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| Author | : Wilfried Van Damme |
| Publisher | : BRILL |
| Total Pages | : 442 |
| Release | : 1996 |
| Genre | : Social Science |
| ISBN | : 9789004106086 |
In surveying the field of the anthropology of aesthetics, the author argues that the phenomenon of cultural relativism in easthetic preference may be accounted for by demonstrating that culturally varying notions of beauty are inspired by culturally varying sociocultural ideals.
| Author | : Wilfried van Damme |
| Publisher | : BRILL |
| Total Pages | : 431 |
| Release | : 2021-11-01 |
| Genre | : History |
| ISBN | : 9004451234 |
This is the first study to survey the field of the anthropology of aesthetics, which during the last few decades has emerged on the cross-roads between anthropology and non-Western art scholarship. While critically examining the available literature, thereby addressing such basic issues as the existence of aesthetic universals, the author elaborates on a central thesis which concerns the relationship between aesthetic preference and sociocultural ideals. Drawing on empirical data from several African cultures, he demonstrates that varying notions of beauty are inspired by varying sociocultural ideals, thus shedding light on the phenomenon of cultural relativism in aesthetic preference. Emphasizing unity within diversity, the systematic anthropological approach offered in this volume invites the reader to reconsider aesthetic preference from an empirical, cross-cultural, and contextual perspective.
| Author | : David E. W. Fenner |
| Publisher | : Ohio University Press |
| Total Pages | : 368 |
| Release | : 2008 |
| Genre | : Aesthetics |
| ISBN | : 0804011044 |
Fenner presents an overview of the arguments about the importance of considering relevant context in determining the merit of a work of art.
| Author | : Simon Grote |
| Publisher | : Cambridge University Press |
| Total Pages | : 308 |
| Release | : 2017-10-26 |
| Genre | : History |
| ISBN | : 1107110920 |
This new study of eighteenth-century aesthetic theory situates it in theological contexts that are crucial to explaining why it arose.
| Author | : Milena Ivanova |
| Publisher | : Routledge |
| Total Pages | : 306 |
| Release | : 2020-01-16 |
| Genre | : Philosophy |
| ISBN | : 0429638558 |
This volume builds on two recent developments in philosophy on the relationship between art and science: the notion of representation and the role of values in theory choice and the development of scientific theories. Its aim is to address questions regarding scientific creativity and imagination, the status of scientific performances—such as thought experiments and visual aids—and the role of aesthetic considerations in the context of discovery and justification of scientific theories. Several contributions focus on the concept of beauty as employed by practising scientists, the aesthetic factors at play in science and their role in decision making. Other essays address the question of scientific creativity and how aesthetic judgment resolves the problem of theory choice by employing aesthetic criteria and incorporating insights from both objectivism and subjectivism. The volume also features original perspectives on the role of the sublime in science and sheds light on the empirical work studying the experience of the sublime in science and its relation to the experience of understanding. The Aesthetics of Science tackles these topics from a variety of novel and thought-provoking angles. It will be of interest to researchers and advanced students in philosophy of science and aesthetics, as well as other subdisciplines such as epistemology and philosophy of mathematics.
| Author | : Kathleen M. Higgins |
| Publisher | : Springer |
| Total Pages | : 253 |
| Release | : 2017-03-06 |
| Genre | : Philosophy |
| ISBN | : 331943893X |
This volume examines the motives behind rejections of beauty often found within contemporary art practice, where much critically acclaimed art is deliberately ugly and alienating. It reflects on the nature and value of beauty, asking whether beauty still has a future in art and what role it can play in our lives generally. The volume discusses the possible “end of art,” what art is, and the relation between art and beauty beyond their historically Western horizons to include perspectives from Asia. The individual chapters address a number of interrelated issues, including: art, beauty and the sacred; beauty as a source of joy and consolation; beauty as a bridge between the natural and the human; beauty and the human form; the role of curatorial practice in defining art; order and creativity; and the distinction between art and craft. The volume offers a valuable addition to cross-cultural dialogue and, in particular, to the sparse literature on art and beauty in comparative context. It demonstrates the relevance of the rich tradition of Asian aesthetics and the vibrant practices of contemporary art in Asia to Western discussions about the future of art and the role of beauty.
