Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Blue Moon Over Thurman Street PDF full book. Access full book title Blue Moon Over Thurman Street.
| Author | : Ursula K. Le Guin |
| Publisher | : Roger Dorband |
| Total Pages | : 132 |
| Release | : 1993 |
| Genre | : City and town life |
| ISBN | : 9780939165223 |
A collection of poems and writings about the forty-five blocks of Thurman Street in Portland, Oregon, attempting to capture what is both unique and commonplace about it
| Author | : Ursula K Le Guin |
| Publisher | : |
| Total Pages | : |
| Release | : 1993-11-01 |
| Genre | : |
| ISBN | : 9780613925860 |
To walk a street is to be told a story. Blue Moon over Thurman Street weaves a story not only of a particular street but of an American way of life. For more than thirty years, Ursula K. Le Guin has walked Thurman Street in Portland, Oregon, listening to its story and dreaming of a book in which to share it. On a blue moon in July 1985, Le Guin enlisted the photographic talents of Roger Dorband, a fellow Portlander, and they collaborated for seven years to tell this story. Le Guin's handwritten poems, Dorband's creative photographs, and their collaborative observations take you on a personal guided tour of a street that crosses America. Once you've finished the walk up Thurman Street, consider sending a friend on of the postcards attached to the inside flaps. Share the Journey!
| Author | : Ursula K. Le Guin |
| Publisher | : Melville House |
| Total Pages | : 208 |
| Release | : 2019-02-05 |
| Genre | : Biography & Autobiography |
| ISBN | : 1612197809 |
“Resistance and change often begin in art. Very often in our art, the art of words.” —Ursula K. Le Guin When she began writing in the 1960s, Ursula K. Le Guin was as much of a literary outsider as one can be: a woman writing in a landscape dominated by men, a science fiction and fantasy author in an era that dismissed “genre” literature as unserious, and a westerner living far from fashionable East Coast publishing circles. The interviews collected here—spanning a remarkable forty years of productivity, and covering everything from her Berkeley childhood to Le Guin envisioning the end of capitalism—highlight that unique perspective, which conjured some of the most prescient and lasting books in modern literature.
| Author | : Ursula K. Le Guin |
| Publisher | : Library of America |
| Total Pages | : 946 |
| Release | : 2023-04-04 |
| Genre | : Poetry |
| ISBN | : 1598537601 |
At last, a major American poet collected for the first time in the sixth volume of the definitive Library of Edition of her works In his last book, Harold Bloom presents the earthy, surprising, and lyrical poetry of Ursula K. Le Guin Ursula K. Le Guin’s career began and ended with poetry. This sixth volume in the definitive Library of America edition of her works gathers, for the first time, her collected poems—from her earliest collection Wild Angels (1974) through her final publication, the collection So Far So Good, which she delivered to her editor just a week before her death in 2018. The themes explored in the poems gathered here resonate through all Le Guin’s oeuvre, but find their strongest voice in her poetry: exploration as a metaphor for both human bravery and creativity, the mystery and fragility of nature and the impact of humankind on their environment, the Tao Te Ching, marriage, womanhood, and even cats. Le Guin’s poetry is often traditional in form but never in style: her verse is earthy, surprising, and lyrical. Including some 40 poems never before collected, this volume restores to print much of Le Guin's remarkable verse. It features a new introduction by editor Harold Bloom, written before his death in 2019, in which he reflects on the power of Le Guin’s poems, which he calls “American originals.” It also features helpful explanatory notes and a chronology of Le Guin’s life.
| Author | : Mike Ryerson |
| Publisher | : Arcadia Publishing |
| Total Pages | : 130 |
| Release | : 2013 |
| Genre | : History |
| ISBN | : 0738596299 |
In Portland's first decades, the northwest side remained dense forests. Native Americans camped and Chinese immigrants farmed around Guild's Lake. In the 1870s, Slabtown acquired its unusual name when a lumber mill opened on Northrup Street. The mill's discarded log edges were a cheap source of heating and cooking fuel. This slabwood was stacked in front of working-class homes of employees of a pottery, the docks, icehouses, slaughterhouses, and lumber mills. Development concentrated along streetcar lines. The early 20th century brought the 1905 Lewis and Clark Centennial Exposition, manufacturing, shipbuilding, Montgomery Ward, and the Vaughn Street Ballpark. Today, Slabtown is a densely populated residential neighborhood, with many small shops and restaurants and an industrial area on its northern border. Tourists still arrive by streetcar to the charming Thurman, NW Twenty-first, and Twenty-third Avenues. Famous residents include author Ursula Le Guin, baseball greats Johnny Pesky and Mickey Lolich, NBA player Swede Halbrook, and Portland mayors Bud Clark and Vera Katz.
