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Buddhist sculpture in clay

Buddhist sculpture in clay
Author: Christian Luczanits
Publisher: Serindia Publications
Total Pages: 353
Release: 2004
Genre: Art
ISBN: 9781932476026

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The Sacred Sculpture of Thailand

The Sacred Sculpture of Thailand
Author: Hiram W. Woodward
Publisher: University of Washington Press
Total Pages: 332
Release: 1997
Genre: Art
ISBN:

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The sculpture of Thailand includes some of the most beautiful and significant works made anywhere in Asia, but it is among the least studied and least well understood. This pathbreaking and authoritative book tells the story of this sculpture, beginning with the art of the kingdom of Dvaravati in the seventh century and ending with the abandonment of the city of Ayutthaya in 1767. Hiram W. Woodward, Jr., the principal author, bases his account on a study of the most important and comprehensive collection outside Thailand, that formed by the pioneering American scholar Alexander B. Griswold and bequeathed to the Walters Art Gallery in Baltimore, Maryland. An unprecedented array of technical tests has been carried out on the Griswold sculptures. Thermoluminescence analysis has determined age, metal analysis has revealed the content of the alloys, and clay-core analysis has provided insights into probable place of origin. Conclusions drawn from these tests have been integrated into Dr. Woodward's narrative. Never before has the sequence of styles and the development of regional traditions been presented so clearly. The results of the tests, presented in full, will be a resource for students of Thai art for decades.


Enlightenment Embodied

Enlightenment Embodied
Author: Hiromitsu Washizuka
Publisher: Japan Society Gallery
Total Pages: 156
Release: 1997
Genre: Art
ISBN:

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Catalog of the first exhibition in the US to emphasize on the connection between the aesthetic considerations and construction techniques of Japanese Buddhist sculptors.


Classic Buddhist Sculpture

Classic Buddhist Sculpture
Author: Jirō Sugiyama
Publisher: Kodansha
Total Pages: 238
Release: 1982
Genre: Buddhist sculpture
ISBN:

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Authentic Replicas

Authentic Replicas
Author: Hsueh-man Shen
Publisher: University of Hawaii Press
Total Pages: 348
Release: 2018-10-31
Genre: History
ISBN: 082486705X

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As belief in the Buddha grew and his teachings were transmitted across Asia, Buddhist images, scriptures, and relics were duplicated and reduplicated to satisfy the needs of increasing numbers of the faithful. Yet how were these countless copies of sacred objects able to retain their authenticity and efficacy? Authentic Replicas explores how Buddhists in medieval China (seventh to twelfth centuries) solved this conundrum through the use of traditional methods of replication such as stamping, mold casting, and woodblock printing to create objects that fulfilled the spiritual aspirations of those who possessed them. Setting aside Western notions about the relative value of copies versus the “original,” the book posits Buddhist ideas on what imbues an object with credibility and authority and offers fresh insights into the ways authenticity was represented and reproduced in the Chinese Buddhist context. Each section of the volume focuses on an area of artistic output to provide readers with a thorough grasp of the theological concepts underpinning each act of duplication. Part I looks at the replication of sutras to clarify how the spiritual value of a handwritten sutra differed from a printed one. In Part II, clay tablets, woodblock prints, silk paintings, and cave murals are examined to trace iconographic lineages and uncover the divine identity in each new replica. The chapters in Part III describe in detail the copying of the Buddha’s bodily relics and the endlessly repeated votive act of burying these in stupas. Of particular significance is the visual and textual vocabulary used on reliquaries to persuade adherents to believe in the actual presence of the Buddha concealed inside. Deftly weaving together data and research from several disciplines, including Buddhist studies, archaeology, and art history, Authentic Replicas vividly conveys how replication lay at the heart of Buddhist worship in medieval China, offering a new understanding of how religious belief guided the artistic output of an entire age.


Early Buddhist Art of China and Central Asia

Early Buddhist Art of China and Central Asia
Author: Marylin M. Rhie
Publisher: BRILL
Total Pages: 720
Release: 1999
Genre: Art, Buddhist
ISBN: 9789004128484

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Volume two of Marylin Rhie's widely acclaimed and formative multi-volume work presents a comprehensive, scholarly and detailed study of the Buddhist art of China and Central Asia from 316-439 A.D. during the formative early periods of Buddhism in the Eastern Chin and Sixteen Kingdoms Period. Using texts translated from the Chinese together with stylistic and technical analyses, the chronology and sources of the art are more clearly defined than in previous studies for the regions of South and North China (other than Kansu) and the important sites of Tumshuk, Kucha and Karashahr on the Northern Silk Route in eastern Central Asia. Furthermore, by incorporating extensive religious and historical materials, this work not only contributes to clarifying the regional characteristics of the art, but also offers new insights into the broader, interregional relationships of this politically fragmented period.


Constructing a Buddhist Pure Land

Constructing a Buddhist Pure Land
Author: Guoying S. Zhang
Publisher:
Total Pages: 192
Release: 2015
Genre: Ceramic sculpture, Chinese
ISBN:

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Tabo

Tabo
Author: Deborah E. Klimburg-Salter
Publisher:
Total Pages: 292
Release: 1997
Genre: Art
ISBN:

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"The monastery of Tabo lies in northern India in the secluded Spiti valley, which was at one time part of the ancient kingdom of Western Tibet. The oldest continuously operating Buddhist enclave in India and the Himalayas, Tabo's historical role as an intermediary between India and Tibet and the extraordinary beauty of its frescoes make it a place of unique importance. The main temple of Tabo is one of the masterpieces of Indian and Tibetan art. Built in 996 and renovated in 1042, the temple is remarkable not only for the exceptional quality of its sculpture and the decorative paintings that cover every surface, but also for the numerous portraits of royal patrons, members of the local nobility, and ecclesiastical figures, all identified by name. Tabo played a pivotal role in the history of Buddhism in the tenth and eleventh centuries, when Tibetan monks and Indian pandits studied together and translated scripture from Sanskrit into Tibetan. This meeting of trans-Himalayan cultures, and the devotions of their faithful, are vividly preserved in the magnificent paintings and sculptures that adorn the original temple and the monastery that surrounds it."--Amazon.