| Author | : Ronald Moore |
| Publisher | : Broadview Press |
| Total Pages | : 274 |
| Release | : 2007-08-28 |
| Genre | : Philosophy |
| ISBN | : 1770480102 |
Natural Beauty was selected for the Choice Outstanding Academic Title list for 2008! Natural Beauty presents a bold new philosophical account of the principles involved in making aesthetic judgments about natural objects. It surveys historical and modern accounts of natural beauty and weaves elements derived from those accounts into a “syncretic theory” that centers on key features of aesthetic experience—specifically, features that sustain and reward attention. In this way, Moore’s theory sets itself apart from both the purely cognitive and the purely emotive approaches that have dominated natural aesthetics until now. Natural Beauty shows why aesthetic appreciation of works of art and aesthetic appreciation of nature can be mutually reinforcing; that is, how they are cooperative rather than rival enterprises. Moore also makes a compelling case for how and why the experience of natural beauty can contribute to the larger project of living a good life.
| Author | : Dominic McIver Lopes |
| Publisher | : Oxford University Press |
| Total Pages | : 288 |
| Release | : 2018-09-19 |
| Genre | : Philosophy |
| ISBN | : 0192562126 |
No values figure as pervasively and intimately in our lives as beauty and other aesthetic values. They animate the arts, as well as design, fashion, food, and entertainment. They orient us upon the natural world. And we even find them in the deepest insights of science and mathematics. For centuries, however, philosophers and other thinkers have identified beauty with what brings pleasure. Concerned that aesthetic hedonism has led us to question beauty's significance, Dominic McIver Lopes offers an entirely new theory of beauty in this volume. Beauty engages us in action, in concert with others, in the context of social networks. Lopes's 'network theory' explains the social dimension of aesthetic agency, the tie between beauty and pleasure, the importance of disagreement in matters of taste, and the reality of aesthetic values as denizens of the natural world. The two closing chapters shed light on why aesthetic engagement is so important to quality of life, and why it deserves (and gets) lavish public support. Being for Beauty offers a fresh contribution to aesthetics but also to thinking about metanormativity, the metaphysics of value, and virtue theory.
| Author | : Kerry A. Foster |
| Publisher | : FriesenPress |
| Total Pages | : 64 |
| Release | : 2011-12 |
| Genre | : Philosophy |
| ISBN | : 1770970460 |
Beauty In Everything: A journey in Life, Language, and Love is the beginning of Dr. Foster to confront, articulate, and invite others on a personal journey using language dynamically, creatively, and therapeutically in capturing various moments, places, and events. The book's unique features are: it's a journey to see beauty in all of life's moments from: birth to death, a cultural to a spiritual perspective, an individual to a corporate perspective, immaturity to maturity, within nature, experiencing successes and sorrows with empathy and some humor, and seeks to concludes in celebration. Further, the book provides the reader with opportunity to enter the context of the material and experience a therapeutic moment of their own. Dr. Foster at times dives into his being and articulates internal dialogue, and at other times engages theoretical interpersonal dialogue- giving voice to the context. Consequently, Beauty in Everything evolves as therapy in poetry.
| Author | : Martino Rossi Monti |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 256 |
| Release | : 2020-11-11 |
| Genre | : Philosophy |
| ISBN | : 152756200X |
Does art need to be beautiful? Can humour be beautiful? What is the relationship between beauty and mimetic behaviour? What does literature have to do with beauty? What are the limitations of neuroscientific approaches to beauty? Are the experience of beauty and the production of “art” confined to anatomically modern humans? Is the experience of beauty confined to humans at all? These are just some of the questions discussed in this volume. It gathers together authors from different areas of research, including philosophy, history of philosophy, history of ideas, cognitive biology, neuroscience, anthropology and paleoanthropology, in order to investigate some of the most debated aspects of the problem of beauty and aesthetic experience. The volume will appeal to both the general reader and the specialist in the humanities, social sciences and the natural sciences.
