Children Of Oedipus And Other Essays On The Imitation Of Greek Tragedy 1550 1800 PDF Download

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Incest, Drama and Nature's Law, 1550-1700

Incest, Drama and Nature's Law, 1550-1700
Author: Richard A. McCabe
Publisher: Cambridge University Press
Total Pages: 380
Release: 2008-10-30
Genre: Drama
ISBN: 9780521088749

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This is a full-length study of incest in English Renaissance and Restoration drama. Richard McCabe's comprehensive survey offers a literary history of this theme, informed by an investigation of the intellectual background, with particular emphasis on changing concepts of natural law, and consequent reassessments of classical tradition. It examines a wide range of theological, philosophical, legal and literary sources, in the context of modern psychological and sociological theories of family development. Extensive comparisons with classical models and contemporary European dramatists, from Tasso to Corneille and Racine, explore the volatile association between dramatic form and emotional content, structural experiment and sexual ambivalence. The centrality of the family to all human relationships, and the mutual reflection of familial politics and the patriarchal state make incest a powerful metaphor for the ambivalence of all concepts of 'natural' authority, and for various forms of social and political revolt.


The Cambridge Companion to Greek Tragedy

The Cambridge Companion to Greek Tragedy
Author: P. E. Easterling
Publisher: Cambridge University Press
Total Pages: 414
Release: 1997-10-02
Genre: Drama
ISBN: 9780521423519

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As a creative medium, ancient Greek tragedy has had an extraordinarily wide influence: many of the surviving plays are still part of the theatrical repertoire, and texts like Agamemnon, Antigone, and Medea have had a profound effect on Western culture. This Companion is not a conventional introductory textbook but an attempt, by seven distinguished scholars, to present the familiar corpus in the context of modern reading, criticism, and performance of Greek tragedy. There are three main emphases: on tragedy as an institution in the civic life of ancient Athens, on a range of different critical interpretations arising from fresh readings of the texts, and on changing patterns of reception, adaptation, and performance from antiquity to the present. Each chapter can be read independently, but each is linked with the others, and most examples are drawn from the same selection of plays.


Thomas Kyd

Thomas Kyd
Author: Brian Vickers
Publisher: Princeton University Press
Total Pages: 400
Release: 2024-11-19
Genre: History
ISBN: 0691211604

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A groundbreaking new account of the author of The Spanish Tragedy that establishes him as a major Elizabethan dramatist Thomas Kyd (1558–1594) was a highly regarded dramatist and the author of The Spanish Tragedy, the first revenge tragedy and the most influential Elizabethan play. In this first full study of his life and works, Brian Vickers discusses Kyd’s accepted canon as well as three additional plays Vickers has newly identified as having been written by Kyd—exciting discoveries that establish him as a major dramatist. Thomas Dekker, a fellow Elizabethan dramatist, referred to “industrious Kyd,” which suggests a greater output than the three plays traditionally attributed to him—The Spanish Tragedy, Soliman and Perseda, and Cornelia. Kyd worked between 1585 and 1594, when the plague led to the anonymous publication of many plays because of the breakup of several London theatre companies. Researching this corpus, Vickers has identified Kyd’s authorship of three more plays: Arden of Faversham, the first domestic tragedy, King Leir and his three daughters, a tragicomedy that provided Shakespeare with his main source, and Fair Em, a love comedy. These attributions are based on two forms of evidence: unique similarities of plot between Kyd’s acknowledged and newly attributed plays and many unique phrases shared by all six plays as identified by modern software. Discussing all the plays in detail and placing them in biographical and historical context, Thomas Kyd offers a major reassessment of an underappreciated Elizabethan playwright.


The Expense of Spirit

The Expense of Spirit
Author: Mary Beth Rose
Publisher: Cornell University Press
Total Pages: 271
Release: 2018-03-15
Genre: Literary Criticism
ISBN: 1501723251

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A public and highly popular literary form, English Renaissance drama affords a uniquely valuable index of the process of cultural transformation. The Expense of Spirit integrates feminist and historicist critical approaches to explore the dynamics of cultural conflict and change during a crucial period in the formation of modern sexual values. Comparing Elizabethan and Jacobean dramatic representations of love and sexuality with those in contemporary moral tracts and religious writings on women, love, and marriage, Mary Beth Rose argues that such literature not only interpreted sexual sensibilities but also contributed to creating and transforming them.


Medea

Medea
Author: Euripides
Publisher: Oxford University Press
Total Pages: 284
Release: 1997
Genre: Drama
ISBN: 9780198149668

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In this new translation of the most profound tragedies of Euripides, one of the trio of the supreme Greek tragedians of the fifth century BC, James Morwood brings harshly to life the pressure of the intolerable circumstances under which Euripides places his characters. His dark and cheerless world, one where the gods prove malevolent, importent, or simply absent, reveals men, to use his own words, `as they are'. His clear-eyed yet sympathetic analysis of characters such as Medea, Hippolytus and Phaedra, and Electra and Clytemnestra - and the supremacy of women is not accidental - is conducted with extraordinary psychological insight through the fearful symmetry of his plot construction. Medea, Hippolytus, and Electra give dramatic articulacy to their creator's howl of protest against the world in which we still live today. His Helen shows him working in a different vein. The themes remain deeply serious; the analysis is still proving and acute. Yet the happy ending, however equivocal, typifies a humour and warmth of spirit that offer, like Shakespeare's last plays, a fragile but genuine hope of redemption. There is a substantial general introduction and select bibliography by Edith Hall, and full explanatory notes accompany the translation.


Dangerous Familiars

Dangerous Familiars
Author: Frances E. Dolan
Publisher: Cornell University Press
Total Pages: 287
Release: 2017-04-15
Genre: Social Science
ISBN: 1501707272

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Looking back at images of violence in the popular culture of early modern England, we find that the specter of the murderer loomed most vividly not in the stranger, but in the familiar; and not in the master, husband, or father, but in the servant, wife, or mother. A gripping exploration of seventeenth-century accounts of domestic murder in fact and fiction, this book is the first to ask why.Frances E. Dolan examines stories ranging from the profoundly disturbing to the comically macabre: of husband murder, wife murder, infanticide, and witchcraft. She surveys trial transcripts, confessions, and scaffold speeches, as well as pamphlets, ballads, popular plays based on notorious crimes, and such well-known works as The Tempest, Othello, Macbeth, and The Winter's Tale. Citing contemporary analogies between the politics of household and commonwealth, she shows how both legal and literary narratives attempt to restore the order threatened by insubordinate dependents.


Ancient Drama in Music for the Modern Stage

Ancient Drama in Music for the Modern Stage
Author: Peter Brown
Publisher: OUP Oxford
Total Pages: 480
Release: 2010-09-02
Genre: History
ISBN: 0191610941

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Opera was invented at the end of the sixteenth century in imitation of the supposed style of delivery of ancient Greek tragedy, and, since then, operas based on Greek drama have been among the most important in the repertoire. This collection of essays by leading authorities in the fields of Classics, Musicology, Dance Studies, English Literature, Modern Languages, and Theatre Studies provides an exceptionally wide-ranging and detailed overview of the relationship between the two genres. Since tragedies have played a much larger part than comedies in this branch of operatic history, the volume mostly concentrates on the tragic repertoire, but a chapter on musical versions of Aristophanes' Lysistrata is included, as well as discussions of incidental music, a very important part of the musical reception of ancient drama, from Andrea Gabrieli in 1585 to Harrison Birtwistle and Judith Weir in the late twentieth and early twenty-first centuries.