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| Author | : Tan Lin |
| Publisher | : |
| Total Pages | : 340 |
| Release | : 2003 |
| Genre | : Poetry |
| ISBN | : |
Poetry. Asian American Studies. BLIPSOAK01 is a creative endeavor not only in the use of the page as more than a backdrop for words. Lin plays with the effects that the visual placement of words has on the reader, adding an extra dimension to already fascinating poetry.
| Author | : Tan Lin |
| Publisher | : Counterpath |
| Total Pages | : 162 |
| Release | : 2012 |
| Genre | : Literary Collections |
| ISBN | : 1933996277 |
Like its predecessor, HEATH (plagiarism/outsource), Heath Course Pak exists somewhere between a Project Gutenberg version of Samuel Pepys Diary and a minute-to-minute news feed and blog of Heath Ledger’s death. Sad, appropriated, lyrical and confused, the book contains a brief history of recent performance art, a legal defense of plagiarism, the diary of a poetry workshop at the Asian American Writer’s Workshop, an MP3 protest song, and an examination of SMS and GMS technologies as distribution networks for human sadness. Multi-authored, and with numerous text blocks and photos, the revised edition contains 52 pages of new material, an interview, an annotated text, autographed photos of Jackie Chan and Heath Ledger, e-PostIts, COAs, and coffee/tea stains.
| Author | : Thomas Fink |
| Publisher | : University of Alabama Press |
| Total Pages | : 240 |
| Release | : 2014-02-28 |
| Genre | : Literary Criticism |
| ISBN | : 0817357521 |
Definitions of what constitutes innovative poetry are innumerable and are offered from every quarter. Some critics and poets argue that innovative poetry concerns free association (John Ashbery), others that experimental poetry is a "re-staging" of language (Bruce Andrews) or a syntactic and cognitive break with the past (Ron Silliman and Lyn Hejinian). The tenets of new poetry abound. But what of the new reading that such poetry demands? The essays in Reading the Difficulties offer case studies in and strategies for reading innovative poetry. They allow readers to interact with verse that deliberately removes many of the comfortable cues to comprehension-poetry that is frequently non-narrative, non-representational, and indeterminate in subject, theme, or message. Book jacket.
| Author | : Tan Lin |
| Publisher | : Wesleyan University Press |
| Total Pages | : 224 |
| Release | : 2010-03-01 |
| Genre | : Poetry |
| ISBN | : 0819569887 |
Winner of the Association for Asian American Studies Book Award in Poetry (2012) How do we read a book as an object in a network, in a post-book, post-reading, meta-data environment? Seven Controlled Vocabularies models a generic book, a kind of field guide to the arts, wherein distinctions between various aesthetic disciplines are relaxed or dissolved and where avant-garde notions of difficulty are replaced with more relaxing and ambient formats such as yoga, disco, and meditation. Each of the book’s seven sections is devoted to a particular art form—film, photography, painting, the novel, architecture, music, and theory—and includes both text and found photographs as it explores the idea of what it means to be a book in an era when reading is disappearing into a diverse array of cultural products, media formats, and aesthetic practices. Seven Controlled Vocabularies will be available in a variety of print and electronic book delivery systems and formats.
| Author | : Paul Stephens |
| Publisher | : U of Minnesota Press |
| Total Pages | : 260 |
| Release | : 2015-07-30 |
| Genre | : Literary Criticism |
| ISBN | : 1452944105 |
Information overload is a subject of vital, ubiquitous concern in our time. The Poetics of Information Overload reveals a fascinating genealogy of information saturation through the literary lens of American modernism. Although technology has typically been viewed as hostile or foreign to poetry, Paul Stephens outlines a countertradition within twentieth- and twenty-first-century literature in which avant-garde poets are centrally involved with technologies of communication, data storage, and bureaucratic control. Beginning with Gertrude Stein and Bob Brown, Stephens explores how writers have been preoccupied with the effects of new media since the advent of modernism. He continues with the postwar writing of Charles Olson, John Cage, Bern Porter, Hannah Weiner, Bernadette Mayer, Lyn Hejinian, and Bruce Andrews, and concludes with a discussion of conceptual writing produced in the past decade. By reading these works in the context of information systems, Stephens shows how the poetry of the past century has had, as a primary focus, the role of data in human life.
