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Before Modernism

Before Modernism
Author: Virginia Jackson
Publisher: Princeton University Press
Total Pages: 320
Release: 2023-02-14
Genre: History
ISBN: 0691232806

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"In Before Modernism: Inventing American Lyric, Virginia Jackson argues that in the late eighteenth and early nineteenth centuries, Black poetics, in antagonism with White poetics, produced the conditions for the invention of modern American poetry. This is not a history of American poetry that begins with the Puritans and stretches to the present, or that jumps from the British Romantics to Walt Whitman, or that restricts the influence of African American poetry to a separate tradition; instead, this book emphasizes the many ways in which early Black poets invented what Phillis Wheatley Peters called "the deep design" of American lyric. Through readings of the poetics of Wheatley Peters, George Moses Horton, James Monroe Whitfield, and Frances Ellen Watkins Harper-as well as the poetics of now-neglected but once-popular White poets William Cullen Bryant and Henry Wadsworth Longfellow-Jackson suggests that Black poetics inspired the direction that American poetics has taken for the last two centuries. Thus this book represents not only a new history but a new theory of American poetry. Over the late eighteenth and early nineteenth centuries, as an idea of poetry based on genres of poems (ballads, elegies, odes, hymns, drinking songs, epistles, etc.) gave way to an idea of poetry based on genres of people (Black, White, male, female, Indigenous, etc.), almost all poetry became lyric poetry. Like everything else in America, what we now think lyric is can be traced back to the twisted paths that have determined what we now think people are and can be. This book tells that story, the story of American lyric"--


Before Modernism Was

Before Modernism Was
Author: G. Gilbert
Publisher: Springer
Total Pages: 240
Release: 2004-09-08
Genre: Literary Criticism
ISBN: 0230510213

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Before Modernism Was places modernist writing within the texture of modern history. Texts by Woolf, James, Freud, Wyndham Lewis, Stein, Malinowski, and others are read through a range of figures that construct and disrupt modern meaning: the ghost that affects the value of your property; the sulky, graceless adolescent; the Pole who may not be Polish; the nervous owner of the dog; the addict and her smoke. Eccentric to its institutions, these figures are central to the constituency of modernism.


Modernism's History

Modernism's History
Author: Bernard Smith
Publisher: Yale University Press
Total Pages: 396
Release: 1998-01-01
Genre: Art
ISBN: 9780300073928

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The history of twentieth-century visual arts can no longer be written as a succession of avant-garde movements, contends eminent art historian Bernard Smith in this stimulating book. He argues that a return to the concept of period style is inevitable and that modernism--the dominant "style" of art that emerged at the end of the nineteenth century and continued through the 1960s--deserves recognition as a period style. Smith renames this period Formalesque since it is no longer modern and since it emphasizes the formal values of art more than any previous period does. In a wide-ranging reformulation of art history in the twentieth century, the author defines the nature and development of Formalesque--an avant-garde style that arose between 1890 and the First World War, was institutionalized between the world wars, and flourished anew between 1945 and 1960. Identifying the Formalesque period, says Smith, makes it possible also to identify dialectical adversaries, such true oppositional avant-garde styles of the twentieth century as Dada, Surrealism, and the Neue Sachlichkeit. These constitute the formative elements of the modernism--now called postmodernism--that became increasingly dominant after 1960. The author locates twentieth-century artistic movements and developments in a broad cultural context and concludes with a thought-provoking examination of the relation between the Formalesque and European and American cultural imperialism.


Inventing American Modernism

Inventing American Modernism
Author: Jill E. Pearlman
Publisher: University of Virginia Press
Total Pages: 300
Release: 2007
Genre: Architecture
ISBN: 9780813926025

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"In this book Jill Pearlman argues that Gropius did not effect changes alone and, further, that the Harvard Graduate School of Design was not merely an offshoot of the Bauhaus. - She offers a crucial missing piece to the story - and to the history of modern architecture - by focusing on Joseph Hudnut, the school's dean and founder."--BOOK JACKET.


