British Popular Music And National Identity In The 1990s PDF Download
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| Author | : Anja Thümmler |
| Publisher | : GRIN Verlag |
| Total Pages | : 116 |
| Release | : 2012-03-02 |
| Genre | : Foreign Language Study |
| ISBN | : 3869436646 |
Download British Popular Music and National Identity in the 1990s Book in PDF, ePub and Kindle
Thesis (M.A.) from the year 2004 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1.3, University of Leipzig, language: English, abstract: This thesis evaluates the relation between British popular music and national identity. It concentrates on developments during the 1990s, bringing together all three popular genres of pop music during that period: indie rock, dance music and black music. Taking into account theoretical considerations on popular music, this thesis applies theories of collective identities in general and national identity in particular to Nineties pop. By analyzing an example of popular music media as well as selected music texts, the discourses within popular music culture are being compared to general discourses on questions of national identity within Great Britain.
| Author | : Anja Thummler |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2004 |
| Genre | : Popular music |
| ISBN | : |
Download British Popular Music and National Identity in the 1990s Book in PDF, ePub and Kindle
| Author | : Irene Morra |
| Publisher | : Routledge |
| Total Pages | : 266 |
| Release | : 2013-10-30 |
| Genre | : Music |
| ISBN | : 1135048959 |
Download Britishness, Popular Music, and National Identity Book in PDF, ePub and Kindle
This book offers a major exploration of the social and cultural importance of popular music to contemporary celebrations of Britishness. Rather than providing a history of popular music or an itemization of indigenous musical qualities, it exposes the influential cultural and nationalist rhetoric around popular music and the dissemination of that rhetoric in various forms. Since the 1960s, popular music has surpassed literature to become the dominant signifier of modern British culture and identity. This position has been enforced in popular culture, literature, news and music media, political rhetoric -- and in much popular music itself, which has become increasingly self-conscious about the expectation that music both articulate and manifest the inherent values and identity of the modern nation. This study examines the implications of such practices and the various social and cultural values they construct and enforce. It identifies two dominant, conflicting constructions around popular music: music as the voice of an indigenous English ‘folk’, and music as the voice of a re-emergent British Empire. These constructions are not only contradictory but also exclusive, prescribing a social and musical identity for the nation that ignores its greater creative, national, and cultural diversity. This book is the first to offer a comprehensive critique of an extremely powerful discourse in England that today informs dominant formulations of English and British national identity, history, and culture.
| Author | : Maximilian Rütters |
| Publisher | : GRIN Verlag |
| Total Pages | : 21 |
| Release | : 2017-03-28 |
| Genre | : Foreign Language Study |
| ISBN | : 3668422842 |
Download Music in the 90s and the search of identity in the UK Book in PDF, ePub and Kindle
Seminar paper from the year 2012 in the subject Didactics for the subject English - Miscellaneous, grade: 1,7, University of Bonn (Institut für Anglistik, Amerikanistik und Keltologie), language: English, abstract: People all over the world have been identifying with music for years. Music has a social quality that is across-the-board. But now only one nation is on focus. Every British decade had its own sound. Looking at the 1960s, The Beatles and The Rolling Stones were dominating the music scene. Led Zeppelin and Black Sabbath invented Heavy Metal in the 1970s and also Glam Rock with representatives like Queen and David Bowie started during the 1970s. The 80s as the climax of the Punk Rock movement headed by the Sex Pistols and the upcoming Indie-Rock scene represented by The Cure. Music, now and then, reflects its time, its history and all the changes that passes by. The question of this term paper is, „Does one identity of the British excist? Or are there maybe several identities? Or none?“ And is music the key to find any answers?
| Author | : Irene Morra |
| Publisher | : Routledge |
| Total Pages | : 303 |
| Release | : 2013-10-30 |
| Genre | : Music |
| ISBN | : 1135048940 |
Download Britishness, Popular Music, and National Identity Book in PDF, ePub and Kindle
This book offers a major exploration of the social and cultural importance of popular music to contemporary celebrations of Britishness. Rather than providing a history of popular music or an itemization of indigenous musical qualities, it exposes the influential cultural and nationalist rhetoric around popular music and the dissemination of that rhetoric in various forms. Since the 1960s, popular music has surpassed literature to become the dominant signifier of modern British culture and identity. This position has been enforced in popular culture, literature, news and music media, political rhetoric -- and in much popular music itself, which has become increasingly self-conscious about the expectation that music both articulate and manifest the inherent values and identity of the modern nation. This study examines the implications of such practices and the various social and cultural values they construct and enforce. It identifies two dominant, conflicting constructions around popular music: music as the voice of an indigenous English ‘folk’, and music as the voice of a re-emergent British Empire. These constructions are not only contradictory but also exclusive, prescribing a social and musical identity for the nation that ignores its greater creative, national, and cultural diversity. This book is the first to offer a comprehensive critique of an extremely powerful discourse in England that today informs dominant formulations of English and British national identity, history, and culture.