| Author | : Andrea Andersson |
| Publisher | : University of Toronto Press |
| Total Pages | : 429 |
| Release | : 2018-01-01 |
| Genre | : Art |
| ISBN | : 1442649844 |
Postscript is the first collection of writings on the subject of conceptual writing by a diverse field of scholars in the realms of art, literature, media, as well as the artists themselves
| Author | : Tan Lin |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Fiction |
| ISBN | : 9780984647514 |
Fiction. Literary Nonfiction. Cross-Genre. Art. Asian American Studies. Tan Lin's INSOMNIA AND THE AUNT is an ambient novel composed of black and white photographs, postcards, Google reverse searches, letters, appendices, an index to an imaginary novel, reruns, and footnotes. The aunt in question can't sleep. She runs a motel in the Pacific Northwest. She likes watching Conan O'Brien late at night. She may be the narrator's aunt or she may be an emanation of a TV set. Structured like everybody's scrapbook, and blending fiction with nonfictional events, INSOMNIA AND THE AUNT is about identities taken and given up, and about the passions of an immigrant life, rebroadcast as furniture. Ostensibly about a young man's disintegrating memory of his most fascinating relative, or potentially a conceptualist take on immigrant literature, it is probably just a treatment for a prime-time event that, because no one sleeps in motels, lasts into the late night and daytime slots.
| Author | : Tan Lin |
| Publisher | : Sun and Moon Press |
| Total Pages | : 192 |
| Release | : 1996 |
| Genre | : Poetry |
| ISBN | : |
In these highly original poems, the young American Chinese poet, Tan Lin, "sets tooth on the treetops" as language twists and tumbles over itself like a "Chickory Lickery Bock". In this marvelous celebration of language, Tan Lin explores "a meditation backwards", inventing new poetic structures and forms as he creates a dialogue between himself and the significant other Reader.
| Author | : Nathan Brown |
| Publisher | : Fordham Univ Press |
| Total Pages | : 312 |
| Release | : 2017-01-02 |
| Genre | : Science |
| ISBN | : 0823274780 |
Poetry, or poiēsis, has long been understood as a practice of making. But how are experiments in the making of poetic forms related to formal making in science and engineering? The Limits of Fabrication takes up this question in the context of recent developments in nanoscale materials science, investigating concepts and ideologies of form at stake in new approaches to material construction. Tracing the direct pertinence of fields crucial to the new materials science (nanotechnology, biotechnology, crystallography, and geodesic design) in the work of Shanxing Wang, Caroline Bergvall, Christian Bök, and Ronald Johnson back to the midcentury development of Charles Olson’s “objectist” poetics, Nathan Brown carves out a tradition of constructivist, nonorganic poetics that has developed in conversation with science and engineering. While proposing a new approach to the relation of technē (craft, skill) and poiēsis (making, forming), this book also intervenes in philosophical debates concerning the concept of the object, the distinction between organic and inorganic matter, theories of self-organization, and the relation between “design” and “nature.” Engaging with Heidegger, Agamben, Whitehead, Stiegler, and Nancy, Brown shows that materials science and materialist poetics offer crucial resources for thinking through the direction of contemporary materialist philosophy.
| Author | : Tan Lin |
| Publisher | : Zasterle Press |
| Total Pages | : 104 |
| Release | : 2009 |
| Genre | : Poetry |
| ISBN | : |
Poetry. Cross-genre. HEATH (PLAGIARISM/OUTSOURCE) exists somewhere between a Project Gutenberg version of Samul Pepys Diary and a minute-to-minute news feed and blog of Heath Ledger's death. Sad, appropriated, lyrical and confused, the book contains a brief history of recent performance art, a legal defense of plagiarism, the diary of a poetry workshop at the Asian American Writer's Workshop, an MP3 protest song, and an examination of SMS and GMS technologies as distribution networks for human sadness. Multi-authored, and with numerous text blocks and photos, HEATH (PLAGIARISM/OUTSOURCE), NOTES TOWARDS THE DEFINITION OF CULTURE, UNTITLED HEATH LEDGER PROJECT, A HISTORY OF THE SEARCH ENGINE, DISCO OS is in full color.
