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| Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
| Publisher | : |
| Total Pages | : 704 |
| Release | : 1980 |
| Genre | : Art |
| ISBN | : |
| Author | : Diana Davis |
| Publisher | : Getty Publications |
| Total Pages | : 322 |
| Release | : 2020-07-07 |
| Genre | : Art |
| ISBN | : 1606066412 |
An examination of the development, role, and influence of the British decorative art dealers who invented an Anglo-Gallic style for elite interiors. In this volume Diana Davis demonstrates how London dealers invented a new and visually splendid decorative style that combined the contrasting tastes of two nations. Departing from the conventional narrative that depicts dealers as purveyors of antiquarianism, Davis repositions them as innovators who were key to transforming old art objects from ancien régime France into cherished “antiques” and, equally, as creators of new and modified French-inspired furniture, bronze work, and porcelain. The resulting old, new, and reconfigured objects merged aristocratic French eighteenth-century taste with nineteenth-century British preference, and they were prized by collectors, who displayed them side by side in palatial interiors of the period. The Tastemakers analyzes dealer-made furnishings from the nineteenth-century patron’s perspective and in the context of the interiors for which they were created, contending that early dealers deliberately formulated a new aesthetic with its own objects, language, and value. Davis examines a wide variety of documents to piece together the shadowy world of these dealers, who emerge center stage as a traders, makers, and tastemakers.
| Author | : Metropolitan Museum of Art (New York, N.Y.). Library |
| Publisher | : |
| Total Pages | : 1062 |
| Release | : 1960 |
| Genre | : Art |
| ISBN | : |
| Author | : Oliver Wunsch |
| Publisher | : Penn State Press |
| Total Pages | : 191 |
| Release | : 2024-02-22 |
| Genre | : Art |
| ISBN | : 0271096683 |
Eighteenth-century France witnessed an unprecedented proliferation of materially unstable art, from oil paintings that cracked within years of their creation to enormous pastel portraits vulnerable to the slightest touch or vibration. In A Delicate Matter, Oliver Wunsch traces these artistic practices to the economic and social conditions that enabled them: an ascendant class of art collectors who embraced fragile objects as a means of showcasing their disposable wealth. While studies of Rococo art have traditionally focused on style and subject matter, this book reveals how the physical construction of paintings and sculptures was central to the period’s reconceptualization of art. Drawing on sources ranging from eighteenth-century artists’ writings to twenty-first-century laboratory analyses, Wunsch demonstrates how the technical practices of eighteenth-century painters and sculptors provoked a broad transformation in the relationship between art, time, and money. Delicacy, which began the eighteenth century as a commodified extension of courtly sociability, was by century’s end reimagined as the irreducible essence of art’s autonomous value. Innovative and original, A Delicate Matter is an important intervention in the growing body of scholarship on durability and conservation in eighteenth-century French art. It challenges the art historical tendency to see decay as little more than an impediment to research, instead showing how physical instability played a critical role in establishing art’s meaning and purpose.
| Author | : |
| Publisher | : |
| Total Pages | : 606 |
| Release | : 1968 |
| Genre | : Art |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 132 |
| Release | : 1900 |
| Genre | : |
| ISBN | : |
| Author | : British Library (London) |
| Publisher | : |
| Total Pages | : 536 |
| Release | : 1979 |
| Genre | : Reference |
| ISBN | : |
| Author | : British Museum. Department of Printed Books |
| Publisher | : |
| Total Pages | : 612 |
| Release | : 1959 |
| Genre | : English literature |
| ISBN | : |
| Author | : British Museum. Department of Printed Books |
| Publisher | : |
| Total Pages | : 1292 |
| Release | : 1967 |
| Genre | : English imprints |
| ISBN | : |
| Author | : Gillian Wilson |
| Publisher | : J. Paul Getty Museum |
| Total Pages | : 0 |
| Release | : 2021-03-30 |
| Genre | : Design |
| ISBN | : 9781606066300 |
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
