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Between God and Gangsta Rap

Between God and Gangsta Rap
Author: Michael Eric Dyson
Publisher: Oxford University Press, USA
Total Pages: 248
Release: 1996
Genre: Art
ISBN:

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Arguing that the richness of black culture today can be found in the interstices between God and gangsta' rap, Dyson charts the progress and pain of African Americans over the past decade, and brings together writings on music, religion, politics, and identity to offer a multi-faceted view of black life.


Between God And Gangsta Rap

Between God And Gangsta Rap
Author: Michael Eric Dyson
Publisher: Turtleback Books
Total Pages:
Release: 1997-01-01
Genre: Social Science
ISBN: 9781417650484

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Offering a multifaceted view of African American issues, a collection of essays brings together writings on music, religion, politics, and identity


The Michael Eric Dyson Reader

The Michael Eric Dyson Reader
Author: Michael Eric Dyson
Publisher: Civitas Books
Total Pages: 590
Release: 2004
Genre: Social Science
ISBN: 9780465017683

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Presents a collection of writings that discuss such topics as racism, sexuality, affirmative action, hip hop music, and black intellectuals.


Rap and Religion

Rap and Religion
Author: Ebony A. Utley
Publisher: Bloomsbury Publishing USA
Total Pages: 182
Release: 2012-06-11
Genre: Music
ISBN:

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This book provides an enlightening, representative account of how rappers talk about God in their lyrics—and why a sense of religion plays an intrinsic role within hip hop culture. Why is the battle between good and evil a recurring theme in rap lyrics? What role does the devil play in hip hop? What exactly does it mean when rappers wear a diamond-encrusted "Jesus" around their necks? Why do rappers acknowledge God during award shows and frequently include prayers in their albums? Rap and Religion: Understanding the Gangsta's God tackles a sensitive and controversial topic: the juxtaposition—and seeming hypocrisy—of references to God within hip hop culture and rap music. This book provides a focused examination of the intersection of God and religion with hip hop and rap music. Author Ebony A. Utley, PhD, references selected rap lyrics and videos that span three decades of mainstream hip hop culture in America, representing the East Coast, the West Coast, and the South in order to account for how and why rappers talk about God. Utley also describes the complex urban environments that birthed rap music and sources interviews, award acceptance speeches, magazine and website content, and liner notes to further explain how God became entrenched in hip hop.


Nuthin' but a "G" Thang

Nuthin' but a
Author: Eithne Quinn
Publisher: Columbia University Press
Total Pages: 269
Release: 2004-11-17
Genre: Music
ISBN: 0231518102

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In the late 1980s, gangsta rap music emerged in urban America, giving voice to—and making money for—a social group widely considered to be in crisis: young, poor, black men. From its local origins, gangsta rap went on to flood the mainstream, generating enormous popularity and profits. Yet the highly charged lyrics, public battles, and hard, fast lifestyles that characterize the genre have incited the anger of many public figures and proponents of "family values." Constantly engaging questions of black identity and race relations, poverty and wealth, gangsta rap represents one of the most profound influences on pop culture in the last thirty years. Focusing on the artists Ice Cube, Dr. Dre, the Geto Boys, Snoop Dogg, and Tupac Shakur, Quinn explores the origins, development, and immense appeal of gangsta rap. Including detailed readings in urban geography, neoconservative politics, subcultural formations, black cultural debates, and music industry conditions, this book explains how and why this music genre emerged. In Nuthin'but a "G" Thang, Quinn argues that gangsta rap both reflected and reinforced the decline in black protest culture and the great rise in individualist and entrepreneurial thinking that took place in the U.S. after the 1970s. Uncovering gangsta rap's deep roots in black working-class expressive culture, she stresses the music's aesthetic pleasures and complexities that have often been ignored in critical accounts.


Does God Listen to Rap?

Does God Listen to Rap?
Author: Curtis Allen
Publisher: Cruciform Press
Total Pages: 72
Release: 2013-11-01
Genre: Religion
ISBN: 1936760789

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A lot of people think that if there is one style of music in the world that God hates, it has got to be rap. Some have even gone so far as to call rap, “An unclean thing before the Lord.” They don’t believe something originally associated with so much evil can ever be redeemed for God’s glory. Lots of other people love and accept rap as their preferred form of musical expression. Many of these who are Christians can’t imagine why God would have any issues with rap – at least, not with songs by believers that encourage and edify them in the faith. Who’s right? And maybe more importantly, who cares? You should. And here’s why. In the past 30 years, rap music has become a vital artistic and cultural force globally, and it’s showing no signs of slowing down. Like it or not, you are probably exposed to rap in one form or another on a fairly regular basis. If you’re interested in this book you may be a believer in Jesus who likes rap a lot, and as Christians, when we love something that is (if you hadn’t noticed) closely associated with sin and rebellion, our justification for being involved with it really does need to go beyond, “Dude, this is good stuff.” But maybe you’re in a different category. Maybe you’re a Christian parent, concerned that rap music may have a negative impact on your child. Maybe you’re a youth pastor worried about having a rap concert at his church because of the potential pushback. Or maybe you’re just a rap fan who is curious to see if there’s even any biblical evidence for or against rap. To put it simply, if you’ve made it this far, this book is probably for you. Does God Listen to Rap? covers two areas. First, it presents a sociological history of the emergence and development of rap. If you enjoy rap and hip hop culture, you’ll love this part of the book. Then the book explores the Scriptures to bring some biblical (not just personal or anecdotal) resolution to the question of God and rap. Ultimately, this involves a set of larger questions involving God and the arts. This is more than just an apologetic for rap music, this is a biblical way to think about how Christians can be in the world yet not of the world, and how they can express themselves to the glory of God. So, does God listen to rap? Come find out.


