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French Furniture and Gilt Bronzes

French Furniture and Gilt Bronzes
Author: J. Paul Getty Museum
Publisher: Getty Publications
Total Pages: 408
Release: 2008
Genre: Art
ISBN: 9780892368747

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"Each object is described and analyzed in terms of its provenance and published history, as well as its construction, materials, and conservation. With its painstaking attention to detail, this volume is the definitive catalogue of the Getty Museum's collection of French Baroque furniture and will be of interest to scholars, conservators, and all students of French decorative arts."--BOOK JACKET.


Library Catalog

Library Catalog
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
Total Pages: 1060
Release: 1960
Genre: Art
ISBN:

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Art and Auctions

Art and Auctions
Author:
Publisher:
Total Pages: 606
Release: 1968
Genre: Art
ISBN:

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Style

Style
Author:
Publisher:
Total Pages: 428
Release: 1963
Genre: Art
ISBN:

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Painting and Sculpture in France, 1700-1789

Painting and Sculpture in France, 1700-1789
Author: Michael Levey
Publisher: Yale University Press
Total Pages: 344
Release: 1993-01-01
Genre: Art
ISBN: 9780300064940

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Discusses the major painters and sculptors of the period during the last years of France's ancien regime - a period that started with Watteau and the fete galante and closed with the revolutionary history paintings of David.


The Studio

The Studio
Author:
Publisher:
Total Pages: 148
Release: 1900
Genre:
ISBN:

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The Tastemakers

The Tastemakers
Author: Diana Davis
Publisher: Getty Publications
Total Pages: 322
Release: 2020-07-07
Genre: Art
ISBN: 1606066412

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An examination of the development, role, and influence of the British decorative art dealers who invented an Anglo-Gallic style for elite interiors. In this volume Diana Davis demonstrates how London dealers invented a new and visually splendid decorative style that combined the contrasting tastes of two nations. Departing from the conventional narrative that depicts dealers as purveyors of antiquarianism, Davis repositions them as innovators who were key to transforming old art objects from ancien régime France into cherished “antiques” and, equally, as creators of new and modified French-inspired furniture, bronze work, and porcelain. The resulting old, new, and reconfigured objects merged aristocratic French eighteenth-century taste with nineteenth-century British preference, and they were prized by collectors, who displayed them side by side in palatial interiors of the period. The Tastemakers analyzes dealer-made furnishings from the nineteenth-century patron’s perspective and in the context of the interiors for which they were created, contending that early dealers deliberately formulated a new aesthetic with its own objects, language, and value. Davis examines a wide variety of documents to piece together the shadowy world of these dealers, who emerge center stage as a traders, makers, and tastemakers.