los Angeles conceptualist Christopher Williams, born in 1956, studies the conditions of presentation and representation in order to call into question spoon-fed perceptions, "realistic" reproductions, communication mechanisms and aesthetic conventions that influence our perception and understanding of reality. This volume presents recent works from 2003-2007.
Author | : |
Publisher | : |
Total Pages | : 1508 |
Release | : 1997 |
Genre | : |
ISBN | : |
Author | : United States. Congress. House |
Publisher | : |
Total Pages | : 1634 |
Release | : 1996 |
Genre | : |
ISBN | : |
Covers receipts and expenditures of appropriations and other funds.
Author | : University of St. Andrews. Library |
Publisher | : |
Total Pages | : 608 |
Release | : 1906 |
Genre | : |
ISBN | : |
Author | : Kynaston McShine |
Publisher | : ABRAMS |
Total Pages | : 304 |
Release | : 1999 |
Genre | : Architecture |
ISBN | : 9780810961975 |
Published on the occasion of the exhibition of the same name held at the Museum of Modern Art, New York, March 14 - June 1, 1999.
Author | : Christopher Williams |
Publisher | : |
Total Pages | : 64 |
Release | : 1993 |
Genre | : |
ISBN | : |
Author | : Elizabeth Carolyn Miller |
Publisher | : University of Michigan Press |
Total Pages | : 297 |
Release | : 2009-12-21 |
Genre | : Literary Criticism |
ISBN | : 0472024469 |
Framed uses fin de siècle British crime narrative to pose a highly interesting question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? In this elegantly argued study, Elizabeth Carolyn Miller addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres. "This is a truly extraordinary argument, one that will forever alter our view of turn-of-the-century literary culture, and Miller has demonstrated it with an enrapturing series of readings of fictional and filmic criminal figures. In the process, she has filled a gap between feminist studies of the New Woman of the 1890s and more gender-neutral studies of early twentieth-century literary and social change. Her book offers an extraordinarily important new way to think about the changing shape of political culture at the turn of the century." ---John Kucich, Professor of English, Rutgers University "Given the intellectual adventurousness of these chapters, the rich material that the author has brought to bear, and its combination of archival depth and disciplinary range, any reader of this remarkable book will be amply rewarded." ---Jonathan Freedman, Professor of English and American Culture, University of Michigan Elizabeth Carolyn Miller is Assistant Professor of English at the University of California, Davis. digitalculturebooks is an imprint of the University of Michigan and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.