Encyclopedia of Hip Hop Literature

Encyclopedia of Hip Hop Literature
Author: Tarshia L. Stanley
Publisher: Bloomsbury Publishing USA
Total Pages: 312
Release: 2008-12-30
Genre: Literary Criticism
ISBN: 031334390X

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Hip Hop literature, also known as urban fiction or street lit, is a type of writing evocative of the harsh realities of life in the inner city. Beginning with seminal works by such writers as Donald Goines and Iceberg Slim and culminating in contemporary fiction, autobiography, and poetry, Hip Hop literature is exerting the same kind of influence as Hip Hop music, fashion, and culture. Through more than 180 alphabetically arranged entries, this encyclopedia surveys the world of Hip Hop literature and places it in its social and cultural contexts. Entries cite works for further reading, and a bibliography concludes the volume. Coverage includes authors, genres, and works, as well as on the musical artists, fashion designers, directors, and other figures who make up the context of Hip Hop literature. Entries cite works for further reading, and the encyclopedia concludes with a selected, general bibliography. Students in literature classes will value this guide to an increasingly popular body of literature, while students in social studies classes will welcome its illumination of American cultural diversity.


Rebels with Insufficient Cause

Rebels with Insufficient Cause
Author: J. M. Sparrow
Publisher: Wipf and Stock Publishers
Total Pages: 128
Release: 2018-09-19
Genre: Religion
ISBN: 153265295X

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Why are Americans of African descent, as a group, not flourishing like other racial groups in America? Dr. J. M. Sparrow, in Rebels with Insufficient Cause, proposes that value formation through the biblical model of the family is lacking. The secular world is redefining and reinterpreting the social structures that God created in order for humans to enjoy maximum human flourishing. Every person or social group that chooses to ignore God's designs for humanity will experience chaos, but every person and social group that submits to God's designs for humanity will experience order. Americans of African descent are experiencing that chaos in greater measure than any other racial group. Since this book holds to a biblical worldview that teaches that all humans are created equal, Americans of African descent are not inherently more debased than other races. However, since the out-of-wedlock birth rate is astronomically higher in black communities than in others, they are experiencing a greater share of the chaos. Yet all is not lost. When Americans of African descent begin to hold up the truths of the Bible as normative and encourage future generations to practice the same, things will begin to turn around. Americans of African descent must choose to reject the victim mentality, see themselves as part of the larger American culture rather than as outsiders, and inculcate biblical values on their children in the midst of loving, supportive, and God-honoring family units.


Religion and Hip Hop

Religion and Hip Hop
Author: Monica R. Miller
Publisher: Routledge
Total Pages: 222
Release: 2013
Genre: Music
ISBN: 0415628571

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This title brings together the category of religion, hip hop cultural modalities and the demographic of youth. Bringing postmodern theory and critical approaches in the study of religion to bear on hip hop cultural practices, the book examines how scholars in have deployed and approached religion when analyzing hip hop data.


To Live and Defy in LA

To Live and Defy in LA
Author: Felicia Angeja Viator
Publisher: Harvard University Press
Total Pages: 353
Release: 2020-02-25
Genre: Social Science
ISBN: 0674976363

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How gangsta rap shocked America, made millions, and pulled back the curtain on an urban crisis. How is it that gangsta rap—so dystopian that it struck aspiring Brooklyn rapper and future superstar Jay-Z as “over the top”—was born in Los Angeles, the home of Hollywood, surf, and sun? In the Reagan era, hip-hop was understood to be the music of the inner city and, with rare exception, of New York. Rap was considered the poetry of the street, and it was thought to breed in close quarters, the product of dilapidated tenements, crime-infested housing projects, and graffiti-covered subway cars. To many in the industry, LA was certainly not hard-edged and urban enough to generate authentic hip-hop; a new brand of black rebel music could never come from La-La Land. But it did. In To Live and Defy in LA, Felicia Viator tells the story of the young black men who built gangsta rap and changed LA and the world. She takes readers into South Central, Compton, Long Beach, and Watts two decades after the long hot summer of 1965. This was the world of crack cocaine, street gangs, and Daryl Gates, and it was the environment in which rappers such as Ice Cube, Dr. Dre, and Eazy-E came of age. By the end of the 1980s, these self-styled “ghetto reporters” had fought their way onto the nation’s radio and TV stations and thus into America’s consciousness, mocking law-and-order crusaders, exposing police brutality, outraging both feminists and traditionalists with their often retrograde treatment of sex and gender, and demanding that America confront an urban crisis too often ignored.