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| Author | : Gregory D. Booth |
| Publisher | : |
| Total Pages | : 352 |
| Release | : 2005 |
| Genre | : Music |
| ISBN | : |
This book is the first study of the men who work in the brass bands that accompany wedding and devotional processions and the tradition that has become a core of Indian popular culture.
| Author | : Gregory Booth |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 344 |
| Release | : 2017-05-25 |
| Genre | : Brass bands |
| ISBN | : 9780199474905 |
Anyone who has seen a wedding procession in northern India would have heard and seen the band of professional musicians accompanying the procession. Surrounded by bright lamps and dressed in uniforms reminiscent of military finery, these are the men who herald the arrival of the groom. In spite of the singing, dancing, and the ornately clad gathering of family and friends in the procession, it is the band that is often its most noticeable element. This book is a detailed and colourful study of India's wedding bands. It argues that while music performed by the wedding bands helps generate emotions of ecstasy and joy, the bandsmen who play it are in the fringes of the social events they herald. Musically and socially, and by birth and profession, bandsmen at weddings are ascribed low social status. Booth's analysis of bands and bandsmen is rich in symbolism and facts surrounding South Asia's complex and diverse musical history. He explains the band trade as a syncretic component of popular culture constructed during the nineteenth and twentieth centuries in both colonial and independent India. This book tells stories of change witnessed in Indian wedding processions and bands over time. The relationship of musical traditions to the colonial past and India's culture, as also the metaphorical association between musical and cultural changes are also explored.
| Author | : Suzel Ana Reily |
| Publisher | : Routledge |
| Total Pages | : 302 |
| Release | : 2016-04-15 |
| Genre | : Music |
| ISBN | : 1317172655 |
Bands structured around western wind instruments are among the most widespread instrumental ensembles in the world. Although these ensembles draw upon European military traditions that spread globally through colonialism, militarism and missionary work, local musicians have adapted the brass band prototype to their home settings, and today these ensembles are found in religious processions and funerals, military manoeuvres and parades, and popular music genres throughout the world. Based on their expertise in ethnographic and archival research, the contributors to this volume present a series of essays that examine wind band cultures from a range of disciplinary perspectives, allowing for a comparison of band cultures across geographic and historical fields. The themes addressed encompass the military heritage of band cultures; local appropriations of the military prototype; links between bands and their local communities; the spheres of local band activities and the modes of sociability within them; and the role of bands in trajectories toward professional musicianship. This book will appeal to readers with an interest in ethnomusicology, colonial and post-colonial studies, community music practices, as well as anyone who has played with or listened to their local band.
| Author | : Richard Wolf |
| Publisher | : Oxford University Press |
| Total Pages | : 344 |
| Release | : 2009-09-03 |
| Genre | : Music |
| ISBN | : 0190450231 |
Over the past four decades, the "globalized" aspects of cultural circulation have received the majority of scholarly-and consumer-attention, particularly in the study of South Asian music. As a result, a broad range of community-based and other locally focused performance traditions in the regions of South Asia have remained relatively unexplored. Theorizing the Local provides a challenging and compelling counterperspective to the "globalized," arguing for the value of comparative microstudies that are not concerned primarily with the flow of capital and neoliberal politics. What does it mean for musical activities to be local in an increasingly interconnected world? To what extent can theoretical activity be localized to the very acts of making music, interacting, and composing? Theorizing the Local offers glimpses into rich musical worlds of south and west Asia, worlds which have never before been presented in a single volume. The authors cross the traditional borders of scholarship and region, exploring in unmatched detail a vast array of musical practices and significant ethnographic discoveries-from Nepal to India, India to Sri Lanka, Pakistan to Iran. Enriched by audio and video tracks on an extensive companion Web site, Theorizing the Local is an important study of South Asian musical traditions that offers a broader understanding of 21st-century music of the world.