| Author | : Richard Thompson |
| Publisher | : Arcadia Publishing |
| Total Pages | : 128 |
| Release | : 2015-08-10 |
| Genre | : Transportation |
| ISBN | : 1439652716 |
No area of Portland, Oregon, played a more important role in street railway history than Northwest Portland and the neighborhood known as Slabtown. In 1872, the city's first streetcars passed close to Slabtown as they headed for a terminus in the North End. Slabtown was also home to the first streetcar manufacturing factory on the West Coast. In fact, until locally built streetcars began to be replaced by trolleys from large national builders in the 1910s, more than half of all rolling stock was manufactured in shops located at opposite ends of Northwest Twenty-third Avenue. All streetcars operating on the west side of the Willamette River, including those used on the seven lines that served Northwest Portland, were stored in Slabtown. When the end finally came in 1950, Slabtown residents were riding two of the last three city lines.
| Author | : Carl Howard Freedman |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 212 |
| Release | : 2008 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781604730944 |
Collected interviews with the renowned science fiction and fantasy writer known for The Left Hand of Darkness, The Dispossessed, The Lathe of Heaven, and the Earthsea sequence of novels and stories
| Author | : John Lennard |
| Publisher | : Humanities-Ebooks |
| Total Pages | : 442 |
| Release | : 2010-01-01 |
| Genre | : History |
| ISBN | : 1847601715 |
Taking up where the author's book Of Modern Dragons (2007) left off, these essays continue Lennard's investigation of the praxis of serial reading and the best genre fiction of recent decades, including work by Bill James, Walter Mosley, Lois Mcmaster Bujold, and Ursula K. Le Guin. There are groundbreaking studies of contemporary paranormal romance, and of Hornblower's transition to space, while the final essay deals with the phenomenon and explosive growth of fanfiction, and with the increasingly empowered status of the reader in a digital world. There is an extensive bibliography of genre and critical work, with eight illustrations and many hyperlinks.
| Author | : John Trombold |
| Publisher | : University of Washington Press |
| Total Pages | : 608 |
| Release | : 2017-10-15 |
| Genre | : Literary Collections |
| ISBN | : 0295997605 |
Reading Portland is a literary exploration of the city's past and present. In over eighty selections, Portland is revealed through histories, memoirs, autobiographies, short stories, novels, and news reports. This single volume gives voice to women and men; the colonizers and the colonized; white, Hispanic, African American, Asian American, and Indian storytellers; and lower, middle, and upper classes. In his introduction, John Trombold considers the history of writing about a place that has nourished a provocative and errant literary tradition for over 150 years. In the preface, Peter Donahue considers the influence of region--particularly Portland's urbanity and its hybrid population--on literature. Included here are the voices of Carl Abbott, Kathryn Hall Bogle, Beverly Cleary, Robin Cody, Lawson Fusao Inada, Rudyard Kipling, Ursula K. Le Guin, Joaquin Miller, Sandy Polishuk, Gary Snyder, Kim Stafford, Elizabeth Woody, and many more.
| Author | : Suzanne Clark |
| Publisher | : SIU Press |
| Total Pages | : 274 |
| Release | : 2000 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780809323029 |
Cold Warriors: Manliness on Trial in the Rhetoric of the West returns to familiar cultural forces—the West, anticommunism, and manliness—to show how they combined to suppress dissent and dominate the unruliness of literature in the name of a national identity after World War II. Few realize how much the domination of a “white male” American literary canon was a product not of long history, but of the Cold War. Suzanne Clark describes here how the Cold War excluded women writers on several levels, together with others—African American, Native American, poor, men as well as women—who were ignored in the struggle over white male identity. Clark first shows how defining national/individual/American identity in the Cold War involved a brand new configuration of cultural history. At the same time, it called upon the nostalgia for the old discourses of the West (the national manliness asserted by Theodore Roosevelt) to claim that there was and always had been only one real American identity. By subverting the claims of a national identity, Clark finds, many male writers risked falling outside the boundaries not only of public rhetoric but also of the literary world: men as different from one another as the determinedly masculine Ernest Hemingway and the antiheroic storyteller of the everyday, Bernard Malamud. Equally vocal and contentious, Cold War women writers were unwilling to be silenced, as Clark demonstrates in her discussion of the work of Mari Sandoz and Ursula Le Guin. The book concludes with a discussion of how the silencing of gender, race, and class in Cold War writing maintained its discipline until the eruptions of the sixties. By questioning the identity politics of manliness in the Cold War context of persecution and trial, Clark finds that the involvement of men in identity politics set the stage for our subsequent cultural history.
