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| Author | : Tong Soon Lee |
| Publisher | : University of Illinois Press |
| Total Pages | : 234 |
| Release | : 2009 |
| Genre | : Music |
| ISBN | : 0252032462 |
Fostering national culture in Singapore through Chinese street opera performance
| Author | : Tong Soon Lee |
| Publisher | : University of Illinois Press |
| Total Pages | : 215 |
| Release | : 2024-02-12 |
| Genre | : Music |
| ISBN | : 0252055896 |
Since Singapore declared independence from Malaysia in 1965, Chinese street opera has played a significant role in defining Singaporean identity. Carefully tracing the history of amateur and professional performances in Singapore, Tong Soon Lee reflects on the role of street performance in fostering cultural nationalism and entrepreneurship. He explains that the government welcomes Chinese street opera performances because they combine tradition and modernism and promote a national culture that brings together Singapore's four main ethnic groups--Eurasian, Malay, Chinese, and South Asian. Chinese Street Opera in Singapore documents the ways in which this politically motivated art form continues to be influenced and transformed by Singaporean politics, ideology, and context in the twenty-first century. By performing Chinese street opera, amateur troupes preserve their rich heritage, underscoring the Confucian mind-set that a learned person engages in the arts for moral and unselfish purposes. Educated performers also control behavior, emotions, and values. They are creative and innovative, and their use of new technologies indicates a modern, entrepreneurial spirit. Their performances bring together diverse ethnic groups to watch and perform, Lee argues, while also encouraging a national attitude focused on both remembering the past and preparing for the future in Singapore.
| Author | : Kuan Wah Pitt |
| Publisher | : |
| Total Pages | : 136 |
| Release | : 1988 |
| Genre | : Operas, Chinese |
| ISBN | : |
| Author | : Tong Soon Lee |
| Publisher | : |
| Total Pages | : 299 |
| Release | : 1998 |
| Genre | : Music |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 46 |
| Release | : 1984 |
| Genre | : Operas |
| ISBN | : 9789971730949 |
| Author | : Paul van der Veer |
| Publisher | : |
| Total Pages | : 172 |
| Release | : 2008 |
| Genre | : Operas, Chinese |
| ISBN | : 9789078213055 |
| Author | : Tong Soon Lee |
| Publisher | : |
| Total Pages | : |
| Release | : 1998 |
| Genre | : Music |
| ISBN | : |
| Author | : Chong Guan Kwa |
| Publisher | : World Scientific |
| Total Pages | : 1002 |
| Release | : 2019-06-21 |
| Genre | : History |
| ISBN | : 9813277653 |
A General History of the Chinese in Singapore documents over 700 years of Chinese history in Singapore, from Chinese presence in the region through the millennium-old Hokkien trading world to the waves of mass migration that came after the establishment of a British settlement, and through to the development and birth of the nation. Across 38 chapters and parts, readers are taken through the complex historical mosaic of Overseas Chinese social, economic and political activity in Singapore and the region, such as the development of maritime junk trade, plantation industries, and coolie labour, the role of different bangs, clan associations and secret societies as well as Chinese leaders, the diverging political allegiances including Sun Yat-sen's revolutionary activities and the National Salvation Movement leading up to the Second World War, the transplanting of traditional Chinese religions, the changing identity of the Overseas Chinese, and the developments in language and education policies, publishing, arts, and more.With 'Pride in our Past, Legacy for our Future' as its key objective, this volume aims to preserve the Singapore Chinese story, history and heritage for future generations, as well as keep our cultures and traditions alive. Therefore, the book aims to serve as a comprehensive guide for Singaporeans, new immigrants and foreigners to have an epitome of the Singapore society. This publication is supported by the National Heritage Board's Heritage Project Grant.Related Link(s)
| Author | : Anthony M. Orum |
| Publisher | : Routledge |
| Total Pages | : 238 |
| Release | : 2009-09-10 |
| Genre | : Architecture |
| ISBN | : 1135257558 |
Public spaces have long been the focus of urban social activity, but investigations of how public space works often adopt only one of several possible perspectives, which restricts the questions that can be asked and the answers that can be considered. In this volume, Anthony Orum and Zachary Neal explore how public space can be a facilitator of civil order, a site for power and resistance, and a stage for art, theatre, and performance. They bring together these frequently unconnected models for understanding public space, collecting classic and contemporary readings that illustrate each, and synthesizing them in a series of original essays. Throughout, they offer questions to provoke discussion, and conclude with thoughts on how these models can be combined by future scholars of public space to yield more comprehensive understanding of how public space works.
| Author | : Hsin-Huang Michael Hsiao |
| Publisher | : ISEAS-Yusof Ishak Institute |
| Total Pages | : 337 |
| Release | : 2017-06-30 |
| Genre | : Social Science |
| ISBN | : 9814786152 |
This volume is based on papers from the second in a series of three conferences that deal with the multi-scalar processes of heritage-making, ranging from the local to the national and international levels, involving different players with different degrees of agency and interests. These players include citizens and civil society, the state, and international organizations and actors. The current volume focuses on the role of citizens and civil society in the politics of heritage-making, looking at how these players at the grass-roots level make sense of the past in the present. Who are these local players that seek to define the meaning of heritage in their everyday lives? How do they negotiate with the state, or contest the influence of the state, in determining what their heritage is? These and other questions will be taken up in various Asian contexts in this volume to foreground the local dynamics of heritage politics.