| Author | : Jennifer Post |
| Publisher | : Routledge |
| Total Pages | : 468 |
| Release | : 2013-03 |
| Genre | : Art |
| ISBN | : 1136705198 |
First published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : Reebee Garofalo |
| Publisher | : Routledge |
| Total Pages | : 380 |
| Release | : 2019-12-06 |
| Genre | : Music |
| ISBN | : 0429670613 |
HONK! A Street Band Renaissance of Music and Activism explores a fast-growing and transnational movement of street bands—particularly brass and percussion ensembles—and examines how this exciting phenomenon mobilizes communities to reimagine public spaces, protest injustice, and assert their activism. Through the joy of participatory music making, HONK! bands foster active musical engagement in street protests while encouraging grassroots organization, representing a manifestation of cultural activity that exists at the intersections of community, activism, and music. This collection of twenty essays considers the parallels between the diversity of these movements and the diversity of the musical repertoire these bands play and share. In five parts, musicians, activists, and scholars voiced in various local contexts cover a range of themes and topics: History and Scope Repertoire, Pedagogy, and Performance Inclusion and Organization Festival Organization and Politics On the Front Lines of Protest The HONK! Festival of Activist Street Bands began in Somerville, Massachusetts in 2006 as an independent, non-commercial, street festival. It has since spread to four continents. HONK! A Street Band Renaissance of Music and Activism explores the phenomenon that inspires street bands and musicians to change the world and provide musical, social, and political alternatives in contemporary times. Visit the companion webiste: http://www.honkrenaissance.net/
| Author | : Knut A. Jacobsen |
| Publisher | : Routledge |
| Total Pages | : 401 |
| Release | : 2008-03-03 |
| Genre | : Religion |
| ISBN | : 1134074581 |
Religious procession is a significant dimension of religion in South Asia. Processions are central not only in Hinduism, but also Islam, Christianity, Jainism and Sikhism, which have large procession rituals. The last years have seen an increase in processions and ritualizations of space both in South Asia and in the South Asian Diaspora. Processions are religious display events and the increase in processions are functions of religious pluralism and competition about public space as well as economic prosperity and a revival of religious identities. Processions often bring together religion and politics since they are about public space, domination and contestation. Written by leading specialists on religious processions and ritualization of public space in South Asia and in the Diaspora, this volume presents current research on the interpretations of the role of processions, the recent increase in processions and changes in the procession traditions. South Asian Religions on Display will appeal to students and scholars of Asian studies, anthropology, religion and political science.
| Author | : |
| Publisher | : |
| Total Pages | : 92 |
| Release | : 1967-06-03 |
| Genre | : |
| ISBN | : |
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
| Author | : Gavin Holman |
| Publisher | : Gavin Holman |
| Total Pages | : |
| Release | : |
| Genre | : |
| ISBN | : |
Of the many brass bands that have flourished in Britain and Ireland over the last 200 years very few have documented records covering their history. This directory is an attempt to collect together information about such bands and make it available to all. Over 19,600 bands are recorded here, with some 10,600 additional cross references for alternative or previous names. This volume supersedes the earlier “British Brass Bands – a Historical Directory” (2016) and includes some 1,400 bands from the island of Ireland. A separate work is in preparation covering brass bands beyond the British Isles. A separate appendix lists the brass bands in each county
| Author | : Gregory D. Booth |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 380 |
| Release | : 2014 |
| Genre | : Music |
| ISBN | : 0199928851 |
This is the first book to tackle the diverse styles and multiple histories of popular musics in India. It brings together fourteen of the world's leading scholars on Indian popular music to contribute chapters on a range of topics from the classic songs of Bollywood to contemporary remixes, summarized by a reflective afterword by popular music scholar Timothy Taylor. The chapters in this volume address the impact of media and technology on contemporary music, the variety of industrial developments and contexts for Indian popular music, and historical trends in popular music development both before and after the Indian Independence in 1947. The book identifies new ways of engaging popular music in India beyond the Bollywood musical canon, and offers several case studies of local and regional styles of music. The contributors address the subcontinent's historical relationships with colonialism, the transnational market economies, local governmental factors, international conventions, and a host of other circumstances to shed light on the development of popular music throughout India. To illustrate each chapter author's points, and to make available music not easily accessible in North America, the book features an Oxford web music companion website of audio and video tracks.
