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Bidar

Bidar
Author: Ghulam Yazdani
Publisher:
Total Pages: 522
Release: 1947
Genre: Architecture
ISBN:

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Bidar, Its History and Monuments

Bidar, Its History and Monuments
Author: Ghulam Yazdani
Publisher: Motilal Banarsidass Publishe
Total Pages: 394
Release: 1947
Genre: Architecture
ISBN:

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Proceedings of the Ninth Conference of the European Society for Central Asian Studies

Proceedings of the Ninth Conference of the European Society for Central Asian Studies
Author: Tomasz Gacek
Publisher: Cambridge Scholars Publishing
Total Pages: 480
Release: 2009-10-02
Genre: Art
ISBN: 1443815020

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This is an important book which will greatly aid readers in their knowledge of Central Asia, one of the crucial regions in the contemporary world. It contains papers reflecting the interdisciplinary quality of recent research carried out in many academic institutions dealing with the region. In this volume, which undertakes the supreme challenge of understanding this vast area of Eurasia, acknowledged experts offer their findings on such important topics as history, archaeology, sociology, anthropology, language, literature, religion, philosophy, civil society and human rights, political science, economics and the environment. This collection undoubtedly constitutes a key gateway to study of the region through the advanced, accurate and scholarly information required by contemporary academia.


Muqarnas, Volume 27

Muqarnas, Volume 27
Author: Gülru Necipoğlu
Publisher: BRILL
Total Pages: 452
Release: 2010-11-11
Genre: Art
ISBN: 9004191100

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Muqarnas: An Annual on the Visual Cultures of the Islamic World is sponsored by the Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. The articles in Muqarnas 27 address topics such as spolia in medieval Islamic architecture, Islamic coinage in the seventh century, the architecture of the Alhambra from an environmental perspective, and Ottoman–Mamluk gift exchange in the fifteenth century. The volume also features a new section, entitled “Notes and Sources”, with pieces highlighting primary sources such as Akbar’s Kathāsaritsāgara. Contributors include Ebba Koch, Elizabeth Lambourn, Elias Muhanna, Rina Avner, Kathryn Moore, Alicia Walker, Todd Willmert, Julia Gonnella, Zeynep Ertuğ, Jere Bacharach, Persis Berlekamp, Heike Franke, Vincenza Garofalo, and Fabrizio Agnello.


BRIEF CULTURAL HISTORY OF BASAVAKALYANA

BRIEF CULTURAL HISTORY OF BASAVAKALYANA
Author: Dr. Shivakumar V. Uppe
Publisher: Ashok Yakkaldevi
Total Pages: 200
Release: 2022-07-30
Genre: Art
ISBN: 1387847864

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Religion has played a very important role in India from remotest times. It has moulded the individual life and has greatly influenced the social and cultural life also. In fact in India religion has been an inseparable part of the life of an individual as also of the society as a whole. There is religion to believe that even in pre and Post-historical man pursued some religious practices or the other though it is difficult to find out their exact nature. Right from the Vedic day's religion has served as the foundation of social and cultural life of the Indian people1. The Chalukyas were a Scythian race, and derived their origin from one of the four classes of Buddhist followers called Chailaka'. They claimed their descent from Manu through Hariti, and were known as Agnikulas, from their devotion to the worship of fire. They were included in the thirty-six races of the Kshattriyas, and belonged to the lunar family.


The Courts of the Deccan Sultanates

The Courts of the Deccan Sultanates
Author: Emma J. Flatt
Publisher: Cambridge University Press
Total Pages: 339
Release: 2019-07-18
Genre: History
ISBN: 1108481930

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Illuminates the centrality of courtliness in the political and cultural life of the Deccan in the fifteenth and sixteenth centuries.


Safavid Persia in the Age of Empires

Safavid Persia in the Age of Empires
Author: Charles Melville
Publisher: Bloomsbury Publishing
Total Pages: 467
Release: 2021-02-25
Genre: History
ISBN: 0755633806

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The sixteenth and seventeenth centuries saw the establishment of the new Safavid regime in Iran. Along with reuniting the Persian lands under one rule, the Safavids initiated the radical transformation of the religious landscape by introducing Imami Shi'ism as the official state faith and in this as in other ways, laying the foundations of Iran's modern identity. In this book, leading scholars of Iranian history, culture and politics examine the meaning of the idea of Iran in the Safavid period by examining contemporary experiences of both insiders and outsiders, asking how modern scholarship defines the distinctive features of the age. While sometimes viewed as a period of decline from the high points of classical Persian literature and the visual arts of preceding centuries, the chapters of this book demonstrate that the Safavid era was nevertheless a period of great literary and artistic activity in the realms of both secular and theological endeavour. With the establishment of comparable polities across western, southern and central Asia at broadly the same time, the book explores some of the literary and political interactions with Iran's Ottoman, Mughal and Uzbek neighbours. As the volume and frequency of European merchants and diplomats visiting Safavid Persia increased, especially in the seventeenth century, and as more Iranians recorded their own travel experiences to surrounding Muslim lands, the Safavid period is the first in which we can document and explore the contours of Iran's place in an expanding world, and gain insights into how Iranians saw themselves and others saw them.


Under the Adorned Dome, Four Essays on the Arts of Iran and India

Under the Adorned Dome, Four Essays on the Arts of Iran and India
Author: Yves Porter
Publisher: BRILL
Total Pages: 302
Release: 2023-09-29
Genre: Art
ISBN: 9004549722

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These essays are the revised and updated version of four lectures given in the Yarshater Lecture Series, at SOAS in London in 2013. They concern some aspects of the arts from pre-modern Iran and India, namely, the “making of” of Persian illustrated manuscripts, the iconography of Kashan wares, the use and re-use of luster tiles in Ilkhanid Iran, and the glazed tiles made in three Indian sultanates (Delhi, Bengal and Malwa). These four topics share concepts of influence and impact, although inflected on different modes. The productions they embody represent many poles of influence, even if working on different scales, from the extensive diffusion of products, techniques, and systems to almost isolated productions.