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| Author | : D. A. Miller |
| Publisher | : |
| Total Pages | : 55 |
| Release | : 1992 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780520079489 |
The author explores his identification with and attraction to the gay French critic, Roland Barthes, recounting his search for Barthes as a student in Paris and his sympathy for various themes in Barthes's work. Original.
| Author | : Roland Barthes |
| Publisher | : |
| Total Pages | : 140 |
| Release | : 1992-07 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780520081024 |
BANDED SET OF TWO VOLUMES Incidents, by Roland Barthes In 1979, just after having written skeptically on the question of whether a journal was worth keeping "with a view to publication," Roland Barthes began to keep an intimate journal called "Soires de Paris" in which he gave direct notation to his gay desire in its various stages of excitation, panic, and despair. Together with three other uncollected texts by Barthes, including an earlier journal he kept in Morocco, this remarkable document was published in France after its author's death. Bringing Out Roland Barthes, by D. A. Miller In this essay, D. A. Miller offers an album of moments in an imaginary "homosexual encounter" between himself and Roland Barthes. Miller begins by recalling a visit to Paris when he was a young student. He tells of frequenting the St. Germain Drugstore because a fellow student had seen the French writer there one evening. Although he may initially have hoped to see Barthes, Miller says, he eventually contented himself with doing Barthes, experiencing the emporium as he imagined Barthes might. Miller responds to various names, phrases, images, and themes in Barthes's work that provide him occasions for assessing, across differences of nation and generation, some characteristic strains of modern gay experience. BANDED SET OF TWO VOLUMES Incidents, by Roland Barthes In 1979, just after having written skeptically on the question of whether a journal was worth keeping "with a view to publication," Roland Barthes began to keep an intimate journal called "Soires de Paris" in which he gave direct notation to his gay desire in its various stages of excitation, panic, and despair. Together with three other uncollected texts by Barthes, including an earlier journal he kept in Morocco, this remarkable document was published in France after its author's death. Bringing Out Roland Barthes, by D. A. Miller In this essay, D. A. Miller offers an album of moments in an imaginary "homosexual encounter" between himself and Roland Barthes. Miller begins by recalling a visit to Paris when he was a young student. He tells of frequenting the St. Germain Drugstore because a fellow student had seen the French writer there one evening. Although he may initially have hoped to see Barthes, Miller says, he eventually contented himself with doing Barthes, experiencing the emporium as he imagined Barthes might. Miller responds to various names, phrases, images, and themes in Barthes's work that provide him occasions for assessing, across differences of nation and generation, some characteristic strains of modern gay experience.
| Author | : Roland Barthes |
| Publisher | : Macmillan |
| Total Pages | : 258 |
| Release | : 1978 |
| Genre | : Fiction |
| ISBN | : 0809066890 |
"Barthes's most popular and unusual performance as a writer is "A Lover's Discourse," a writing out of the discourse of love. This language primarily the complaints and reflections of the lover when alone, not exchanges of a lover with his or her partner is unfashionable. Thought it is spoken by millions of people, diffused in our popular romances and television programs as well as in serious literature, there is no institution that explores, maintains, modifies, judges, repeats, and otherwise assumes responsibility for this discourse . . . Writing out the figures of a neglected discourse, Barthes surprises us in "A Lover's Discourse" by making love, in its most absurd and sentimental forms, an object of interest." Jonathan Culler
| Author | : Roland Barthes |
| Publisher | : Macmillan |
| Total Pages | : 132 |
| Release | : 1982 |
| Genre | : History |
| ISBN | : 9780374522070 |
This anthology by Roland Barthes is a reflection on his travels to Japan in the 1960s. In twenty-six short chapters he writes about his encounters with symbols of Japanese culture as diverse as pachinko, train stations, chopsticks, food, physiognomy, poetry, and gift-wrapping. He muses elegantly on, and with affection for, a system "altogether detached from our own." For Barthes, the sign here does not signify, and so offers liberation from the West's endless creation of meaning. Tokyo, like all major cities, has a center--the Imperial Palace--but in this case it is empty, "both forbidden and indifferent ... inhabited by an emperor whom no one ever sees." This emptiness of the sign is pursued throughout the book, and offers a stimulating alternative line of thought about the ways in which cultures are structured.
