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| Author | : Sidney Homan |
| Publisher | : Bucknell University Press |
| Total Pages | : 270 |
| Release | : 1984 |
| Genre | : Literary Criticism |
| ISBN | : 9780838750643 |
The work focuses on the practical and philosophic sides of performance, set within the context of Beckett's own aesthetic theory, his fiction and poetry, as well as a history of the critical and scholarly studies of his work. Winner of the Bucknell University Press Award.
| Author | : Kirsten E. Shepherd-Barr |
| Publisher | : Columbia University Press |
| Total Pages | : 397 |
| Release | : 2015-03-03 |
| Genre | : Performing Arts |
| ISBN | : 0231538928 |
Evolutionary theory made its stage debut as early as the 1840s, reflecting a scientific advancement that was fast changing the world. Tracing this development in dozens of mainstream European and American plays, as well as in circus, vaudeville, pantomime, and "missing link" performances, Theatre and Evolution from Ibsen to Beckett reveals the deep, transformative entanglement among science, art, and culture in modern times. The stage proved to be no mere handmaiden to evolutionary science, though, often resisting and altering the ideas at its core. Many dramatists cast suspicion on the arguments of evolutionary theory and rejected its claims, even as they entertained its thrilling possibilities. Engaging directly with the relation of science and culture, this book considers the influence of not only Darwin but also Lamarck, Chambers, Spencer, Wallace, Haeckel, de Vries, and other evolutionists on 150 years of theater. It shares significant new insights into the work of Ibsen, Shaw, Wilder, and Beckett, and writes female playwrights, such as Susan Glaspell and Elizabeth Baker, into the theatrical record, unpacking their dramatic explorations of biological determinism, gender essentialism, the maternal instinct, and the "cult of motherhood." It is likely that more people encountered evolution at the theater than through any other art form in the late nineteenth and early twentieth centuries. Considering the liveliness and immediacy of the theater and its reliance on a diverse community of spectators and the power that entails, this book is a key text for grasping the extent of the public's adaptation to the new theory and the legacy of its representation on the perceived legitimacy (or illegitimacy) of scientific work.
| Author | : Lois Oppenheim |
| Publisher | : University of Michigan Press |
| Total Pages | : 336 |
| Release | : 1997 |
| Genre | : Literary Criticism |
| ISBN | : 9780472084364 |
Interviews with and essays by twenty-two prominent directors of Samuel Beckett's work
| Author | : N. Bianchini |
| Publisher | : Springer |
| Total Pages | : 204 |
| Release | : 2015-02-10 |
| Genre | : Literary Criticism |
| ISBN | : 1137439866 |
A study of the 30-year collaboration between playwright Samuel Beckett and director Alan Schneider, Bianchini reconstructs their shared American productions between 1956 and 1984. By examining how Beckett was introduced to American audiences, this book leads into a wider historical discussion of American theatre in the mid-to-late 20th century.
| Author | : Dougald McMillan |
| Publisher | : Riverrun Press |
| Total Pages | : 334 |
| Release | : 1988 |
| Genre | : Literary Criticism |
| ISBN | : 9780714541518 |
| Author | : Charles A. Carpenter |
| Publisher | : A&C Black |
| Total Pages | : 525 |
| Release | : 2011-10-13 |
| Genre | : Reference |
| ISBN | : 144117852X |
A selectively comprehensive bibliography of the vast literature about Samuel Beckett's dramatic works, arranged for the efficient and convenient use of scholars on all levels.
