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| Author | : Susan Roy |
| Publisher | : |
| Total Pages | : 176 |
| Release | : 2010 |
| Genre | : History |
| ISBN | : 9780982358573 |
Documents the questionable effort of the United States government during the nineteen fifties to convince its citizens that they could survive a nuclear attack in fallout shelters.
| Author | : Michael D. Leinbach |
| Publisher | : Simon and Schuster |
| Total Pages | : 454 |
| Release | : 2018-01-23 |
| Genre | : Science |
| ISBN | : 1628728523 |
Voted the Best Space Book of 2018 by the Space Hipsters The dramatic inside story of the epic search and recovery operation after the Columbia space shuttle disaster. On February 1, 2003, Columbia disintegrated on reentry before the nation’s eyes, and all seven astronauts aboard were lost. Author Mike Leinbach, Launch Director of the space shuttle program at NASA’s John F. Kennedy Space Center was a key leader in the search and recovery effort as NASA, FEMA, the FBI, the US Forest Service, and dozens more federal, state, and local agencies combed an area of rural east Texas the size of Rhode Island for every piece of the shuttle and her crew they could find. Assisted by hundreds of volunteers, it would become the largest ground search operation in US history. This comprehensive account is told in four parts: Parallel Confusion Courage, Compassion, and Commitment Picking Up the Pieces A Bittersweet Victory For the first time, here is the definitive inside story of the Columbia disaster and recovery and the inspiring message it ultimately holds. In the aftermath of tragedy, people and communities came together to help bring home the remains of the crew and nearly 40 percent of shuttle, an effort that was instrumental in piecing together what happened so the shuttle program could return to flight and complete the International Space Station. Bringing Columbia Home shares the deeply personal stories that emerged as NASA employees looked for lost colleagues and searchers overcame immense physical, logistical, and emotional challenges and worked together to accomplish the impossible. Featuring a foreword and epilogue by astronauts Robert Crippen and Eileen Collins, and dedicated to the astronauts and recovery search persons who lost their lives, this is an incredible, compelling narrative about the best of humanity in the darkest of times and about how a failure at the pinnacle of human achievement became a story of cooperation and hope.
| Author | : David L. Pike |
| Publisher | : Oxford University Press |
| Total Pages | : 320 |
| Release | : 2022-01-02 |
| Genre | : Literary Criticism |
| ISBN | : 0192846167 |
Cold War Space and Culture in the 1960s and 1980s: The Bunkered Decades studies the two periods in which Americans were actively encouraged to excavate their own backyards while governments the world over exhausted their budgets on fortified super-shelters and megaton bombs. The dreams and nightmares inspired by the spectre of nuclear destruction were expressed in images and forms from comics, movies, and pulp paperbacks to policy documents, protest movements, and survivalist tracts. Illustrated with photographs, artwork, and movie and television stills of real and imagined fallout shelters and other bunker fantasies, award-winning author David L. Pike's continues his decades-long exploration of the meanings of modern undergrounds. Ranging widely across disciplines, this volume finds unexpected connections between cultural icons and forgotten texts, plumbs the bunker's stratifications of class, region, race, and gender, and traces the often unrecognized through-lines leading from the 1960s and the less-studied 1980s into the present. Although the Cold War ended over 30 years ago, its legacy looms large in anxieties around security, borders, and all manners of imminent apocalypse. Treating the bunker in its concrete presence and in its flightiest fantasies while attending equally to its uniquely American desires and pathologies and to its global impact, Cold War Space and Culture in the 1960s and 1980s proposes a new way to understand the outsized afterlife of the bunkered decades.
| Author | : Maria Gabriela Brito |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012-06-30 |
| Genre | : Architecture |
| ISBN | : 9781938461033 |
Welcome to the vibrant world of Maria Gabriela Brito, the New York-based interior designer, tastemaker, and authority on mixing contemporary art with home decoration.
| Author | : Matthew Rolston |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Mannequins (Figures) |
| ISBN | : 9781938461002 |
Photographer Matthew Rolston captures the inherent humanity found in a rarely-seen collection of ventriloquist dummies from the intimate and obscure Vent Haven Museum.