| Author | : Philip Watts |
| Publisher | : Oxford University Press |
| Total Pages | : 217 |
| Release | : 2016 |
| Genre | : Literary Criticism |
| ISBN | : 0190277556 |
Roland Barthes' Cinema offers the first systematic English-language critical treatment of Barthes' writing on cinema, reassessing the relevance of his work for a new generation of readers and filmgoers.
| Author | : Roland Barthes |
| Publisher | : Hill and Wang |
| Total Pages | : 0 |
| Release | : 2012-03-13 |
| Genre | : Literary Collections |
| ISBN | : 9780374533113 |
"In the sentence ‘She's no longer suffering,' to what, to whom does ‘she' refer? What does that present tense mean?" —Roland Barthes, from his diary The day after his mother's death in October 1977, Roland Barthes began a diary of mourning. For nearly two years, the legendary French theorist wrote about a solitude new to him; about the ebb and flow of sadness; about the slow pace of mourning, and life reclaimed through writing. Named a Top 10 Book of 2010 by The New York Times and one of the Best Books of 2010 by Slate and The Times Literary Supplement, Mourning Diary is a major discovery in Roland Barthes's work: a skeleton key to the themes he tackled throughout his life, as well as a unique study of grief—intimate, deeply moving, and universal.
| Author | : Roland Barthes |
| Publisher | : Macmillan |
| Total Pages | : 134 |
| Release | : 1981 |
| Genre | : Philosophy |
| ISBN | : 0374521344 |
"Examining the themes of presence and absence, the relationship between photography and theatre, history and death, these 'reflections on photography' begin as an investigation into the nature of photographs. Then, as Barthes contemplates a photograph of his mother as a child, the book becomes an exposition of his own mind."--Alibris.
| Author | : Roland Barthes |
| Publisher | : Macmillan |
| Total Pages | : 208 |
| Release | : 2010-10-12 |
| Genre | : Literary Collections |
| ISBN | : 0374251460 |
First published in 1977, Roland Barthes by Roland Barthes is the great literary theorist's most original work—a brilliant and playful text, gracefully combining the personal and the theoretical to reveal Roland Barthes's tastes, his childhood, his education, his passions and regrets.
| Author | : Dominique Laporte |
| Publisher | : MIT Press |
| Total Pages | : 180 |
| Release | : 2002-02-22 |
| Genre | : History |
| ISBN | : 9780262621601 |
"A brilliant account of the politics of shit. It will leave you speechless." Written in Paris after the heady days of student revolt in May 1968 and before the devastation of the AIDS epidemic, History of Shit is emblematic of a wild and adventurous strain of 1970s' theoretical writing that attempted to marry theory, politics, sexuality, pleasure, experimentation, and humor. Radically redefining dialectical thought and post-Marxist politics, it takes an important—and irreverent—position alongside the works of such postmodern thinkers as Foucault, Deleuze, Guattari, and Lyotard. Laporte's eccentric style and ironic sensibility combine in an inquiry that is provocative, humorous, and intellectually exhilarating. Debunking all humanist mythology about the grandeur of civilization, History of Shit suggests instead that the management of human waste is crucial to our identities as modern individuals—including the organization of the city, the rise of the nation-state, the development of capitalism, and the mandate for clean and proper language. Far from rising above the muck, Laporte argues, we are thoroughly mired in it, particularly when we appear our most clean and hygienic. Laporte's style of writing is itself an attack on our desire for "clean language." Littered with lengthy quotations and obscure allusions, and adamantly refusing to follow a linear argument, History of Shit breaks the rules and challenges the conventions of "proper" academic discourse.
| Author | : Roland Barthes |
| Publisher | : Macmillan |
| Total Pages | : 296 |
| Release | : 2013-03-12 |
| Genre | : Literary Collections |
| ISBN | : 0809071940 |
"This new edition of MYTHOLOGIES is the first complete, authoritative English version of the French classic, Roland Barthes's most emblematic work"--