| Author | : Anthony Paraskeva |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 224 |
| Release | : 2017-02-23 |
| Genre | : Literary Criticism |
| ISBN | : 1472533232 |
In 1936, Samuel Beckett wrote a letter to the Soviet film director Sergei Eisenstein expressing a desire to work in the lost tradition of silent film. The production of Beckett's Film in 1964, on the cusp of his work as a director for stage and screen, coincides with a widespread revival of silent film in the period of cinema's modernist second wave. Drawing on recently published letters, archival material and production notebooks, Samuel Beckett and Cinema is the first book to examine comprehensively the full extent of Beckett's engagement with cinema and its influence on his work for stage and screen. The book situates Beckett within the context of first and second wave modernist filmmaking, including the work of figures such as Vertov, Keaton, Lang, Epstein, Flaherty, Dreyer, Godard, Bresson, Resnais, Duras, Rogosin and Hitchcock. By examining the parallels between Beckett's methods, as a writer-director, and particular techniques, such as the embodied presence of the camera, the use of asynchronous sound, and the cross-pollination of theatricality and cinema, as well as the connections between his collaborators and the nouvelle vague, the book reveals how Beckett's aesthetic is fundamentally altered by his work for the screen, and his formative encounters with modernist film culture.
| Author | : Peter John Murphy |
| Publisher | : Boydell & Brewer |
| Total Pages | : 196 |
| Release | : 1994 |
| Genre | : Literary Criticism |
| ISBN | : 9781879751934 |
A survey of Beckett criticism in English, French and German. Samuel Beckett (1906-1989) is an important figure in 20th century literary history: his plays, such as Waiting for Godot and Endgame, have acquired a world-wide reputation, and his novels have proved important touchstones for the critical debates in contemporary literary theory. Born in Dublin, Beckett spent most of his writing life in France and wrote equally well in French and English; his German was also fluent, allowing him to direct hisown plays in German theatres. Any attempt to deal with Beckett must therefore consider the critical response his works have provoked in all three languages. A Critique of Beckett Criticism is the first attempt in book formto give a comprehensive survey of the history and scope of Beckett criticism in French, English, and German. Three parallel chapters examine the three major strands of Beckett criticism, retracing its development using a historical perspective and pointing out different trends, currents and fashions in opinion. Directions for further research are also suggested. P.J. MURPHY is a lecturer in contemporary British literature at the University College of the Cariboo, British Columbia; WERNER HUBER is a professor of English literature at Chemnitz University of Technology; ROLF BREUER is professor of English literature at the University of Paderborn; KONRAD SCHOELL is professor of French literature at the Pädagogische Hochschule Erfurt.
| Author | : Gina Masucci MacKenzie |
| Publisher | : |
| Total Pages | : 200 |
| Release | : 2008 |
| Genre | : English drama |
| ISBN | : |
The Theatre of the Real: Yeats, Beckett, and Sondheim traces the thread of jouissance (the simultaneous experience of radical pleasure and pain) through three major theatre figures of the twentieth century. Gina Masucci MacKenzie's work engages theatrical text and performance in dialogue with the Lacanian Real, so as to re-envision modern theatre as the cultural site where author, actor, and audience come into direct contact with personal and collective traumas. By showing how a transgressively free subject may be formed through theatrical experience, MacKenzie concludes that modern theatre can liberate the individual from the socially constructed self. The Theatre of the Real revises views of modern theatre by demonstrating how it can lead to a collaborative effort required for innovative theatrical work. By foregrounding Yeats's "dancer" plays, the author shows how these intimate pieces contribute to the historical development of musical as well as modern theatre. Beckett's universal dramas then pave the way for Sondheim's postmodern cacophonies of idea and spirit as they introduce comic abjection into modernism's tragic mode. This exciting work from a new author will leave readers with fresh insight to theatrical performance and its necessity in our lives.
| Author | : S. E. Gontarski |
| Publisher | : Anthem Press |
| Total Pages | : 350 |
| Release | : 2012-12-15 |
| Genre | : Literary Criticism |
| ISBN | : 0857285807 |
“On Beckett: Essays and Criticism” is the first collection of writings about the Nobel Prize–winning author that covers the entire spectrum of his work, and also affords a rare glimpse of the private Beckett. More has been written about Samuel Beckett than about any other writer of this century – countless books and articles dealing with him are in print, and the progression continues geometrically. “On Beckett” brings together some of the most perceptive writings from the vast amount of scrutiny that has been lavished on the man; in addition to widely read essays there are contributions from more obscure sources, viewpoints not frequently seen. Together they allow the reader to enter the world of a writer whose work has left an impact on the consciousness of our time perhaps unmatched by that of any other recent creative imagination.