Art History After Modernism

Art History After Modernism
Author: Hans Belting
Publisher: University of Chicago Press
Total Pages: 246
Release: 2003-08
Genre: Art
ISBN: 9780226041841

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"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all. So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, The End of the History of Art?. "Known for his striking and original theories about the nature of art," according to the Economist, Belting here examines how art is made, viewed, and interpreted today. Arguing that contemporary art has burst out of the frame that art history had built for it, Belting calls for an entirely new approach to thinking and writing about art. He moves effortlessly between contemporary issues—the rise of global and minority art and its consequences for Western art history, installation and video art, and the troubled institution of the art museum—and questions central to art history's definition of itself, such as the distinction between high and low culture, art criticism versus art history, and the invention of modernism in art history. Forty-eight black and white images illustrate the text, perfectly reflecting the state of contemporary art. With Art History after Modernism, Belting retains his place as one of the most original thinkers working in the visual arts today.


Making Ballet American

Making Ballet American
Author: Andrea Harris
Publisher: Oxford University Press
Total Pages: 289
Release: 2018
Genre: Music
ISBN: 0199342245

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Situating ballet within twentieth-century modernism, this book brings complexity to the history of George Balanchine's American neoclassicism. It intervenes in the prevailing historical narrative and rebalances Balanchine's role in dance history by revealing the complex social, cultural, and political forces that actually shaped the construction of American neoclassical ballet.


American Legal Thought from Premodernism to Postmodernism

American Legal Thought from Premodernism to Postmodernism
Author: Stephen M. Feldman
Publisher: Oxford University Press
Total Pages: 285
Release: 2000-01-20
Genre: Law
ISBN: 019802696X

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The intellectual development of American legal thought has progressed remarkably quickly form the nation's founding through today. Stephen Feldman traces this development through the lens of broader intellectual movements and in this work applies the concepts of premodernism, modernism, and postmodernism to legal thought, using examples or significant cases from Supreme Court history. Comprehensive and accessible, this single volume provides an overview of the evolution of American legal thought up to the present.


Modernism the Lure of Heresy

Modernism the Lure of Heresy
Author: Peter Gay
Publisher: W. W. Norton & Company
Total Pages: 664
Release: 2008
Genre: Architecture
ISBN: 9780393052053

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This is a brilliant, provocative long essay on the rise and fall and survival of modernism, by the English-languages' greatest living cultural historian.


Art History and Its Institutions

Art History and Its Institutions
Author: Elizabeth Mansfield
Publisher: Psychology Press
Total Pages: 360
Release: 2002
Genre: Art
ISBN: 9780415228688

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"What is art history? The answer depends on who asks the question. Museum staff, academics, art critics, collectors, dealers and artists themselves all stake competing claims to the aims, methods, and history of art history. Dependent on and sustained by different - and often competing - institutions, art history remains a multi-faceted field of study. Art History and Its Institutions focuses on the professional and institutional formation of art history, showing how the discourses that shaped its creation continue to define the field today. Grouped into three sections, articles examine the sites where art history is taught and studied, the role of institutions in conferring legitimacy, the relationship between modernism and art history, and the systems that define and control it. From museums and universities to law courts and photography studios, the contributors explore a range of different institutions, revealing the complexity of their interaction and their impact on the discipline of art history." --BOOK JACKET.


Modernism, History and the First World War

Modernism, History and the First World War
Author: Trudi Tate
Publisher: Humanities-Ebooks
Total Pages: 204
Release: 2013-01-01
Genre: History
ISBN: 1847602401

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Drawing upon medical journals, newspapers, propaganda, military histories, and other writings of the day, 'Modernism, History and the First World War' reads such writers as Woolf, HD, Ford, Faulkner, Kipling, and Lawrence alongside fiction and memoirs of soldiers and nurses who served in the war. This ground breaking blend of cultural history and close readings shows how modernism after 1914 emerges as a strange but important form of war writing, and was profoundly engaged with its own troubled history.