| Author | : Christina Binter |
| Publisher | : GRIN Verlag |
| Total Pages | : 25 |
| Release | : 2022-07-13 |
| Genre | : Social Science |
| ISBN | : 3346677834 |
Download Britpop and national identity Book in PDF, ePub and Kindle
Seminar paper from the year 2018 in the subject Cultural Studies - Miscellaneous, grade: 2,0, , language: English, abstract: At the beginning of the paper the British music culture, including the historical development, and the term Britpop will be explained. In the next chapter, the definition of National identity will be in the focus before going on with the role of music, in regard to Britpop, as identity markers will be discussed. Moreover, the role of politics during the rise of the Britpop movement, which must be taken into account, will be mentioned. Due to the fact that certain motives are seen as British and play a key role in helping to create a national identity, this seminar paper will be accompanied by an Oasis song and there will be a short examination regarding lyrics and video performance before coming up with a final conclusion.
| Author | : Grace Barnes |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 269 |
| Release | : 2022-07-14 |
| Genre | : Performing Arts |
| ISBN | : 1350243558 |
Download National Identity and the British Musical Book in PDF, ePub and Kindle
National Identity and the British Musical: From Blood Brothers to Cinderella examines the myths associated with national identity which are reproduced by the British musical and asks why the genre continues to uphold, instead of challenging, outdated ideals. All too often, UK musicals reinforce national identity clichés and caricatures, conflate 'England' with 'Britain' and depict a mono-cultural nation viewed through a nostalgic lens. Through case studies and analysis of British musicals such as Blood Brothers, Six, Half a Sixpence and Billy Elliot, this book examines the place of the British musical within a text-based theatrical heritage and asks what, or whose, Britain is being represented by home grown musicals. The sheer number of people engaging with shows bestows enormous power upon the genre and yet critics display a reluctance to analyse the cultural meanings produced by new work, or to hold work to account for production teams and narratives which continue to shun diversity and inclusive practices. The question this book poses is: what kind of industry do we want to see in Britain in the next ten years? And what kind of show do we want representing the nation in the future?
| Author | : Claudia Lueders |
| Publisher | : |
| Total Pages | : |
| Release | : 2017 |
| Genre | : |
| ISBN | : |
Download Britpop's Common People Book in PDF, ePub and Kindle
| Author | : Jon Stratton |
| Publisher | : Routledge |
| Total Pages | : 242 |
| Release | : 2016-04-15 |
| Genre | : Music |
| ISBN | : 1317171225 |
Download Britpop and the English Music Tradition Book in PDF, ePub and Kindle
Britpop and the English Music Tradition is the first study devoted exclusively to the Britpop phenomenon and its contexts. The genre of Britpop, with its assertion of Englishness, evolved at the same time that devolution was striking deep into the hegemonic claims of English culture to represent Britain. It is usually argued that Britpop, with its strident declarations of Englishness, was a response to the dominance of grunge. The contributors in this volume take a different point of view: that Britpop celebrated Englishness at a time when British culture, with its English hegemonic core, was being challenged and dismantled. It is now timely to look back on Britpop as a cultural phenomenon of the 1990s that can be set into the political context of its time, and into the cultural context of the last fifty years - a time of fundamental revision of what it means to be British and English. The book examines issues such as the historical antecedents of Britpop, the subjectivities governing the performative conventions of Britpop, the cultural context within which Britpop unfolded, and its influence on the post-Britpop music scene in the UK. While Britpop is central to the volume, discussion of this phenomenon is used as an opportunity to examine the particularities of English popular music since the turn of the twentieth century.
| Author | : David Hesmondhalgh |
| Publisher | : Hodder Education |
| Total Pages | : 272 |
| Release | : 2002 |
| Genre | : Music |
| ISBN | : 9780340762479 |
Download Popular Music Studies Book in PDF, ePub and Kindle
The study of popular music has reached an exciting and important moment in its development. Popular Music Studies introduces students to the most significant debates in the field, offering fresh perspectives and suggesting new directions. Genuinely interdisciplinary on scope, the book outlines the history and development of popular music studies while offering and unprecedentedly international perspective on popular music, featuring writers from North and South America, Europe, Japan, Australia, New Zealand, and South Africa. Combining insights from media and cultural studies, sociology, music analysis, ethnomusicology, and performance studies, the essays cover textual analysis, place and space, production, consumption, and everyday life.
