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| Author | : Wallace Collection (London, England) |
| Publisher | : |
| Total Pages | : 462 |
| Release | : 1976 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
Ceramics from one of the most important collection in the world.
| Author | : A. Vesey B. Norman |
| Publisher | : |
| Total Pages | : 443 |
| Release | : 1976 |
| Genre | : Majolica |
| ISBN | : |
| Author | : Timothy Wilson |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 394 |
| Release | : 2016-08-29 |
| Genre | : Design |
| ISBN | : 1588395618 |
The form of tin-glazed earthenware known as maiolica reveals much about the culture and spirit of Renaissance Italy. Engagingly decorative, often spectacularly colorful, sometimes whimsical or frankly bawdy, these magnificent objects, which were generally made for use rather than simple ornamentation, present a fascinating glimpse into the realities of daily life. Though not as well known as Renaissance painting and sculpture, maiolica is also prized by collectors and amateurs of the decorative arts the world over. This volume offers highlights of the world-class collection of maiolica at the Metropolitan Museum. It presents 135 masterpieces that reflect more than four hundred years of exquisite artistry, ranging from early pieces from Pesaro—including an eight-figure group of the Lamentation, the largest, most ambitious piece of sculpture produced in a Renaissance maiolica workshop—to everyday objects such as albarelli (pharmacy jars), bella donna plates, and humorous genre scenes. Each piece has been newly photographed for this volume, and each is presented with a full discussion, provenance, exhibition history, publication history, notes on form and glaze, and condition report. Two essays by Timothy Wilson, widely considered the foremost scholar in the field, provide overviews of the history and technique of maiolica as well as an account of the formation of The Met's collection. Also featured is a wide-ranging introduction by Luke Syson that examines how the function of an object governed the visual and compositional choices made by the pottery painter. As the latest volume in The Met's series of decorative arts highlights, Maiolica is an invaluable resource for scholars and collectors as well as an absorbing general introduction to a multifaceted subject.
| Author | : Catherine Hess |
| Publisher | : Getty Publications |
| Total Pages | : 282 |
| Release | : 2003-01-01 |
| Genre | : Art |
| ISBN | : 0892366702 |
In 1984 the Getty Museum acquired an exceptional collection of Italian Renaissance maiolica, or tin-glazed earthenware. These often brilliantly colored objects range from an early Florentine jar with relief-blue decoration to a much later Mannerist dish with grotesque ornament. The collection was the subject of Italian Maiolica, a beautifully illustrated catalogue that the Museum published in 1988. Italian Ceramics amplifies and updates the earlier volume, including objects—some of them porcelain and terracotta—acquired during the intervening years. Among them are a pair of eighteenth-century candlesticks representing mythological scenes and a tabletop with hunting scenes; and, from the 1790s, the beautifully modeled and painted Saint Joseph with the Christ Child. Italian Ceramics contains the most recent scientific, historical, and iconographic information about the Museum’s holdings. Completely revised and expanded, this book offers a wealth of new information about the Getty Museum’s superb collection, which spans more than four centuries of Italian ceramic art.
| Author | : National Gallery of Art (U.S.) |
| Publisher | : Princeton University Press |
| Total Pages | : 369 |
| Release | : 1993 |
| Genre | : Art |
| ISBN | : 0521470684 |
This volume is one of several that examines the National Gallery of Art's distinguished collection of decorative arts. (The second volume will be published in 1996.) The group treated here is composed primarily of works acquired from the Widener Collection, and amplified by holdings acquired from the Kress family. Included are more than eighty Medieval, Renaissance, and later historic objects in a wide variety of media, encompassing metalwork, stained glass, enamels, ceramics, and jewels. Among the highlights are a Limoges reliquary chasse, a Mosan lion aquamanile, thirty-eight pieces in a remarkable cohesive group of Italian maiolica, three of the very rare pottery objects known as 'Saint-Porchaire', and, the centerpiece of the collection, the Suger chalice, an ancient sardonyx cup to which the Abbot Suger added a bejewelled golden setting in the twelfth century. Like other volumes in the Systematic Catalogue of the National Gallery of Art Collections,Western Decorative Arts includes a thoroughly researched entry for each object, together with an artist biography, up-to-date bibliography, and a technical analysis.
| Author | : Wallace collection (Londres). |
| Publisher | : |
| Total Pages | : 443 |
| Release | : 1976 |
| Genre | : Ceramics |
| ISBN | : |
| Author | : Catherine Hess |
| Publisher | : Getty Publications |
| Total Pages | : 200 |
| Release | : 1999 |
| Genre | : Majolica |
| ISBN | : 0892365005 |
In the seventeenth and eighteenth centuries, potters from the Italian village of Castelli dAbruzzo created wares that constitute a final, supremely pictorial phase of the tin-glazed earthenware art know as maiolica. Here, Catharine Hess documents the Gentili/Barabei archive--a recently acquired collection of 276 documents relating to these celebrated ceramics--to show how it illuminates the production of maiolica.
| Author | : Jörg Rasmussen |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 306 |
| Release | : 1989 |
| Genre | : Art |
| ISBN | : 0870995375 |
"This volume in a series of sixteen that features the more than two thousand works of art in the Robert Lehman Collection at The Metropolitan Museum of Art focuses on Italian majolica or earthenware." -- Metropolitan Museum of Art website.
| Author | : David R. M. Gaimster |
| Publisher | : |
| Total Pages | : 468 |
| Release | : 1997 |
| Genre | : Art |
| ISBN | : |
Stoneware provides vital evidence for regional and international trade, political and religious propaganda, social behaviour, living conditions and design trends.
| Author | : Tara Hamling |
| Publisher | : Routledge |
| Total Pages | : 357 |
| Release | : 2016-12-14 |
| Genre | : History |
| ISBN | : 1351938118 |
This book is about the objects people owned and how they used them. Twenty-three specially written essays investigate the type of things that might have been considered 'everyday objects' in the medieval and early modern periods, and how they help us to understand the daily lives of those individuals for whom few other types of evidence survive - for instance people of lower status and women of all status groups. Everyday Objects presents new research by specialists from a range of disciplines to assess what the study of material culture can contribute to our understanding of medieval and early modern societies. Extending and developing key debates in the study of the everyday, the chapters provide analysis of such things as ceramics, illustrated manuscripts, pins, handbells, carved chimneypieces, clothing, drinking vessels, bagpipes, paintings, shoes, religious icons and the built fabric of domestic houses and guild halls. These things are examined in relation to central themes of pre-modern history; for instance gender, identity, space, morality, skill, value, ritual, use, belief, public and private behaviour, continental influence, materiality, emotion, technical innovation, status, competition and social mobility. This book offers both a collection of new research by a diverse range of specialists and a source book of current methodological approaches for the study of pre-modern material culture. The multi-disciplinary analysis of these 'everyday objects' by archaeologists, art historians, literary scholars, historians, conservators and museum practitioners provides a snapshot of current methodological approaches within the humanities. Although analysis of material culture has become an increasingly important aspect of the study of the past, previous research in this area has often remained confined to subject-specific boundaries. This book will therefore be an invaluable resource for researchers and students interested in learning about important new work which demonstrates the potential of material culture study to cut across traditional historiographies and disciplinary boundaries and access the lived experience of individuals in the past.