| Author | : Alex Wellerstein |
| Publisher | : University of Chicago Press |
| Total Pages | : 558 |
| Release | : 2024-04-23 |
| Genre | : History |
| ISBN | : 0226833445 |
The first full history of US nuclear secrecy, from its origins in the late 1930s to our post–Cold War present. The American atomic bomb was born in secrecy. From the moment scientists first conceived of its possibility to the bombings of Hiroshima and Nagasaki and beyond, there were efforts to control the spread of nuclear information and the newly discovered scientific facts that made such powerful weapons possible. The totalizing scientific secrecy that the atomic bomb appeared to demand was new, unusual, and very nearly unprecedented. It was foreign to American science and American democracy—and potentially incompatible with both. From the beginning, this secrecy was controversial, and it was always contested. The atomic bomb was not merely the application of science to war, but the result of decades of investment in scientific education, infrastructure, and global collaboration. If secrecy became the norm, how would science survive? Drawing on troves of declassified files, including records released by the government for the first time through the author’s efforts, Restricted Data traces the complex evolution of the US nuclear secrecy regime from the first whisper of the atomic bomb through the mounting tensions of the Cold War and into the early twenty-first century. A compelling history of powerful ideas at war, it tells a story that feels distinctly American: rich, sprawling, and built on the conflict between high-minded idealism and ugly, fearful power.
| Author | : Mire Koikari |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 211 |
| Release | : 2020-10-15 |
| Genre | : History |
| ISBN | : 1350122513 |
The Great East Japan Disaster – a compound catastrophe of earthquake, tsunami, and nuclear meltdown that began on March 11, 2011 – has ushered in a new era of cultural production dominated by discussions on safety and security, risk and vulnerability, and recovery and refortification. Gender, Culture, and Disaster in Post-3.11 Japan re-frames post-disaster national reconstruction as a social project imbued with dynamics of gender, race, and empire and in doing so Mire Koikari offers an innovative approach to resilience building in contemporary Japan. From juvenile literature to civic manuals to policy statements, Koikari examines a vast array of primary sources to demonstrate how femininity and masculinity, readiness and preparedness, militarism and humanitarianism, and nationalism and transnationalism inform cultural formation and transformation triggered by the unprecedented crisis. Interdisciplinary in its orientation, the book reveals how militarism, neoliberalism, and neoconservatism drive Japan's resilience building while calling attention to historical precedents and transnational connections that animate the ongoing mobilization toward safety and security. An important contribution to studies of gender and Japan, the book is essential reading for all those wishing to understand local and global politics of precarity and its proposed solutions amid the rising tide of pandemics, ecological hazards, industrial disasters, and humanitarian crises.
| Author | : United States. Congress. Senate. Select Committee on Small Business |
| Publisher | : |
| Total Pages | : 898 |
| Release | : 1967 |
| Genre | : Small business |
| ISBN | : |
| Author | : United States. Congress. Senate. Select Committee on Small Business |
| Publisher | : |
| Total Pages | : 1774 |
| Release | : 1967 |
| Genre | : Legislative hearings |
| ISBN | : |
| Author | : Liz McQuiston |
| Publisher | : Princeton University Press |
| Total Pages | : 289 |
| Release | : 2019-10-29 |
| Genre | : Art |
| ISBN | : 0691197318 |
An authoritative, richly illustrated history of six centuries of global protest art Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, Protest! presents a major new chronological look at protest graphics. Beginning in the Reformation, when printed visual matter was first produced in multiples, Liz McQuiston follows the iconic images that have accompanied movements and events around the world. She examines fine art and propaganda, including William Hogarth’s Gin Lane, Thomas Nast’s political caricatures, French and British comics, postcards from the women’s suffrage movement, clothing of the 1960s counterculture, the anti-apartheid illustrated book How to Commit Suicide in South Africa, the “Silence=Death” emblem from the AIDS crisis, murals created during the Arab Spring, electronic graphics from Hong Kong’s Umbrella Revolution, and the front cover of the magazine Charlie Hebdo. Providing a visual exploration both joyful and brutal, McQuiston discusses how graphics have been used to protest wars, call for the end to racial discrimination, demand freedom from tyranny, and satirize authority figures and regimes. From the French, Mexican, and Sandinista revolutions to the American civil rights movement, nuclear disarmament, and the Women’s March of 2017, Protest! documents the integral role of the visual arts in passionate efforts for change.
